Simply seeing an image of a woman, man, or scene can trigger the sex addict
into objectifying other people and fall into a relapse of sexual fantasizes.
Unable to fit these elusive expressions
into an objectifying, scientific understanding of the world, we often dismiss them as illusory.
And in an exhibition that includes a number of arguably un-Pop artists, where is Yoko Ono, Lee Bontecou, Carolee Schneemann — or even Colette, who knowingly transformed
herself into the objectified object of the male gaze?
Not exact matches
The stated reasons for public dissatisfaction were not actually reasonsbut rationalizations by frantic neocortexes that found themselves thrust
into the position of having to
objectify a mood that was forcing its way out of their hosts» limbic systems.
Were it to fully
objectify, were the incipient present to vivify a recollection
into a solid object, the result would be a present image of a present event.
We do this with the way we talk about women's bodies —
objectifying them
into categories of «modest» or «immodest,» «pure» or «impure.»
Strictly speaking, God is not
objectified for us as possibility, for her subjectivity never passes over
into objectivity as is the case with present occasions.
If a whole can only exist with its prehended parts
objectified together and in contrast, «concrescence» can only determine how the old parts (as already related to each other) fit
into the new specification being determined by the creativity of the present.
Her argument against this position, as best I can discern and summarize it, is that each new divine occasion would in turn be irresistibly
objectified or «superjected» (she uses this as a verb) back
into the world, which would «bind the present irrevocably to the past, to sacrifice spontaneity and autonomy at the altar of necessity» (p. 164).
Kraus's complaint about Hartshornean theology is that on this view «God would be compelled to perform successive redemptive acts» (p. 163) which would in turn be
objectified back
into the world.
The assertions are true to the extent they carry over the achieved values of their subject matter
into the interpretations as qualified by the selective elements iii the limited respects of interpretation, by the context and will - determined purposes guiding interpretation, and by the signs actually used to represent or
objectify the subject matter.
These statements give something of the flavor of this early theory: «the first stage of the process of feeling is the reception
into the responsive conformity of feeling whereby the datum, which is mere potentiality, becomes the individualized basis for a complex unity of realization» (PR 113C).3 Or, later, «The
objectified particular occasions together have the unity of a datum for the creative concrescence» (PR 210C).
To slip
into Whiteheadian technical terminology, I understand Jesus as a figure the story of whom we
objectify with peculiar vividness as a result of his power to grasp the successive subjective aims of generations and generations of men by the sheer massiveness and compelling weight of the ideal vision which he has presented as a lure promising richness and depth of feeling in human satisfactions.
God is pervasively involved in the emergence of good in this world — first, as he provides ideals for temporal becomings; second, as he in his consequent preservation of temporal values is
objectified back
into the world.82 But Whitehead does not claim that God guarantees the temporal «triumph of good.»
Bultmann, says Ogden, employs the terms myth and mythology in the sense of «a language
objectifying the life of the gods,» or, as we might say, of
objectifying the powers of Spirit
into a supernaturalism, a super-history transcending or supervening our human history, thus forming a «double history.»
Once the agenda of liberation emerges from the context of each oppressed minority group and properly interfaces with God's highest possibilities, then it becomes
objectified or integrated
into God's consequent nature.
He begins his pulsating, momentary existence as an individual from a set of complex impulses derived from the ongoing energy of past events as they
objectify themselves
into the present.
Like any Whiteheadian actuality, the divine actuality prehensively
objectifies the concrete entities of the world and gathers them
into its own concrete, immediate experience.
For either the event holds on to the determination it originally prehended, in spite of the latter's transition
into an [objective] state, and so pre-produces in itself only the
objectified data; or else it develops a novel determination in contrast to its original one.
Modernity began by dividing reality
into the two worlds of mind and matter, freeing the latter from religious concern so that it could be explored by
objectifying scientific methods.
Jesus Christ is the particular and unique manifestation of a general ontological reality that has
objectified itself
into the depths of all adverbial experiencing.
In a strand of really distinct actual entities, these would necessarily stand in a subject - object relationship to one another, so that the entity that perishes and is
objectified is a different entity than that which is coming
into being.
Not only does it misinform the public and strip the dignity of victims, but it feeds
into the very same
objectifying and voyeuristic behaviours we're fighting against in the first place.
The same proposition can constitute the content of diverse judgments by diverse judging entities respectively..., this requires that the same complex of logical subjects
objectified via the same eternal objects, can enter as a partial constituent
into the «real» essences of diverse actual entities.
