at Martin Gropius Bau presents a broad spectrum of Genzken's extraordinary and exceptionally diverse oeuvre, from her early films, drawings, and concrete sculptures to complex collages and everyday items integrated
into montages.
The editing, by Oscar - winner William Goldenberg (he won for «Argo» and also put together «Zero Dark Thirty,» for which he was also nominated), is brisk and inventive, managing to imbue excitement
into montages in which Omalu is doing nothing more pulse - pounding than looking at a bunch of slides.
Cole and Sophie wind up in Vegas together and run off
into a montage of sexy - dancing set to a Gryffin remix of «Desire» by Years & Years.
Like the compilations on the Punch - Drunk Love («Blossoms and Blood») and There Will Be Blood DVDs, «Back Beyond» (HD) combines outtakes and deleted scenes
into a montage scored by Greenwood.
Director Ryan Coogler and his stars debuted an extended fight scene set in a casino before the reel segued
into a montage set to Kendrick Lamar's «DNA» — the perfect track to mirror T'Challa's journey from Wakandan king to superhero.
In many ways, this film turns
into a montage of great songs and gags concerning these characters.
Instead, Anderson has edited them all together
into a montage.
For Laguna chic, check
into the Montage Laguna Beach, where even the smallest guests have their own club.
This leads
into a montage of the game showing Aloy growing up and training for «The Proving».
Not exact matches
He frequently posts
montages, like this one, that compress his hours of gaming
into one compact video of funny moments.
What sets his videos apart is the quality of his editing — he frequently posts
montages that compress his hours of gaming
into one compact video of funny moments.
(CNN)- As far as Christmas traditions go, nativity scenes are generally quite similar, though local customs often find their way
into such
montages.
After much wrangling, the film - maker's original cut made it
into cinemas, but not before some radical new versions had been tested — including one that The New Yorker says featured a
montage of religious images and ended with a Christian rock song.
If you're
into oatmeal, then you know about Kath's (from Kath Eats)
montage of oats on her site.
It's a delightful rom - com if they roll the last three years
into an opening
montage, where there's nowhere to go but up!
The media play
into it all too, the Sky
montage of Gerrard was him lunging
into a United player for a foul was shown before the game at Anfield.
This illustration is a
montage of photographs, taken from Figure 4 of «Testing Turing's Theory of Morphogenesis in Chemical Cells,» depicting the evolution of physical morphogenesis from an initial homogeneous state (upper left, same volume and color) through a chemically heterogeneous state (center, same volume but different colors) and
into a chemo - physical heterogeneous state (lower right, different volumes and colors).
[TV Weather
montage: «We are breathing dust that at one point originated over Africa... Dust particles are carried 15,000 feet
into the atmosphere... Another dust cloud from Africa's Sahara Desert has made it all the way to Houston.»]
Not only do you get the mandatory workout
montage (complete with motivational 80s rock score), you also get a glimpse
into the technical aspects of training.
Make face photo
montages, custom greeting cards, add vintage filters, turn photos
into sketches and drawings.
After working up the courage to get back
into one part of his usual work, there's a
montage of him training a horse that shows just how difficult the task is, as the light in the backdrop subtly fades with every cut until the sun is almost gone from the sky.
Filmmaker Laurent has infused Breathe with a gritty, slice - of - life feel that's heightened by a series of natural performances, with the various actors effectively transforming their characters
into believable, three - dimensional figures worth rooting for - with the movie's watchable atmosphere perpetuated by Laurent's admittedly impressive sense of style (eg there's a captivating
montage of the aforementioned protagonists» bond developing).
A
montage of the grind of being a mother is also so real and funny in the taxing emotional drainage Marlo is experiencing, from pumping milk to dropping her iPhone on her baby's head to the sleepless nights to dropping dirty diapers
into a diaper genie.
Now Foley and Leonard have given us the sublimely ridiculous «Fifty Shades Freed,» which plunges a once purely transactional arrangement
into full - on matrimonial bliss, starting with a wedding
montage that all but asphyxiates the viewer with white lace.
In place of the emotional stage - setting another film might waste its time on, there is instead a lengthy getting - ready
montage, with drooling close - ups of Anastasia (Dakota Johnson) slipping
into her lacy gown while her husband - to - be Christian (Jamie Dornan) fastens his cufflinks, which look like two enormous platinum Chewits.
Although it is a thriller, a science fiction film, and a horror story all rolled up
into one, potential viewers would be well advised to temper expectations for an exciting plotline or riveting action
montages.
It may be suggested that holding back a finished artwork by an Angulo brother for a late reveal, even if it is only a fumbling entry
into amateur filmmaking, befits a narrative arc that takes the boys from confusion to mastery — with one too many drippy musical
montages as the finish line nears.
