Sentences with phrase «into museum exhibition»

Pour in your favorite hot beverage, and the dinosaurs transform into museum exhibition fossils.

The collective press that goes into our art history is tough to imagine happening outside of exhibitions, and maybe there will be a day when only the artists who get into museum exhibitions and nonprofit - space exhibitions will get into art history, and that would be too bad.

Why are so many artists left out of these histories and how do you get them into the history books, into museum exhibitions and widen the terrain to be more inclusive of not only artists but different aspects of art making that overlap with the times.

Not exact matches

He has also been an innovator in bringing neuroscience into the museum, initially in an exhibition titled Beauty and the Brain.

The researchers» investigations into fish biofluorescence began with a serendipitous observation of green eel fluorescence off of Little Cayman Island as Sparks and Gruber were imaging coral biofluorescence for an exhibit for the traveling American Museum of Natural History exhibition Creatures of Light: Nature's Bioluminescence.

The new banner put up on the west wall of the Whaling Museum today gives an insight into what the new museum and its exhibitions will be Museum today gives an insight into what the new museum and its exhibitions will be museum and its exhibitions will be about.

As well as a stunning set of images, the exhibition will bring Museum science to life as experts discuss their research into the formation of the solar system and planetary landscapes.

Extras: Short film «Madonna Mia Violenta,» originally created by Throwell for a Museum of Modern Art (MoMA) exhibition in 2011 that inspired Throwell and Decker to extend it into the full - length feature documentary «Flames.»

Bohnstedt didn't have any prior museum education experience and was impressed with how the ICA had built a community space and also incorporated technology into its exhibition creating ways to bring art into lives and explore it.

With 150 cars on display at any time, the museum hides a reservoir of more than 300 cars to slot into exhibitions as needed.

The books, art catalogues for major exhibitions at the museum, pop out into a clean, fast virtual book reader.

One such event takes place at the world - renowned National Railway Museum, where amongst the many fabled exhibitions including the legendary Flying Scotsman and the only Bullet Train outside of Asia, Michael Portillo; TV star and former Conservative MP, provides an insightful evening look into his own life.

New highlights include the Yves Saint Laurent Paris Museum; Lafayette Anticipations, a Rem Koolhaas - designed exhibition tower opened by Galeries Lafayette; the Atelier des Lumières, a digital arts center housed in a former foundry in the 11th; and La Monnaie de Paris (the Paris Mint), which has completed a transformation into a contemporary art center overlooking the Seine River.

art» otels provide a unique insight into post-1945 art in permanent museum - standard exhibitions.

Simone Leigh has used her agency as an artist to turn her exhibitions at various art institutions into platforms for everything from yoga classes to natural healing centers; at the New Museum this past summer, Leigh staged a protest and celebration by 100 artists assembled under the name Black Women Artists for Black Lives.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.

The Aïshti Foundation exhibition space moved Salamé into the league of fashion - entrepreneur megacollectors — among them Prada, Pinault, and Arnault — who have opened museums to show their holdings.

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.

Activation: Alexander Calder's Cône d'ébène at Whitney Museum As part of a series of Alexander Calder mobile activations related to the Whitney Museum's current «Calder: Hypermobility» exhibition, the Calder Foundation's president, Alexander S. C. Rower, will spring his grandfather's 1933 sculpture Cône d'ébène into action this week.

Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted last summer, and a new project by Thomas's artist - run political action committee For Freedoms will take the exhibition out of the Museum and into direct contact with Portlanders.

Join us for the second of four Second Saturdays, a new series of dynamic public programs presented to delve deeper into the themes, techniques, and aesthetics of Queens Museum's temporary exhibitions.

Bringing the World into the World is organized by Hitomi Iwasaki, Director of Exhibitions and Curator at the Queens Museum.

The historical importance of McCall's work has been recognized in such exhibitions as «Into the Light: the Projected Image in American Art 1964 - 77,» Whitney Museum of American Art (2001 - 2); «The Expanded Screen: Actions and Installations of the Sixties and Seventies,» Museum Moderner Kunst, Vienna (2003 - 4); «The Expanded Eye,» Kunsthaus Zurich (2006); «Beyond Cinema: the Art of Projection,» Hamburger Bahnhof, Berlin (2006 - 7); «The Cinema Effect: Illusion, Reality and the Projected Image,» and Hirshhorn Museum, Washington DC (2008); and «Dreamlands», Whitney Museum of American Art (2017).

Both shows open this week, but what one curator a few months ago called an art - world «battle royale» — the two megadealers competing over the work of a super-profitable artist — has settled into something else, and just maybe what Koons wanted all along: the beginning of a Year of Koons, culminating in summer 2014's full - career retrospective at the Whitney Museum — its last exhibition in its Madison Avenue headquarters before moving to the bottom of the High Line.

The San Francisco — born Mary Heilmann, perhaps the most unashamedly painterly of the lineup and the most established, at least in terms of her market, surveyed her current exhibition at the Neues Museum in Nuremberg, providing a few insights into her particular brand of transcendental color - based abstraction along the way.

Painter Joanne Greenbaum's jolting colors will entice viewers into her exhibition at the School of the Museum of Fine Arts at Tufts University.

