Sentences with phrase «into more conceptual»

Mira Schendel's practice evolved from drawing and painting into more conceptual works.

The new body of work investigates abstraction, decoration and image - making within a limited number of formal moves, whose stripped down combinations, repetitions, and re / de-constructions nudge the classic abstract expressionist formalism of «push and pull» from formal play into more conceptual and emotional territory.

Not exact matches

The extension of these concepts into the realm of conflict - resolution is an even more complex undertaking, though it usefully highlights a number of underspecified empirical and conceptual factors.

One of many strengths of Benson's «Eleanor Rigby» is precisely that kind of exploration, because it's built into the conceptual framework, and the structure allows the film (s) to become something much more than just another relationship movie.

Useful Links For more information on the BlackBerry Tablet OS and BlackBerry PlayBook developing, visit http://us.blackberry.com/developers/tablet/ To see the BlackBerry Tablet OS in action running conceptual applications from The Astonishing Tribe, please visit http://www.youtube.com/blackberry#p/c/8D8C3A23664E6761/5/uH7NKhNyygw and http://www.youtube.com/blackberry#p/c/8D8C3A23664E6761/0/mWJG-sB7H4Y For RIM insights into developing for the BlackBerry Platform, visit http://devblog.blackberry.com or follow @BlackBerryDev on Twitter.

And Elaine Sturtevant, a few months after Warhol created his first flower paintings in 1964, borrowed Warhol's silkscreens to replicate those paintings and inserted her renditions into group shows — along with her George Segal and Frank Stella look - alikes — to make Pop into something more conceptual, a decade or more before the word «appropriation» would emerge.

Following the exhibition publication which relies more heavily on text than image, Printed in Germany is an artist's book conceived as a stand - alone visual object that extends Williams's conceptual and aesthetic ideas into book form.

The anthology includes 68 titles by more than 60 artists, and is curated into eight programs ranging from conceptual, performance - based, feminist, and image - processed works, to documentary and grassroots activism.

Today, the digitization of imagery breaks into both the conceptual and impressionistic areas of fine art, where experimentation is even more pronounced, and nonconcrete subjects such as the «digital sphere» can be explored and visualized using the photographic medium.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media including drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

While attempting to incorporate text into his sculptures of the period, he was challenged to find a cohesive way of incorporating his voice into his commanding structures, and although he created numerous neon light works and installations, his sculpture evolved in a more conceptual direction, withholding information and requiring a complex response from the viewer by creating «uncomfortable spaces and shapes».

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media, including collages, drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

Following the first publication, an exhibition catalogue that relied more heavily on text than image, Printed in Germany was conceived to exist as a stand - alone visual object and extend the artist's conceptual and aesthetic concerns into book form.

Following five years turning perishable substances (powdered milk, live snails) and, more recently, bacteria, into sculptures and installations, the conceptual artist made leaps and bounds this year.

The literal references, instead of detracting from the overall body of work, grow into the conceptual almost fluidly as they move into more abstract works.

One of the pioneers of conceptual art, his more than 40 - year inquiry into the relation of language to art includes participating in seven Documentas and nine Venice Biennales.

Franco's strategy is so much more thought - out — to basically turn episodes of General Hospital into conceptual art performances.

Painting, however, continues to have a large public and young artists setting out to be painters now need more than ever to see how artists of earlier generations successfully resisted the status quo and remained outside what evolved into an academic style, for this is what much of the conceptual, film and photographic work has become; merely another academy.

Later we would run into each other, but it was because of his Declaration that I was more interested in Lawrence's work than that of other conceptual artists.

While LeWitt's work extracts and purifies the physical into the conceptual, Zhang's work opens up a psychological inner world, which is more metaphorical in comparison.

No, he's more into recycling old conceptual ideas until they've been rolled out so often they fall apart like thin pastry.

More than 50 works are to be shown and will give an excellent insight into the artist's diverse and varied production from its conceptual beginning in the 1960s to the fascinating, almost alchemical veiled colour pictures in large format from the 1990s.

The grand special exhibition on occasion of the inauguration of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the classical idea and form of sculpture grows more flexible and abstract as some artists integrate the trivial stuff of everyday life into their art or blur its spatial and conceptual boundaries, even as others return to the figurative tradition in an effort to set the genre on a new solid foundation.

Visiting the Michael Tedja solo show at the Amstelveen venue makes the connection apparent: although the Surinamese - Dutch artist is evidently more inspired by Jean - Michel Basquiat's urban energy, and he embeds his own work into a more rigorous conceptual matrix, and a creative urge similar to the one animating Cobra art can be sensed throughout.

Plus a lot of Conceptual art and, would you say, they switched from a kind of summation show into much more the kind of shows that an avant - garde gallery would put on anyway, but simply slightly larger.

After grabbing the attention of the capacity crowd — more than 300 people filled the auditorium — Chin launched into a lively presentation of some of his most spectacular creations: large - scale conceptual art with social impact.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Today, data is commonly used as raw material for artists, and the artists in this exhibition do more than merely turn data into visual work — they reshape it, both in form and function — to create compelling conceptual artworks that materialize the Internet.

Anticipating the arrival of his touring retrospective at the Whitney in June, the conceptual artist Dan Graham has organized a small group show that nudges his art - or - architecture puzzles into a more contemporary context.

The godmother of feminist art, Kelly is known for her provocative films and large - scale narrative installations that explore notions of sexuality, work, power, and politics by tapping into the more visceral aspects of daily life... «Kelly is one of the most important female Conceptual artists of our time,» says L.A. gallerist Susanne Vielmetter, who represents the artist along with New York — based Mitchell - Innes & Nash, and Pippy Houldsworth Gallery of London.

She began spending more time in Central America, particularly in Nicaragua, where she became increasingly fascinated with Latin American art history, and where the conceptual framework of her practice came into focus.

The mid-20th century is chosen here as the historical anchor for the conceptual origins of Ruyter's work not so much to mark the coming into formation of a corresponding historical period, but because a group of events from this period, relating to the histories of science, art and, more importantly, cybernetic theory, provide Ruyter's paintings with their contextual depth:

A clutch of European curators and critics have recognized in Feinstein a spirit more akin to Continental iconoclasts like Martin Kippenberger and Albert Oehlen than to many of her US peers who started showing in the late»80s; her conceptual leanings seem to slot easily into the discourse of post-structuralist and political theory.

This depersonalization and mechanization of art's form and content did more than simply complicate the claims of authorship and authenticity so dear to high modernist aesthetics; it inserted the idea of the multiple into the once autonomous space of the unique, and introduced the plural into the singular in a way that dramatically impacted our conceptual appreciation of these binary terms.

Tomaselli: To me, there is not a substantial difference between what many sophisticated conceptual artists do in order to bring a more palpable vivid imagery into the world, and say, a person considered an «outsider artist.»

Amano entered graduate school to expand her expertise with glass as a medium, but her work shifted more into the conceptual space as she began using her art as a primary means to express her emotions, given English is her second language.

However, if Dongtan's fate is to serve as a strictly conceptual model, perhaps its designers should consider making more of its planning documents public, so that future cities can benefit from the enormous amount of thought that went into this unbuilt city.

There seem to have been at least two motivating factors: (i) the desire to base law on what was perceived as a more secure conceptual foundation and (ii) the greedy assimilation into the topic of «contracts» of areas that had, up to then, been separate, e.g., sales, bailment, carriage, insurance, etc..

«A lot of companies have gotten into this market, most notably Boston Market, whose [publicized] problems have been more operational than conceptual,» he notes.