Sentences with phrase «into novelty»

This argument is inadequate because the universe is a creative advance into novelty which will never cease.

On my own, I broke into the novelty - gift market, which was relatively easy, because companies in that industry are always looking for new ideas.

I am not into novelty and design as an excuse to take money out of my pocket.

This distinction relieves the confusion between two different conditions: one is experiencing the creative advance and knowing it is as the perpetual transition of nature into novelty and the other is using a single - time series for measurement of it (CN 178).

Whitehead did not speculate on the precise location of memory within the animal organism, but the most plausible extension of his theory suggests rather that memories are maintained for the soul by other occasions, thereby freeing the soul for its adventure into novelty.2 The way in which the conscious ego draws upon the ocean of unconscious feeling which sustains it may well reflect the way the soul draws upon other living occasions.

Each thing actualized in the universe is itself a creative advance into novelty according to Whitehead.

As Whitehead puts it, the world advances into novelty along a road paved with «propositions» (PR 284).

Great for making into novelty salsa called «MR. KICK - ASS»S HOT AS HELL SURFBOARD PARTY ROCK & ROLL ASS BUTT SHIT JIMMY BUFFET T - SHIRT INFERNO SAUCE» and hawking it to tourists who can't believe you cussed on a bottle of sauce.

The phoenix suns began the season as a nullity, quickly evolved into a novelty and wound up winning more games than any other NBA team.

When these recipe relay periods are over and done with, I often go into a novelty overdrive that can last months.

While tablet PCs have found some solid markets in medical, government and military applications, other devices (smartphones, digital - media players, netbooks and e-book readers, most recently) have taken hold among mainstream consumers, effectively rendering the tablet into a novelty rather than a technological necessity.

Rather, what worries me is that these practices could go a long way towards turning pets into novelties, instead of much - loved members of the family.

Both are in the grip of the ultimate metaphysical ground, the creative advance into novelty.»

When he [Whitehead] tells us that the process of an event creating itself is dominated by a subjective aim which directs its process of realization, that «This subjective aim is this subject itself determining its own self - creation,» he is merely drawing our attention to the «perpetual transition of nature into novelty.»

Having no form of its own, creativity is intuited from the flux and restlessness of things as exemplified by the «creative advance into novelty» (PR 349/529) which describes any actual occasion.

«There is a prevalent misconception,» Whitehead asserted, «that «becoming» involves the notion of a unique seriality for its advance into novelty» (Process 35).

A power of incorporating vague and disorderly elements of experience is essential for the advance into novelty» (MT 109).

«In their primary role, propositions pave the way along which the world advances into novelty» (PR 187).

Whitehead fundamentally views the nature of reality as a creative advance into novelty.

Rather, time is produced by the atomic, episodic actualities which together constitute and engender the universe, as it advances into novelty (PR 21 / 31, 65f.

The Category of the Ultimate («the many become one and are increased by one»; «the creative advance into novelty») puts time at the heart of the system.2 Temporality is Whitehead's solution to the problem of relating the One and the Many.

Both [God and the world] are in the grip of the ultimate metaphysical ground, the creative advance into novelty.

But unlike man's experiences which when experienced perish, God's unified feeling is always immediate, never perishing, even as it is always moving forward in a creative advance into novelty.

Its value lies both in its own uniqueness and in its everlasting contribution to God in the creative advance into novelty.

Griffin & Sherburne, New York: The Free Press, 1978, 88) Hence we are all part of the creative advance into novelty.

«An actual entity feels as it does feel in order to be the actual entity which it is... All actual entities share with God this characteristic of self - causation... The universe is thus a creative advance into novelty.»

Perfection is redefined as the unsurpassable creative advance into novelty.

He characterises their unity as a creative advance into novelty.

(Both God and the world «are in the grip of the ultimate metaphysical ground, the creative advance into novelty» [PR 529]-RRB- In this section I will attempt to clarify both the role in creation attributed to God by Whitehead and the relation of God to creativity.

Novelty, freedom, spontaneity are secondary vis - à - vis ongoingness: there has to be novel concrescence in order for there to be freedom, spontaneity or novelty What has to be explained is becoming, which for Whitehead means: «the creative advance of nature» (as he puts it in the earlier works), or «the creative advance into novelty» (as he puts it later on).

I have already drawn attention to the fact that in his later work Whitehead replaces his earlier expression «the creative advance of nature» by «the creative advance into novelty.»

It is clear, though, that Whitehead teaches that the efficacy of an actual entity in the «creative advance into novelty» (PR 349 / 530) is intimately related to satisfaction of subjective aim.

In the notion of creative evolution, which sounds very like the creative advance into novelty, Bergson probably uses the word «creative» as a metaphor, but he doesn't want to introduce the idea of a person.

But when he speaks of «the creative advance into novelty,» you have to give it some character by which it is an active transfer of properties.

We habitually muddle together this creative advance, which we experience and know as the perpetual transition of nature into novelty, with the single time - series which we naturally employ for measurement.

Unfortunately, Whitehead made very little effort — at least in this over-concise passage — to clarify the relation of his» creative advance into novelty» to the plurality of measurable time.

Rather, it is «the creative advance into novelty,» of which Whitehead says in The Concept of Nature «the passage of nature is only another name for the creative force of existence» (73).

But human experience has a continuity in origin from the feelings that constituted the being of the first mammals, the reptiles from which they evolved and all individual entities prior to them in the evolutionary sequence going back to the physicists» initially featureless universe — hence Whitehead's proposition that the cosmic evolution of the universe «is a creative advance into novelty» (PR 222).

«The universe is creative advance into novelty» (PR 222).

In this sense every step in the evolution of a new organism (be it an increase or decrease in complexity) is in Whitehead's terminology «a creative advance into novelty» (PR 222).

There is a creative advance into novelty,» and in this advance God may surprise the world and the world may surprise God.

But in 2018, the use of CGI and digital effects in blockbuster filmmaking has swallowed the practice of practical effects, turning it into a novelty.