Sentences with phrase «into other colours»

It's a bit too pink for my liking so I'll definitely look into other colours.

Not exact matches

And despite the rollercoaster ride Blackmores and other companies faced this week, Holgate believes her luck isn't running out — her mother even stitched the jade - coloured pendant necklace into her wedding dress when she got married in January.

The choice of colour, a stark red that won't run into the water beneath, is an inspired choice and we're very pleased that the paper will return to us to be recycled to support inspirational projects for other artists or designers.»

Blues fans will hope that this is just the first of many goals from the teenager in Chelsea colours, and that other young talents will follow him into the first - team picture soon.

We split our jar in half and poured yellow food colouring into one half and red into the other for this.

I love incorporating certain colours into my work, do you have colours or motifs that you prefer over others?

Whether it's a particular brand of diaper, a specific colour or print of ones already available, or some other natural parenting product altogether, let me know and I will look into it or do my best to get it in for you quickly!

Because cultures do not come into existence ex nihilo, all cultures are influenced and coloured by those that have preceded them and by other contemporary cultures with which they come into contact.

Colours, moods, code words, symbols (like Sarah Palin's infamous crosshairs map)-- all were employed to turn the «other» political party into an enemy.

For each part of the galaxy the light has been split up into its component colours — revealing not only the motions of different parts of the galaxy but also clues to its chemical composition and other properties.

I love the fact that the brand takes women of colour into consideration when creating new makeup collections, unlike some other makeup brands.

Match a more tailored style with a mini, fedora and over-knee boots, or slip into a smooth cape blazer, stunning in white (or any other colour, actually).

Rich in colour and texture, this oil is slightly heavier than the other two but it leaves no residue, sinks into the skin immediately and offers a subtle herbal scent that instantly calms the mind and body.

I picked up this jumper a few weeks ago in London when I quickly popped into «& Other Stories» it's a simple crew neck thin jumper but I just loved the colour & the fact has some sparkle in there.

As someone whose life previously lead her into the career of a hairstylist, I've had my share of different hairstyles, hair colours, dreadlocks, weaves / extensions, and other chemical treatments, that anything I've tried out in the past doesn't really come to a surprise.

Yes I've been rocking skirts and showing off my tan legs waaaaay before anyone else at work thanks to Cocoa Brown:) Ok, let me share some facts about why Cocoa Brown is different from other self tanners on the market (since I was suuuuper skeptical myself), here are the main features of this best selling 1 hour tan: — Accelerating ingredients mean that this revolutionary, speedy self - tan develops into a rich Cocoa Brown colour in just 1 HOUR.

It has all the adventuring mechanics of all the other Mario games, with a splash of colour (See what I did there), humour, easy to learn RPG mechanics and a truly unique spin on the Paper Mario series by using «things» that seem like normal household object and turning them into weapons of mass destruction... to paper villians of course!

Abstract interludes bring us into the comedian's decaying mind, while the colours of the desert bleed and burn into each other.

They feature: All the topics set up into lessons Detailed questions and answers Animated features of the solution to support demonstration and Q&A Formulas in pink boxes on slides to support students while working Use of colours to support learning and demonstrations How you can benefit: To reduce you planning time by either using the whole presentation or some slides More questions can be added by duplicating the slides and changing the questions Use as a resource to give to student to support their independent learning Use as a basis when planning an observation lesson, again to reduce your time Specification Prepared with AQA C1 and C2 in mind but can be used in the following: Edexcel Mathematics C1 and C2 AQA Mathematics C1 and C2 CIE P1 and P2 any other course with similar topics.

The pack contains: Display materials including colour pictures and arrows and a title page A long colourful display banner Power point A life cycle wheel to make Various life cycle sequencing worksheets such as a cut and stick sheet, a drawing worksheet and different writing worksheets Templates for craft work Writing pages which can be made into a book with a cover Duck fact worksheets A started worksheet to see what the children know and what they want to find out Vocabulary flash cards and also cards with words and meanings A themed word search A colourful picture bingo game A duck life cycle headband to make Labelling worksheets Photos of ducks and ducklings Photos of the different stages of the life cycle of a duck Various number activities Various other worksheets including describing a duck, missing words, sentence scramble, sequencing sentences etc Plus more!

The front air intakes are characterized by an active air cooling system which uses a double layered grid for the first time in a Lamborghini: one metal and one titanium grid are embedded into each other, one containing the Y leitmotiv and the other the hexagon theme, creating a tri dimensional effect and standing out against the body colour.

Do you need a car that has one door on one side, two doors on the other, a canvas roll top that transforms the car into a convertible and a pickup and teal - coloured rear alloy wheels?

Grace Makutsi's well - ordered life is thrown into disarray when her fiancé, Phuti Radiphuti, suffers a nasty accident; Violet Sephotho is up to new tricks that show her true colours; Precious has to mediate for a couple suspicious of each other; and Grace and Precious make a trip to Maun and the Okavango Delta to track down the recipient of a legacy from an American tourist.

Where a Havanese puppy does not fall into one of the colour choices listed on the registration form, a breeder may choose to identify the colour / pattern as «other» and then define it.

