Sentences with phrase «into riffs»

Amusement Vision opted for a hard techno soundtrack that only occasionally breaks into riffs that pay lipservice to the familiar melodies.

It's a breathless, uncompromising ride that sticks to the top - down driving and shooting for the most part, but dives off into riffs and references accompanied by short bursts of alternative gameplay.

Instead she will launch into a riff about comparing apples and oranges in order to divert attention from the factual question.

Can I turn my RRSP into a RIFF also?

Taking chances does not factor into the riff - raff mindset.

Not exact matches

And it definitely means you've never walked into a music store; Smoke makes every list of overplayed guitar store riffs.

«With his improvised riff, Dr. King took a leap into history, jumping from prose to poetry, from the podium to the pulpit.»

«Bitch, I turned into Patti,» he says, before launching into a series of stunning vocal riffs.

I dove deeply into this here, riffing off of an academic paper comparing economic outcomes between terms when D's or R's controlled the White House.

I can imagine such an apologist saying, «Therefore, what you listen to in ignorance, this I proclaim to you» (riffing on Acts 17: 23, transformed into St. Paul's address at Carnegie Hall).

Jeremy — earlier, you wrote — Dave, Just to riff on the United States example a bit more... When we went to war with Iraq, many of our nation's religious leaders said that this was God's will, and that we needed to bomb Iraq back into the dark ages.

A decade later, Gutiérrez offered up a series of riffs on key biblical passages that extensively spell out the background perspective on God that informs his earlier explorations into liberation theology.

See how easy riffing bread becomes once you get into it?

A portable riff on the classic plato cubano, the the Cuban burrito consists of rice, beans, fried plantains and cilantro lime slaw, and is rolled tightly enough to fit into a water - bottle cage on a bike.

Well, they're a riff on Monster Cookies, a sort of «everything but the kitchen sink» cookie that, at its most basic, contains peanut butter, oats, M&M s and chocolate chips.The original cookies are terrific, but skipping the cookie dough and tossing all those ingredients into blondie batter is absolutely the way to go!

Saffitz suggests whisking everything from maple syrup to coconut milk to lemon juice into confectioner's sugar for endless riffs on a classic glaze.

Colorado's Twisted Pine has instead incorporated the bhut jolokia into its appropriately named Ghost Face Killa (a riff on Wu - Tang Clan rapper Ghost Face Killah).

What we use it for: Stir it into freshly chopped herbs for a riff on chimichurri, thin it out with oil and acid for salad dressing, or stir a spoonful into mayo to create a punchy, creamy dip.

What makes the dish is a 26 - ingredient mole, a riff on the Oaxacan sauce that the chef calls a «happy accident» — the kitchen needed to clean out the fridge and threw stuff into a blender.

He would slip into the campus auditorium, settle into the piano bench in the orchestra pit and begin jazz riffs.

For jewellery, there's Kirstin Stride (hand - drawn and - painted birds turned into earrings and brooches), Frilly Industries (laser - cut wooden brooches from Birmingham - based duo Kirsty Hillyer and Adrienne Frances, who will be bringing «a Bust - inspired range of feminist STUFF» to our summer do) and Kayleigh O'Mara (acrylic laser - cut jewellery — plus a complementary range of cards and paper goods — currently riffing on a sea theme).

In this arena the sound and the singalong chorus were everything and too often the songs extended into Zeppelinesque riffs that took these three minute masterpieces into the dead - zone.

Obama should have gotten into the Moses act — riffing how Republicans, as repped by Bush and McCain, are like unto a plague of locusts.

The governor, who recently introduced a program bill to legalize gay marriage as part of his political comeback effort, then went into a long riff on how «sometimes it takes a disciplined effort and some losses to get a victory.»

She boldly steps into a void, a realm where she has to riff, and trusts that a flash of...

The riffs from this form of improvisational music may provide a window into the brain's creative processes

A romantic riff on the traditional button - up, the Claira has voluminous balloon sleeves and is crafted from weightless white cotton to tuck seamlessly into any bottoms.

This is the One — The Stone Roses (1989) After opening with that iconic guitar riff, This is the One quickly melts into a beautiful love song about falling for someone who gets all your quirks.

When you use mainstream sites, you're going to run into a lot more riff - raff inevitably.

Evolving into a highly technical group playing thrash metal with their erratic and precise on - stage delivery, rapier wit, along with nostalgic charm, Illyrian have removed the constraints of conventional metal sub-genre formula to replace their sound with a melting pot of technical thrash riffs, blistering solos, prog - influenced rhythms along with the band's signature tri-vocal attack all showcased on ten new thrashing tracks on their new album Round 2: Fight!

Along the way we get glimpses into his friendship with longtime collaborator Warren Ellis who we see building loops for Cave to riff lyrics over.

Just as suddenly, what began as a nifty premise morphs into a cluttered scenario chockablock with the usual riff - raff.

