Despite the palpable electricity between McQueen and Dunaway, the original's romance felt rushed and therefore somewhat forced; here, screenwriter Leslie Dixon (who shares screenplay credit with Kurt Wimmer, who, in a unique arrangement, handled only the action scenes) fleshes out the love story, showing how their basic desire develops
into real affection.
Not exact matches
Last night, I had a horrifyingly realistic dream that began with getting arranged - marriage - promised to a stranger, followed with a multi-day wedding / traveling circus performance, and finally devolved
into me trying to dissolve the marriage contract while vying for the
affections of my true love (and actual,
real - life husband) as a woman named Sharmula attempted to seduce him away.
Unfortunately
real life doesn't quite work like that, and whilst I am gladThe Henley Boy had the balls to get back in touch with me earlier this month, and I at least partially understand why he «ran for the hills», to coin his phrase, that doesn't mean the Henley Boy has found his way back
into my
affections.
How do emotions like jealousy, possessiveness and control factor
into real feelings of
affection?
In his early scenes with son H.W. (Dillon Freasier), he's more easygoing, even playful with him, showing
real affection that goes beyond wanting his legacy to last and
into real love.
The comedy in 50/50 goes a long way toward keeping the sentimentality at bay, with Rogen, playing a version of his
real - life self, showing how the
affection between male friends can be smuggled
into teasing and gallows humor.
On the other hand, in respect to the
real estate that was also put
into joint names as joint tenancy because the husband indicated on the transfer of ownership to he and his wife that it was being done for «natural love and
affection» (to avoid land transfer tax among other things) the wife retained her 50 % ownership interest of the
real estate.