Sentences with phrase «into planes of color»

oil on burlap over panel Daniel Brice's paintings are composed using a minimal rectilinear language, divided into planes of color implying vast spatial landscapes.

The Rice Skyspace, one of the most accessible to the public, can accommodate 120 viewers and features LED lighting programmed to modulate the glow of sunrise and sunset, transforming the sky into planes of color.

I most often begin by envisioning form and space in nature and then interpret my ideas and feelings into planes of color on the canvas.

Often abstracted into planes of color, Eisenman's heads laugh, cry, kiss, and bend into the glow of cell phones.

Her body contorted and her gaze directed downward, her form dissolves into planes of color and blends with the surroundings.

Not exact matches

Malone writes: «Each image is built of a dominant color, yet within each color there are subtle variations that maintain a shallow atmospheric depth — not enough to sink the color into a distracting illusion, but more than enough to activate its magically ambiguous relationship to the picture plane.

It's as if with line from the loom - Weaver knife and weaver brush Stitch color thick into Diamond and terrace, into Planes black as wool tied by Stripe and cross, all falling in The warp and weft of weave, Patchwork tricksters playing «till Depths fill with ring and bell Purple against the harvest moon.

Highway overpasses, empty offices, cityscapes, and even public figures» faces are reduced into planes of flat color, which the artist carefully paints in taped - off portions, creating crisp images that sit somewhere between the handmade art of paintings, cartoon - like animation, and mass - produced perfection.

Maher creates dynamic sculptures from concrete, aluminum, and resin; in his vibrant paintings, Dunlap divides the picture plane into interlocking geometries of shape and color; in video and sculptural works, Tenser considers autonomy and dependence.

Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pColor Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pcolor spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

More ubiquitous are small rectangular blocks of solid color, often containing modestly sized but altogether exquisite gestural marks, that seem both to sit on the picture plane and cut an aperture into it.

Like him, she now sticks to geometry and flat areas of color to emphasize its relation to a picture plane, all the while thrusting viewers into insane spaces.

Schutz creates unsteady cornucopia compositions that build out of paint, creating shifting spatial planes that flip - flop, flickering in confetti color and, until recently, with creamy paint, which flower into bucolic clusterfucks.

The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89) in which the watery color planes suggest abstract but recognizable elements like pennants, sails and boats, and black wave forms blend into blue ground in «Land's End» (1986), with the full blast of wind on sails being felt in the horizontal diptych «Windward» (1987).

Her pen and ink twists into depth, clustering around colored planes in gouache and watercolor, like the vanes of a fan in high winds.

Their shaped canvas fits together into rectangles that deny the shaping, while warm colors and soft modeling in turn disturb the picture plane with the illusions of a third dimension.

Some paintings depart from two dimensions through illusion, adding angled planes to the edge of his gridded rectangles, while sculpture takes the stacked colors into the center of a room.

«Ebb Tide» has broad waves of aquatic color, foam - like splashes of white and orange, and receding atmospheric planes, while «Sancere» sends effervescent bubbles into blue fluidity from a gyrating core.

Figures are frequently at one with their environments — not just because of their relaxed, natural poses — they also often literally blend into their surroundings, as they share the same plane of color.

In the late 1950s, Stella was one of the first painters to reign the dynamism of Abstract Expressionism into angular compositions and flat planes of color.

The void of the monochrome is turned into the protagonist, representing everything and nothing, while the interplay of matt and glossy lacquer, or contrasting colors give rise to a virtual space behind the picture plane.

Designed to allow for open spaces between the panels, the curtains create planes of color that can be reconfigured into

Designed to allow for open spaces between the panels, the curtains create planes of color that can be reconfigured into alternative groupings.

Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pColor Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pcolor spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

Albers's precise application of color also created plays of space and depth, as the planar colored shapes that make up the majority of his works appear to either recede into or protrude out of the picture plane.

While his rigid planes of color, unitary shapes, and non-hierarchical compositions nod toward Minimalism, by transforming the Minimalist square into a prison cell, Halley's works call the supposed neutrality of such art into question.

Mame Diarra Niang's «Metropolis Central» series of photographs flattens Johannesburg's urban landscape into arrangements of colored planes, refashioning it into an imaginary, mutable territory that stands in for the artist's peripatetic upbringing.

In the past decade Braman has become known for painted sculptural structures which breathe new energy into humble artifacts from life at home and on the road ---- used furniture, car hoods, and wooden doors ---- with rich colors of spray paint or planes of cut Plexiglas.

As is typical of Nilsson's style, wiggling limbs weave between each other pell - mell as swathes of color trifurcate the picture plane into three intertwined scenes.

Lindquist's obsession with a Claude - like sense of view is magnified by his alienating sense of color (much like that produced using a Claude glass), use of multiple and layered identical images, and slightly off - kilter or literal frames painted into the picture plane.

Moving back and forth between abstraction and figuration, he has depicted geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges into each other while preserving a descriptive quality.

Experimenting with modulations of form, color, and plane, Clark's early abstract works challenged the canvas» edge and extended the visual field of painting into the physical realm of the viewer.

For the installations and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used colored planes to form simple geometrical compositions that nonetheless produced complex experiential effects, giving the impression of three - dimensional shapes folding into and out of the corners, walls, and floors of the gallery, as if collapsing out of and drawing viewers into revealed spaces existing parallel to the structural planes of the

Following this, if we steady our gaze, taking in the entirety of the painted field as a relative totality, the divisions between forms gradually fade away as the painting darkens into a single, monochromatic plane of color.

That language consists of flat areas of varying colors and sizes; the interruptions of paint drips, stains and abrasions; moments where the stripes transmute into volumetric planes and forms; and the addition of trompe l'oeil supports and prosthetics to prop up or balance the whole.

Artist Statement «Photography is one of my passions; my work encompasses the eye of a printmaker where I break the picture plane into blocks of colors.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

In contrast to previous series, for example, Herrera has employed a third color plane into individual works for the first time since the 1950s, although this manifests itself as areas of raw canvas, adding surface texture and suggesting a neutrality or ambiguous status to this intruder.

Ellsworth Kelly, American minimalist painter and sculptor, renders his surroundings into abstract, essential shapes, planes of color, and empty spaces.

In Matthíasdóttir's case, she expressed her synthesis of abstraction and representation by dividing the picture plane into discrete sections of color, as if she were creating a map.

She has also determined that gray's behavior is less predictable than that of chromatic hues, such as the color blue, which recedes into the picture plane or red that extends out in front of it.

Each image is built of a dominant color, yet within each color there are subtle variations that maintain a shallow atmospheric depth — not enough to sink the color into a distracting illusion, but more than enough to activate its magically ambiguous relationship to the picture plane.