Players use their skill and acumen to manoeuvre blocks of coloured shapes to fit snugly into each other.

The idea is wonderfully simple: make other players run into your team's laser barriers while avoiding your enemy's coloured laser gates.

It has all the adventuring mechanics of all the other Mario games, with a splash of colour (See what I did there), humour, easy to learn RPG mechanics and a truly unique spin on the Paper Mario series by using «things» that seem like normal household object and turning them into weapons of mass destruction... to paper villians of course!

Some are cash bonuses, others are new skins for you to switch into, new weapon colours... and even cat colours.

Lasers are a bit partisan in this, with the other team's colour hurting you if you run into them.

Others develop the art into a whole study of line textures and patterns, with the addition of just a few pale tones to add a small splash of colour to underscore the pen work.

The printed material, together with its desaturated coloured paper, photographs and typographic selection conveys a sense of nostalgia and intimacy that roils the viewer, making them feel intrusive by delving into other's personal lives.»

It is a celebration of Stella's collaborative relationship with Tyler and his team over five decades, a collaboration that Tyler describes as standing out from all other artists: «A close look at his printmaking reveals a slow and timid start in the early 60s that culminated into an explosion of scale, colour, texture and bold imagery of The Fountain work.

Again, as in other previous Geoff Kersey exercises I wanted to truly understand how he managed to suggest so much detail through his careful placement of warm colours, and created the shapes of the path disappearing into the woods with rough purple shadows.

While they may be smaller in scale and slightly off balance in terms of their colouring, Bleu rouge (1951), Forme bleue sur fond rouge (1950) and the few other examples shown in the secondary gallery slip seamlessly into place as if the 15 years or so that separates them from the pack means nothing.

In this precise, graphite and coloured pencil drawing, the architectural elements are fused into a single entity; one extremely long building which runs like a snake from one side of the three - metre - long paper to the other.

Also, presented in this exhibition, were a body known as the «Evolution Involution» series: spirals and concentric circles that develop from rich, deep purples, blues and many other single colours into tones of white, projecting transformation and self - recreation derived from Curto's practice of meditation and yoga.

There are smaller paintings than this, some of theme equally concerned with the process of painting, and with the «deliberately accidental», Callum Innes «s words for the process he adopts of dividing the canvas into two, painting a quarter with a flat colour leaving the other quarter exposed, and then taking the same colour and applying it to the other half of the canvas before «unpainting» it by rubbing it off with turpentine, leaving a ghost of the original colour.

His colour palette is worked out through deceptively simple arrangements of lines and angles that bring colours into unexpected encounters with each other.

Inspired by Cubism, Nevelson took scraps of wood and other materials found on the street near her studio and assembled them into free - standing and wall - mounted sculpture that she would paint a solid colour — most famously, black or white.

One might read the popular interest in tactility and colour as the influence of Glasgow's industrial past, or even as indicative of trends for post-modern hues on one hand, and trends for investigations into materiality and labour on the other.

That type of invention is something I'm attracted to in other people's paintings — how reality is interpreted in paint, and how it's turned into shape and colour.»

Living Colour This exhibition of artists» films looks at how colour has been turned into abstract screen images by Norman McLaren, Katy Dove and others in works from the 1920s to Colour This exhibition of artists» films looks at how colour has been turned into abstract screen images by Norman McLaren, Katy Dove and others in works from the 1920s to colour has been turned into abstract screen images by Norman McLaren, Katy Dove and others in works from the 1920s to today.

Dorazio himself feeds the other key influences of Mondrian and Delaunay into explorations of colour and wave which, judged by Frieze Masters, are increasingly sought after.

At the heart of this exhibition are three new such series: a line of five pastels, treated like a kind of reverse sculpture, with fat sticks of chalky pigment ground back to dust and worked into thick pages of handmade paper; a sequence of 18 watercolours in which pairs of pigments are dissolved into each other, layer over layer, into veils of translucent light; and a series of ten tall, vertical sheets of waxed butcher's paper, carrying oil paint dissolved into skins of solid and liquid colour.

The viewer comes into view as a reflection with every rotation, and the other images are formed from two projectors: one showing a close up of a man's face, the other a series of coloured images — variously a course, fireworks, and other snapshots of apparent exuberance.

As writer Diana Pinck describes on Josef's biography: «With the lightness of a true master's hand, he combines classic academic and abstract elements, fusing these, literally letting them run into each other with dripping rivulets of riveting colours and light: by using his signature drip effect along the bottom.

In some of the works one flow of brushwork is abruptly stopped short, in others underlying colour returns like a vein farther into the picture, painted over and then re-appearing.

Composed of wide horizontal stripes of blue, grey and green that appear to lean into each other, the sense of movement is rendered almost palpable by the fissures of colour that seem to hold the viewer in an uncertain space.

Nathalie du Pasquier: Other rooms @ Camden Arts Centre Bold blocks of colour and architectural interventions have turned these galleries into a riot of colour.

Generally used in street lighting, mono - frequency lamps emit light at such a narrow frequency that colours other than yellow and black are invisible, thus transforming the visual field around the sun into a vast duotone landscape.