Sentences with phrase «into permanent galleries»

He turned the barracks and mess halls into permanent galleries.

There has been talk in the family of turning Eagle's Nest into a permanent gallery for Heron's art, something about which he was untypically diffident.

Not only has she turned her brokerage into a permanent gallery, she also connects artists with property owners and local businesses to help community projects flourish.

Not exact matches

Nazarian launched her gallery in Los Angeles in 2006 as a traveling art platform, moving into a more permanent home in Venice in 2012.

To the consternation of some and the delight of others, the painting is now housed less than two miles away from the Corcoran at the National Gallery of Art — a public museum that is arguably the most prestigious in the United States — where its been brought into the permanent collection.

With her demonstrated imagination and skill, she envisions new ways to connect the Brooklyn Museum's historical collections with contemporary ideas and practices, such as experimenting with how to make the permanent collection and gallery spaces into more dynamic experiences.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Under Curtis's leadership the Tate underwent a successful # 45m renovation in 2013 and she also oversaw the chronological rehang of the gallery's permanent collection, which placed a greater emphasis on contemporary art and, in the words of art critic Richard Dorment, «transformed the dowdiest gallery in Europe into one of the most splendid».

In the past year, she has seen two of her photographs bought into the permanent collection of Yale University Art Gallery.

A Louisiana Parlor: Antebellum Taste & Context will be on view June 26 — October 11, 2015 in the Ella West Freeman Gallery and will be integrated into NOMA's permanent collection of decorative arts shortly thereafter.

A selection of objects from the collection is displayed into 38 permanent exhibition galleries.

The Artist in Residence (AIR) studios are above the galleries, and the work produced during the residency eventually finds its way into the museum's permanent collection — the museum typically purchases one of the pieces resulting from the residency.

The Scottish Modern Art Gallery's new retrospective is his first UK show in two decades, and begins spectacularly in the grounds, where the bright yellow - painted bronze «Declination» (2004), a huge bottle form metamorphosed in combination with other vessels into an abstract push - and - pull dynamic, echoes the twisting energy - plus - elegance of Charles Jencks's permanent landscape spiral.

These small - scale, intellectually playful forays into the permanent collections were complemented by the big shows — including some of the gallery's most successful exhibitions, on Late Turner, Lowry and the pre-Raphaelites.

Thousands of books suspended from the ceiling of the art gallery that swing into the the entrance of the Library now a piece that is held in the permanent collection.

Our lovely High Museum, with its permanent collection, gallery of African Art, current visiting exhibitions, etc., could fit into Chicago's Art Institute more than three times.

When I spoke to Chicago last year, she pointed out: «The monographs on artists, permanent collections and major exhibitions are really the path into history, and that's what is important to look at, and not be deceived by the many women showing at entry level in smaller and regional museums and galleries.»

For six weeks Walter Phillips Gallery was converted into a mini-exhibition space to highlight works from Banff Centre's Permanent Collection.

Divided into two parts, the 6,000 sq ft. main gallery highlights rotating items from the permanent collection, including a large number of photographs from Howard Greenberg.

Curated by the AGNSW's Wayne Tunnicliffe and assisted by Anneke Jaspers, the show was conceived as a way of putting Australian art from the gallery's permanent collection into an international context, drawing examples from 49 Australian and international collections, a rare and welcome example of what an Australian museum can do with resources, space and time.

Parameters that would impact any exhibition, but which become more evident and emphatically relevant in this kind of socio - geographic case study include: which works have been brought into the permanent collection; what arrangements can be negotiated as far as borrowing work; what relationships have been established with local Indigenous communities over the sixty - odd years of the gallery's history.

On the second level, former classrooms have been converted into a sprawling series of light - filled corridors to primarily house the gallery's growing permanent collection.

In the early 1970s they translated their live sculpture into more permanent mediums, first large drawings — a gallery in the show is devoted to these — and then into photographic ensembles.

On the main floor, 29 American paintings and two sculptures have been installed in two galleries prior to the integration of works from the Corcoran into the permanent collection.

Other important solo presentations include the artist's major commission as part of the permanent sculpture program at the List Visual Arts Center at Massachusetts Institute of Technology in Cambridge, MA (2011), Martin Boyce and Ugo Rondinone: We Burn, We Shiver at SculptureCenter in New York (2008), This Place is Close and Unfolded at Westfalischer Kunstverein in Munster, Germany (2008), Out of This Sun, Into This Shadow at Ikon Gallery in Birmingham, UK (2008), A Lost Cat and Alleyways, Back Gardens, Pools and Parkways at Centre d'Art Contemporain Genève in Switzerland (2007), For 1959 Capital Avenue at Museum für Moderne Kunst in Frankfurt (2002), and Our Love is Like the Flowers, the Rain, the Sea and the Hours at Tramway in Glasgow (2002).

More recently, he was commissioned by the Dulwich Picture Gallery in London to create «Made in China», a radical intervention into the Gallery's permanent collection using an inexpensive Chinese replica.

In addition to its permanent collection and its program of art shows, the Hugh Lane Gallery runs several other activities including a lively art awareness and education program, a lecture series, plus an outreach program to take art into the community.

Paul Davis (1959 Illustration) Principal, Paul Davis Studio; work has appeared in Time, Rolling Stone, The New York Times, The New Yorker; inducted into the Art Directors Club Hall of Fame (1995); AIGA Medal (1989); permanent collections include The Museum of Modern Art (NYC), The Smithsonian National Portrait Gallery.

Traveled to New Orleans Museum of Art; Museum of Contemporary Art San Diego, La Jolla, CA; and Blanton Museum of Art, The University of Texas at Austin; Phoenix Museum of Art Darren Almond, Katharina Fritsch, Martin Honert, Gary Hume, Paul Sietsema, Rebecca Warren, Terry Winters, Matthew Marks Gallery, Los Angeles The Shock of the News, National Gallery of Art, Washington D.C. 2011 All of This and Nothing, Hammer Museum, Los Angeles (catalogue) Drawn from Photography, The Drawing Center, New York (catalogue) 2010 Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles A Selection of Works From MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles Hauntology, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley The Artist's Museum, Museum of Contemporary Art, Los Angeles The More Things Change, San Francisco Museum of Modern Art 2009 Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles Second Nature: The Valentine - Adelson Collection at the Hammer Museum, Hammer Museum, Los Angeles 2008 Progress, Whitney Museum of American Art, New York Life on Mars: 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (catalogue) Inside Architecture: Selections from the Permanent Collection, Museum of Contemporary Art at the Pacific Design Center, Los Angeles (catalogue) When things cast no shadow: 5th Berlin Biennial for Contemporary Art, Berlin (catalogue) 2007 From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles USA: American Video Art at the Beginning of the 3rd Millennium, Second Moscow Biennale (catalogue) Live / Work: Performance into Drawing, The Museum of Modern Art, New York Radio Daniele, broadcast by Citta del Capo Radio Metropolitana, in collaboration with Museo d'Arte Moderna di Bologna, Italy 2006 Uncanny Nature, Australian Centre for Contemporary Art, Victoria, Australia (catalogue) Le Mouvement des Images, Centre Pompidou, Paris (catalogue) 2005 Recent Acquisitions, Museum of Contemporary Art, Los Angeles Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles (catalogue) Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo.