Shot primarily in slow motion, the competitive nature of the Jiu - Jitsu fighters and racehorses is paralysed by an extreme aestheticisation, transforming scenes of action
into objects of contemplation and visual pleasure.
Not exact matches
The mysteries
of faith are degraded if they are made
into an
object of affirmation and negation, when in reality they should be an
object of contemplation.
«The mysteries
of the faith are degraded when made
into objects of affirmation or negation, when they ought to be the
object of contemplation.»
Brooks is asking for the strongest instances
of structural complexity, which will clearly introduce it
into the conscious mind; not, perhaps, as an
object of contemplation, but as an effective agent within the experience, whose stresses are definitely felt.
He did not want Absolute pragmatism to lapse
into the usual caricature
of idealism, which made ideas
into nothing more than
objects of idle
contemplation; ideas always contain, at their core, an intention to act.
Incredibly, and without the overt drama
of the narrative
of Ugetsu, that is somewhat the sensation I had when I walked from Kiki Smith's exhibition at Pace Gallery in Chelsea, through a narrow passage way
into a new smaller wing that Pace has built under the High Line and found myself, without preparation or expectation, in an exquisite, thrilling, soul - soothing, museum quality exhibition
of craft
objects and artworks, arranged in an inventive, harmonious, and instructive manner for
contemplation.
«Though the works effectively resist the hype around 3 - D modeling, they also comment upon the
objects they depict: By subjecting them to an algorithm's gaze, Valla's works transform the originals from the unitary, transcendent
objects of our
contemplation into provisional artifacts whose reception is necessarily conditioned by discourses and technologies alike.»
If, as Michael Fried complained long ago, Minimalism turns the gallery
into a theater, these remain
objects of art and
of contemplation, only somewhere apart.
As evidence
of this ambient trend's beginnings, Pollock famously painted the engulfing «Mural» (1943) for Peggy Guggenheim, where he transformed the canvas
into a whole wall instead
of the usual small
object of contemplation visually and physically dominated by the viewer.
With its humorous nods to constructive and conceptual art, Please Touch entails active
contemplation from the spectator, in that it extends familiar
objects into the arena
of the nonsensical.
Through sculpture, performance and installation, my work utilizes a wide range
of materials — from pigmented silicone rubbers to concrete — to recreate underutilized
objects and situations
into venues for participation and
contemplation.
Here, assemblages made
of weeds, seed pods, grass stalks, burrs, horse or dog hair, transform
into independent
objects, which reflect a larger
contemplation of space, structure and light.