Six characters are introduced: After womanizer Cary (Jason Patric) is seen rehearsing make - out lines
into a tape recorder, the scene shifts to a
montage of marrieds as several couples couple between the sheets.
by Bill Chambers There's a
montage about a third of the way
into Michael Cristofer's Gia that marries the peak of Gia Carangi's modelling career to Billy Idol's «Dancing with Myself,» and while I think Cristofer means to underscore Gia's loneliness, he's more successful in drawing a correlation between her bogus moxie (call it «cipherpunk») and, to crib from Robert Christgau, the «cartoonishness of [Idol's] sneering persona.»
Everything from breaking up the movie
into chapters (titles rendered in trendy fonts) to faux - New Wave
montages, to doubling - up on visual information with unnecessary voice - over (for instance, as Hawkins and Considine leave a restaurant together and enter his crystal - covered van, Oliver announces to the viewer: â $ œIt seems dear Mom is having an affair.â $), all provide escapism, not for the audience
into the movie, but for the movie away from itself.
And the final
montage throws everything
into a new light that will either make or break Predestination for you.
Here's some of what Besson cuts
into the action as Professor Norman lectures to the Sorbonne and Lucy gets a grip on what's happening: rapid - fire
montages of wildlife rutting (the credits include a thanks to Howard Hall Productions for «Indian rhino mating»); a caveman inventing fire and sparking man's industrial creativity; and Lucy's namesake, the possible «missing link» between mankind and the ape world, kneeling by a stream and staring
into the camera, as if to ask «Who are you people?»
The reliability of the narrative is frequently challenged: While Gillooly denies the accusations of domestic assault that the film strings
into uneasily comic
montage, Harding pauses while firing a rifle at her husband, insisting the anecdote we're watching is «bullshit.»
There's a pristine
montage of her daily routine of feeding, pumping, changing diapers, and absent sleep, the days just melt
into one another, and it's so horrifying in its mind - numbing execution that it reminded me genuinely of Darren Aronofsky's Requiem for a Dream
montages of drug - abuse and despair.
I was ushered
into a private suite in the
Montage and as I stepped in, I Iooked around and there she was...» MBAKU's MOTHER».
Ritchie condenses this potentially exciting sequence
into a lackluster
montage without any drama or spectacle.
The rest is suspension of disbelief, and a nifty
montage that shows one man aging
into the other.
A training
montage later and that young girl has evolved
into Abigail Breslin's assassin - in - training, ready for her first kill.
One particularly economical
montage shows Josh and Cornelia hooked
into various i - products in their endlessly beige apartment, while Jamie and Darby are sprawled out on colorful vintage furniture watching VHS tapes, listening to vinyl, and playing outmoded board games.
The Main Menu features an animated introduction segueing
into a looped
montage of Totoro, Satsuki and Mei flying around.
It's bad enough that every presenter AC (After Crystal) has insisted on doing the «comedy movie
montage» in which they insert themselves
into the nominated films, a trick Crystal coined and mastered in his glory days as presenter.
It starts off with a
montage of pop culture flashing before us, slowly transforming
into pornography.
The menu
montage divides the screen
into various shapes, freezing video to a stylish greyscale while an excerpt of the spaghetti western - inspired score plays.
There's a
montage, naturally, and, yes, Derek does transform
into a Tooth Fairy during a hockey game, to the stunned amazement of the crowd.
It's a dark echo in there, side - by - side with Jimmy's grim dedication to buying up lakefront property and turning this prelapsarian wonderland
into an exclusive, members - only club, but the film explores neither beyond their mention and contents itself to wrap up with a few scenes of mayhem, three insipid
montages set to horrible music, and the same finale involving the birth of a child it seems like Martin has done now in a good half of his films.
Suddenly it kicks
into high - octane mode, a
montage, equally loud (let's assume that when the film goes
into Hollywood action mode, it's really loud), telling us Angel's extensive résumé: an ace at firearms, high - speed pursuit, advanced cycling, etc..
Baumbach nails those first, flop - sweaty days of college with a spot - on
montage: Tracy, overcome by buffet abundance, piling her dining hall tray with both pizza and cereal; Tracy vulnerably dropping her stapled short story
into a wall - mounted file holder at the student literary mag; Tracy self - quashing a nascent crush when she spots the boy holding hands with someone else in the quad.
The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the film starts with them driving from the city to the countryside in a
montage that establishes they are comfortable with each other — enough to have a little inside joke about a song he loves and she hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting
into a serious fight over the little things.
The film opens with a
montage of shocking scenes that catapults you right
into the tone and feel of the film.
Although other films might've depicted a fun - filled female - bonding sequence as a throwaway
montage backed by an En Vogue song, Story transformed it
into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.