Looking at and questioning relationships and hierarchies between man and science, space, history and nature, the exhibition draws on the museum's past as artists dig into records and objects from its previous lives.

Incredibly, and without the overt drama of the narrative of Ugetsu, that is somewhat the sensation I had when I walked from Kiki Smith's exhibition at Pace Gallery in Chelsea, through a narrow passage way into a new smaller wing that Pace has built under the High Line and found myself, without preparation or expectation, in an exquisite, thrilling, soul - soothing, museum quality exhibition of craft objects and artworks, arranged in an inventive, harmonious, and instructive manner for contemplation.

A new solo exhibition of Monir Farmanfarmaian's works at the Grand Rapids Art Museum showcases the Iranian artist's ability to synthesize Islamic tradition and modern abstraction into objects of great beauty and depth.

the object is usually kept outside the UK the object is not owned by a person who is resident in the UK the import of the object does not contravene any law the object is brought into the UK for the purpose of a temporary public exhibition at an approved museum or gallery the museum or gallery has published information about the object where required to do so by Regulations.

Atlanta's High Museum of Art, which organized the exhibition, recently acquired «Para III,» a hot - colored and loosely arranged 1959 work that doesn't fit into any of Louis's series, and is treating the painting as the show's signature piece.

«Holding it Together, or Putting the Pieces Back into Place», LA Now, Las Vegas Art Museum, Exhibition catalogue.

Recent exhibitions focused on the work of Alan Shields have included Alan Shields: Protracted Simplicity, a survey accompanied by a chronological monograph by Heidi Zuckerman at the Aspen Art Museum; Alan Shields: A Different Kind of Painting at Beeler Gallery at Columbus College of Art & Design; Alan Shields: Common Threads at Parrish Art Museum; and Into the Maze at SITE Santa Fe, among others.

Originally used as a horse stable and now incorporated into the campus of the DuSable Museum of African American History, this luminous, curvilinear room is the newly restored context for «Singing Stones», a group exhibition presented collaboratively by Palais de Tokyo, Institut Français and EXPO Chicago.

The first solo museum exhibition of Silvestre Pestana's work in the U.S., Breathless features an intimate view into the vast universe of one of Portugal's...

Gillian Ayres: Paintings, exhibition catalogue, Museum of Modern Art, Oxford, October — November 1981, p. 8), a thinly painted work which introduced lines and enclosed shapes into Ayres's vocabulary.

«The exhibition John Graham: Maverick Modernist at the Parrish Art Museum in Water Mill, Long Island, is a unique opportunity to explore the work of an artist who has hovered on the margins of the Modernist narrative for more than a half - century, when he isn't forgotten altogether... Maverick Modernist takes a deep dive into Graham's background as an artist, a career he began in earnest when, at the age of 35, he enrolled in the class of the Ashcan School painter John Sloan at the Art Students League in New York City.»

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

With its highly regarded exhibitions, archival holdings, numerous contributions to research and more than thirty - five (mostly volunteer) staff, the Schwules Museum * has, since its founding in 1985, grown into one of the world's largest and most significant institutions for archiving, researching and communicating the history and culture of LGBTIQ communities.

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

«It is fitting that this immersive exhibition takes place in a museum architecturally designed to blur the distinction between inside and out, where carefully placed windows allow for views of Biscayne Bay and Miami's urban core to filter into the galleries.

She holds an MFA from the California Institute of the Arts, and her work has been included in solo and group exhibitions worldwide, including most recently a 2013 commission on view at the Blaffer Art Museum in Houston, Blind Spot: Window into Houston Clarissa Tossin.

Plus: Christie's to lead 250th anniversary sale with Constable «masterpiece» Russia's National Centre for Contemporary Arts absorbed into State Museum and Exhibition Center Ai Weiwei studio member detained by Greek police UC San Diego to convert university art gallery into classroom Yuri Pattison wins 2016 Frieze Artist award and Patrick George (1923 - 2016)

In the meantime, the opening exhibition, which has been installed across all the exhibition spaces of the new building, is an adventure into the museum's existing holdings that somehow manages to be both grand and modest.

These projects include the Everything is Museum series (since 2000), in which he converted unexpected spaces in Italy, Japan, Taiwan, and Cuba into small - scale exhibition venues for rural communities and small towns.

«Black: Color, Material, Concept» continues the conversation around blackness initiated by Thelma Golden, director and chief curator of the museum, who introduced the term «post-black» into the cultural conversation almost 15 years ago with the exhibition «Freestyle.»

If you back your way into the Jay DeFeo exhibition at San Francisco Museum of Modern Art, you'll discover, as I did, a group of five oil paintings in the final gallery.

Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The Art of Revival», Guildhall Art Gallery, London, England (2013); «Earth Matters: Land as Material and Metaphor in the Arts of Africa», Smithsonian Institute, National Museum of African Art, Washington DC, USA (2013); «The Desire for Freedom: Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax Exhibition», Museum of Modern Art, Arnhem, Netherlands (2012); and «Migrations: Journeys into British Art», Tate Britain, London, England (2012).