Sentences with phrase «into narrative scenes»

Not exact matches

He'll disappear for a few months to a few years, then reappear on the scene and say all the things that make it look like he's a fantastic instance of a redemption narrative and ready to get back into the spotlight and hold the reins of power.

One is the scene in which Dolly is on her way to visit Anna at Vronsky's estate in the country; as she travels, the narrative takes us into her thoughts, which are perfectly ordinary: her anxieties as a mother, principally, and as a wife, and her moral uncertainties; but it is all rendered with such confident and seemingly omniscient artistry that one almost feels as if one has momentarily become this woman, and can think and feel as she does; and more than one female critic has called attention to how well Tolstoy succeeds here at imagining his way into the worries and regrets of a wife and mother.

But while scenes like the showdown with Elle or the wedding can be effective in their own self - contained way, Tarantino never knits them together into a narrative that builds to an appropriate climax.

By the time we arrive at «the incident,» the filmmakers are simultaneously mainlining and distorting the scandal's iconic figures and moments: posing a bloodied Harding over Kerrigan's (Caitlin Carver) bruised body; imagining a scene of Harding and Kerrigan bonding over pizza, booze, and En Vogue in a hotel room; and introducing «bodyguard» Shawn Eckhardt (Paul Walter Hauser) and «hitman» Shane Stant (Ricky Russert), the moronic goons who wrenched Harding's narrative away from her and turned it into tabloid grist.

But by concentrating on the lives being lived outside of the celebrations, and the personal narratives that led seven very different kids into the scene, Kiki keeps the focus on the value of a safe space, of a community that provides structure and purpose for youths battling homelessness, illness, and prejudice.

Scenes bump into one another as the story lacks any real sense of narrative cohesion, but more a collection of scenes meant to move the characters around the landscape in an effort to make sure all their ducks are in a row for the big fScenes bump into one another as the story lacks any real sense of narrative cohesion, but more a collection of scenes meant to move the characters around the landscape in an effort to make sure all their ducks are in a row for the big fscenes meant to move the characters around the landscape in an effort to make sure all their ducks are in a row for the big finale.

Over a speedy narrative arbitrarily marked by the passing months, Kelly sharpens his two main performances into actual human beings: Plemons evolves from frustrated eye - rolling and seething to articulated anger, while SNL's Shannon, always brassy as a storyteller, has a major scene when her voice has been stolen by the disease and she must pass the baton.

Like most of the supporting characters, Holmstrom doesn't add much to the narrative, but his presence is the rationale for turning some of the scenes into Punk - style drawings or animated sequences; these are among the ways the director thumbs his nose at literalness.

The trailer also includes scenes of the story that is inserted into the main narrative, a story written by Jake Gyllenhaal's character that will feature most of the supporting cast and serves as a possible threat to his ex-wife, played by Amy Adams.

There is no new footage, as director Kapadia collects terrific clips from a variety of sources (including behind - the - scenes meetings and home movies) and assembles them into a narrative structure that tells Senna's story chronologically, accompanied by Antonio Pinto's moody score.

At WonderCon 2015, Will Forte, Phil Lord, and Chris Miller talk sex scenes, challenges, plans for Season 2, turning the hero into the villain, and making «the «Fast & Furious» of post-apocalyptic comedic narratives.»

l found this film depressing and soulless.Down and out woman and child (both obnoxious) make no effort to better themselves but just keep digging their own holes before falling into it.The scenes are unrelenting, short and downbeat again and again.The narrative is simplistic.It is hard to watch..

Their sudden, violent sex scene feels like a jarringly random development tossed into the narrative.

Utilizing a cut - and - paste animation style with a photographic edge to recreate scenes from Hicks's life, usually to cheeky effect, American turns some 90 minutes of interview footage into a smooth, illustrated, altogether agreeable narrative that is chock - full of anecdotes and achieves a genuine intimacy without resorting to hero - worship (only the occasionally lame visual, such as the whitewashed depictions of tripping during Bill's mushroom blowouts at Kevin Booth's ranch, weaken the device).

The narrative was always going to show its strength in the scenes with Jean Valjean and Fantine more than with the love triangle with Marius, but the actors threw themselves so readily and enthusiastically into their roles that it was easy enough to ignore the bad and simply enjoy watching them act.

The narrative unfolds at a relaxed pace, and director Bratt allows individual scenes to breathe deeply without rushing into the emotions.

It isn't without intelligence, it's just that it doesn't connect all of the dots necessary in the narrative development to be anything other than a collection of interesting scenes that never coagulate into a force to drive its cynical message home.

The doc style is broken in these scenes, and they signal a shift into a straightforward narrative that carries the rest of the movie.