Rather than collecting a bunch of funny people together on a set and just letting them riff, the film establishes coherent characters and drops them into a twisty mystery plot that's tightly crafted enough to generate some real narrative momentum while never getting too bogged down in its own plot that it forgets to be funny.

Its absurdist scenarios serve as little more than a ramshackle frame for bizarre non sequiturs, stoned pop - culture riffing, and some of the weirdest gags ever to make it into a studio - released film.

The series is awash in bursts of expressionist color, on - screen text, the breaking of the fourth wall, and riffs that allow Lee to revel in the actors» chemistry and in the intuitive power of his own imagination, leading to tones that daringly crash into one another.

It may be the apotheosis or culmination of all the Korines: a picture that starts off, as many have noted, like an arty «Girls Gone Wild» video, inflated to Hieronymus Boschian or Pieter Brughelian beach party proportions, and ends up doing a riff on the Al Pacino — Brian De Palma 1983 «Scarface,» mashed up into «Charlie's Angels» gone homicidal.

Tina Fey and Amy Poehler, hosting for the third and what they maintain was the final time, skewered Hollywood vanity, ageism and the film «The Interview,» saving their most cutting jokes for last when they laid into Bill Cosby in a bit that began with an «Into the Woods» riff («Sleeping Beauty just thought she was getting coffee with Bill Cosby») and ended with the two imitating the embattled comedian's trademark cadeinto Bill Cosby in a bit that began with an «Into the Woods» riff («Sleeping Beauty just thought she was getting coffee with Bill Cosby») and ended with the two imitating the embattled comedian's trademark cadeInto the Woods» riff («Sleeping Beauty just thought she was getting coffee with Bill Cosby») and ended with the two imitating the embattled comedian's trademark cadence.

An enchanting riff on friendship and the late -20-something rite of passage into true adulthood, while the buoyant comedy does focus on those who still don't have their shit together, it is however, leagues more rich and emotionally layered than the average arrested development dilemma that seems to characterize 20 / 30 - something comedies of late.

«Pynk» opens with a synth riff indebted to Yazoo's «Only You» and abruptly morphs into a chorus that sounds like TLC playing «Teenage Dirtbag.»

The 2008 found - footage original, for instance, sent the internet into meltdown when the 9 / 11 - riffing trailer came out of nowhere a few months before the film's release.

The song starts off with a very mild but funky bass and drum riff with Thom's vocals chiming in and out, and similarly to «Ful Stop», builds into something exceptional with a well - needed guitar solo to close the song.

Riffing on the narration - plus - archival - footage technique in «The Price of Gold,» director Craig Gillespie (Lars and the Real Girl) weaves talking - head voiceovers into flashback scenes.

An intermittently amusing riff on British spy movies, starring Colin Firth as a secret agent who takes a novice under his wing, «Kingsman» collapses into outlandish absurdity in its second half, sloppily careening from silliness to sentimentality.

From a performance standpoint, it's hard to describe into words just why Murphy makes it funny, but suffice it to say, he never bothers to take any of the story seriously enough to care, riffing and reacting to his surroundings, always in tune with who his persona is, and never seeming desperate to inject laughs.

That sets Frances searching, somewhat desperately, for new digs, and she embarks on a series of short - term accommodation misadventures, endeavoring to regain her balance while baffling new acquaintances with her pattern of speech — random riffs about being and nothingness that often veer into insensitive and possibly inappropriate subjects — and somewhat overbearing manner.

The clip features Mark Wahlberg «s John Bennett and McFarlane's Ted meeting with their lawyer, played by Amanda Seyfried, and spiraling out into the familiar kind of riffing on law terminology.

Blu - ray adds: «Competition Crescendo» featurette breaks down the riff - off scene, starting in pre-production in the recording studio and moving into production; «Don't Mess With Rebel» Rebel Wilson stunts featurette; «The Headliner: DJ Khaled» featurette; «The Final Note: John and Gail»: Everyone's favorite Talk - a-pella podcasters are back, combining their resources to produce an exclusive d'aca «mentary following the beloved classic Bellas; «Just Because He's a Bad Guy» John Lithgow featurette; «Freedom!

The standout scene of the brothers» semi-affectionate riff on 1950s Hollywood throws the brunt of their combined talent for writing and deadpan timing into a two - man vaudeville routine of words and manners, in which a sophisticated director (Ralph Fiennes) and a bumpkin - ish actor (Alden Ehrenreich) struggle to get through a single line of dialogue: «Would that it were so simple.»

It was in 2002 when specific comic book story beats really began to bleed into feature films: Sam Raimi's Spider - Man substituted Mary Jane Watson for Gwen Stacy but did a riff on the pivotal «Death of Gwen Stacy» story when the Green Goblin dropped MJ off the Brooklyn Bridge (which Marc Webb's The Amazing Spider - Man 2 in 2014 fully committed to by killing off Emma Stone's Gwen Stacy).

They riffed on things that even we weren't reading into the lines we had written, they made it so much more fun.