(2) A does enter
into B as constituting a conceptual relationship between B and each particular occasion X, whereby the patience of X for its physical relationship to B is
objectified for B.
The process theory of sequential societies of actualities, each of which is created and then persists thereafter as an
objectified datum of prehension in later actualities, seems calculated to take the complexities
into account more definitely and naturally than any talk about a rigorous continuity of action defining a single, identical, yet changing individual.
In the way that each occasion actualizes and
objectifies itself, it takes
into account its own future.
With their situations varying in every case,
objectified in differing ways by other occasions, they enter
into a multitude of contexts, and in so doing they pass along to other processes the complexity which they have achieved and formed in their subjectivity as a «lure for feeling.»
Although the occasions in the environment of a self - concretizing occasion do not form exclusively its relative actual world and are not
objectified only by this occasion — although every occasion, standing in many different nexus with other occasions, enters as their datum
into many processes of concrescence — we must still adhere to this relativity of the actual world.
You've
objectified women the same way a scummy horndog does — you're turning them
into a series of holes.
They spend 18 years
objectifying the birth family, nullifying any connection, and then when the child is an adult says «well I would never do anything to stop you from searching now», never acknowledging that they spent 18 years drumming it
into a child's head that they shouldn't care about who this other family was.
The key is to really feed yourself and listen to your hunger and your appetite on all levels (physically, emotionally and mentally) instead of
objectifying yourself by turning yourself
into a human calculator.
She was going through puberty and being
objectified for it, a terrifying personal sense of fears that nicely paired with the supernatural villain creeping
into her life.
Now that we
objectified male actors for a change, let's dive deep
into Baywatch, a Set...
Unfortunately, once a woman has been
objectified and turned
into a functionary - someone who works - it stands to reason that there would only be a short jump for that woman to soon to be seen as an object for sex, too.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the
objectifying gaze of cinematic light
into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light
into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
In this exchange, I went as far as to
objectify his artistic processes
into a pinned down, marbled shelter,...
With her psychological, political and conceptual approach she transforms photography's propensity to
objectify people, especially women,
into a sustained critique of the medium.
These allegories are carefully refined through a visual alchemy that transforms
objectified female figures
into warriors and goddesses or spiritually enlightened beings
into simple fallible men.
Simmons» work blends psychological, political, and conceptual approaches to art - making, transforming photography's propensity to
objectify people, especially women,
into a sustained critique of the medium.
The results of their project suggest an intensity of exchange that turns the traditionally
objectifying relationship of sitter and artist
into one of feedback and mirroring which challenges the dominance of the
objectifying male gaze in art.
Armory Show's Focus sector: the body and technology - TAN Theo Downes - Le Guin joins Oregon Cultural Trust - The Oregonian 2018 Armory Show exhibitors - Art News Online exhibit spans 2 decades of the Internet - Willamette Week A Rose is a Rose is a --» — , — @ - Rhizome Pricing and Presenting Fine - Art Video Work - PDN Interview: Theo Downes - Le Guin: Upfor Gallery - Arte Fuse A trip to First Thursday and Upfor - KGW News Art Vultures (Maria Lux)- Willamette Week Wanderings: Art Escapes in Portland - Western Art & Architecture That Capitalist Vision of Thomas Kinkade - The Portland Mercury Best of 2015 - Daily Serving
Objectifying Our Digital Lives - Hyperallergic Interview: Eyebeam in Objects - Temporary Art Review Portland Show Brings Tech - Focused Art
into Foreground - Artsy The Great Debate About Art - Noise & Color PDX The Great Debate About Art - Daily Serving How to Start an Art Collection - Portland Monthly PADA welcomes newest member - The Oregonian 10 Best Art Galleries in Portland - Culture Trip UNTITLED announces 2014 lineup - New York Observer GIF art - OPB Arts & Life Self (ie) Portraits - Visual Arts Source Art fairs interview - OPB State of Wonder Digital art panel interview - KBOO Brenna Murphy interview - KBOO Portland's Best Contemporary Arts Galleries - The Culture Trip Gallery opening - The Oregonian Gallery opening - Portland Monthly
Simmons's work blends psychological, political, and conceptual approaches to art making — transforming photography's propensity to
objectify people, especially women,
into a sustained critique of the medium.
It does require expert judgment, but it breaks the whole thing down
into a number of smaller judgments that are more easily
objectified.
That way the technology is not distant or remote or
objectified, it's really seamlessly integrated
into daily life.