Mostly unrelated to the central story, this opening scene teases viewers into the narrative while establishing tone.

A number of deleted scenes are included and are worth checking out, but it's often hard to see how they would have fit into an already troublesome narrative.

With a lot of the gags in the spin - off movies, they felt like «this'll do» moments, as if the writers got into a room and threw some scenes together like stepping stones, rather than narrative beats.

The detailed screen - specific audio commentary by director Greengrass goes into the narrative approach to the second sequel scene by scene and character by character.

And when events spiral into violence, it simply doesn't ring true, as if scenes were inserted in an attempt to satisfy blood - thirsty audiences who don't care about narrative nuance.

And unlike many superhero films, it makes sense at a basic narrative level, with action scenes that plug into the psychology of its characters.

Featuring a script written by Arcel, Akiva Goldsman (A Beautiful Mind), Jeff Pinker (The 5th Wave) and Anders Thomas Jensen (The Salvation), this movie feels as if all involved were responsible for crafting a handful of ten minutes scenes that they'd all figure out how to combine into a cohesive narrative whole at a later date.

Music and pop culture plays an integral role throughout in «setting the scene,» as it were, and Gerwig's choices for the songs that play in various key moments are almost always pitch - perfect (Dave Matthews Band's «Crash into Me» figures prominently in the narrative — and, as an aside, will be stuck in your head for days after seeing the film).

The concepts covered are: * Camera techniques * Audio techniques * Editing techniques * Mise - en - scene codes * Narrative structure * Genre conventions * Representation * Ideologies * Cultural Spheres and Universes * Institutional Techniques * Audiences models and theories * A wide range of media theories broken into contextual areas into sociological and political This is vital tool in the lead up to the exam period, where it can be used as a revision guide for key concept development, and as a compliment to other units you are teaching.

We welcome personal stories as well as profiles, and above all, we are looking for narratives — true stories, rich with scene, character, detail, and a distinctive voice — that offer a fresh interpretation or unique insight into the theme.

Drop readers «into the middle of things» rather than give a lot of background narrative to set the scene.

If you haven't created enough scenes, make notes on how you can convert parts of your narrative (telling) into scenes (showing.)

The cut - scene at the end of Episode 2, while ably acted, still failed to pull me into the narrative.

, and it is all down to the fact that it utterly disregards cut - scenes altogether in favour of weaving the narrative into the very fabric of the game itself.

Scenes settled, Davies begins to populate them, transposing figures from sketches or photographs into other scenes and molding them to fit her narrScenes settled, Davies begins to populate them, transposing figures from sketches or photographs into other scenes and molding them to fit her narrscenes and molding them to fit her narrative.

In his installations, Strauss Bourque - LaFrance fuses everyday materials into beguiling formal compositions and precarious arrangements that playfully subvert mundane interiors and position domesticity as a mise - en - scene for role - play and disjointed narrative.

Turning the hypothetical notion of a hive mind into a functioning organism, The Hive Mind is a performative installation exhibit in which artworks are curated as points in a nonlinear narrative scene

Laden with mysterious narratives the domestic bourgeois scenes were transmuted into a grotesque reality.

Working primarily with the recycled children's toys and found materials, Stephen Ives creates intricate scenes and narratives rich in details, breathing a breath of fantastic and surreal into the ordinary objects.

Figures within these pictures are abstracted into flat - coloured shapes; crowded scenes appear simplistic and innocent in nature until a violent narrative appears.

In my current body of work, I have brought the figure into the scene, adding another layer to the narrative.

In contrast, the nature of the Victorian public's engagement with the painting is effortlessly conveyed here, through a series of stereographs that develop the narrative of Landseer's painting into three further scenes.

Lisa Noble's symbolic paintings and drawings of room scenes represent self - portraits, little narratives that give a glimpse into her personal world, imbued with memories.

This psychological dramaticism is reiterated through sharp and exacting image crops, which force the viewer into a condensed and eerie narrative showing no evidence of who or what might occupy the space outside these scenes he presents.

Mirroring a party scenario in which one invites guests into their home, making the private public, Soares captures the private moments after a celebration ends, when the space remains charged by the memories and traces of a fleeting moment and space; in this way, the viewer provides a narrative for this mis en scene.

My narratives explore how to transform a helicopter into a river, alchemize a quiet mountain top into a bullfight ring, or unify an intimate dinner with a spectacle at a loud soccer stadium.The scenes often depict epic battlefields and sports arenas, yet the turmoil meets a paradoxical celebratory calm.

Into these light - filled and richly detailed scenes, Turner integrates his narrative content — momentous scenes of arrival and departure that look forward and back.