Sentences with phrase «into scenes from the movie»

This ride takes your family in a clamshell under the ocean and into scenes from the movie.

I felt like I had been transported straight into a scene from a movie like Steel Tomatoes... I mean, Fried Green Magnolias....

Not exact matches

Despite the fact that the cave scene eventually made it into the movie, footage was noticeably cut from it, including a mysterious woman believed to be related to Black Panther.

I got a ticket for a busted tail light; I didnâ $ ™ t know I had a busted tail light â $ «I thought it was going to turn into a scene from a terrible movie («What busted tail light?»

It sounds like a scene from a horror movie: A 52 - year - old Brazilian woman brushed against a caterpillar while she was picking plums, and a few days later she died a horrible death after developing bruises all over her body and lapsing into a coma.

Kristin Davis, who you may recall as one of the leading ladies from Sex and the City has gone on the record with Stella magazine saying «many actors rush into wedlock thinking they are living in a movie scene».

Without much material or throughline, the movie devolves into a succession of scenes in which the scream queen Vivian runs from one imperilment to the next; the proceedings culminate in abandoned mine tunnel that serves primarily as a means for obscuring the action.

The mere memory of scenes from that movie sends me into uncontrollable giggles, and my husband into a head shaking spasm.

If the guard is not precisely self - aware, he does make the act of torture (and murder, which becomes a natural extension) into a scene you might recognize, not only from other movies or stories about torturers, damaged souls in need of punishing or saving.

But here is where the film blossoms and Celie finally gets revenge on Mister too (the scene where Celie is shaving Mister with a straight sharp razor where she is about inches from cutting his throat), along with other characters that blend into this movie.

A woman holds and drinks from a glass of liquor in several scenes throughout the movie, a woman pours alcohol from a flask into a thermos cup with coffee while watching her young daughter skate, two women guzzle beer from cans in a hotel room, a woman drinks shots of liquor at a pool hall, two men hold and drink from beer bottle in several scenes in a home and a strip club, a woman drinks from a flask, and a woman drinks a glass of wine at a dinner table.

Uprising is long, has yawn - inducing action scenes, terrible dialogue, a contrived plot that makes ZERO sense, and commits that most hated crime of horror movie sequels - returning beloved characters from the original only to kill them or turn them into forgettable villains.

Apart from the soft pad of her feet on the carpet, the scene is nearly silent, with no orchestral sting underlining the looming threat, and when she turns around, he's vanished, but the movie has succeeded in making us afraid of empty spaces and the human monsters that might at any moment step into them.

BDSM elements once again come into play, but the scenes mostly all come across as simple retreads of similar sequences from the previous movies.

The inbred lowlifes in this B - movie black comedy are members of the Smith family, a clan of troglodytes in a seedy Texas trailer park replete with vicious barking dogs on chains, who swing into ruthless high gear from the very first scene, when penny - ante drug dealer Chris Smith (a game turn by Emile Hirsch, who has grown from the appealing, open - faced kid in The Emperor's Club into a scabby, hirsute roughneck) arrives in a torrential rainstorm and is greeted at the screen door by his father's new wife Sharla with a female full - frontal.

Then envision midnight - movie touches mixed into the filmmaking: flash cuts of predators and prey enhancing otherwise typical scenes of plans being hatched; monologues about brain capacity and the true meaning of time coupled with psychedelic visions and wormholes and explanatory objects materializing from thin air.

The scene effectively conveys the king - of - the - world high of a solid drug rush, and the film has just enough of an edge that I winced each time they hit the glass, convinced that one of them would take that big fall into the canyons of L.A. Elizabeth Hurley, meanwhile, is very pretty and sports a lovely English accent but seems to have been airlifted in from an entirely different movie.

One of the year's most unsettling movies, Shira Piven's Welcome To Me stars Kristen Wiig as Alice Klieg, an Oprah - addicted recluse who wins the lottery, goes off her meds, moves into a casino and spends fifteen million dollars to star in her very own talk show, Welcome To Me, in which she eats a cake made out of meatloaf and hires a series of women to re-enact traumatic scenes from her childhood.

It's a funny scene, provided you're into this kind of thing, but it's not really the kind of cool action that people typically want to see from this kind of movie.

He responded with an enthusiasm that was beyond just fandom: he compared her films to classics like «Picnic at Hanging Rock» and «Scenes from a Marriage,» indoctrinated her second film into the Great Movies collection, and often rewarded her work with four stars.

You don't go to see a movie like this for the deep and powerful message interwoven into the subtext; you go for the cool swashbuckling scenes that borrowed a trick or two from Xena: Warrior Princess.

Instead of just having each scene from the movies playable from a central hub, they are instead broken up into «playsets».

There is no new footage, as director Kapadia collects terrific clips from a variety of sources (including behind - the - scenes meetings and home movies) and assembles them into a narrative structure that tells Senna's story chronologically, accompanied by Antonio Pinto's moody score.

Tarantino also mentioned «stuff» that «never made it into the movie,» and there are some deleted scenes from the Kill Bill saga, such as a fight sequence between Bill (David Carradine) and a character played by Michael Jai White.

At this juncture, the movie morphs into an overstimulating, kitchen sink extravaganza serving up everything from dazzling, CGI chase scenes to catchy song - and dance tunes (ala «Smells Like Teen Spirit») to swashbuckling derring - do.

The film's very first scene reveals that the movie takes place after the excursion into the Shimmer, and Portman's character is the only one to return from the mission.

Tommy has in turn been cut into various scenes from the movie, again, providing with a glimpse at what he could bring to the table.

That being said we did sneak a wee E.T. homage into the Trolley scene and my editor Helen says she always knows my scripts from the number of nods to movies peppered inside them.

The documentary answers why GoodFellas is still so enthralling 25 years later, and the answer is because of the details and authenticity Scorsese poured into every shot of the movie, from adjusting Liotta's tie just right in every scene, to having the song «Layla» by Derek and the Dominoes play at an exact time in the film.

Given that this is the second half of the finale, it should have been all killer; instead, it's mostly filler, a checklist movie made up of scenes from the book that don't cohere into anything propulsive or engaging.

Man, I can't wait to get my teeth into some of these movies... Agree with the scenes from the only ones I've seen however (This is the End and Don Jon).

So for me, the argument scene between Stephen Strange and Christine Palmer, that fight scene in the apartment — even to this day, every time I watch the movie, it feels like, «How did I get this scene from this gritty little indie film into this Marvel movie?»

Fenton also conducted the show in other cities around the world (including LA, at the Hollywood Bowl) and it became so popular itself that it inspired the show's producers to combine some of the most dramatic scenes into a movie to be released in cinemas, Deep Blue (this time with narration from Sir Michael Gambon).

It only gets better from there, throwing us right into a crucial scene in the movie, where we see these actors as their Vietnam counterparts.

may not have been many, but they were perfect — making the point and then moving on (from that first dig right into a stunning eight - minute song and dance number that dropped him into classic movie scenes).

Regardless that this is a prequel so we know that Leatherface is going to survive and therefore lacks any suspense at all, as a movie Leatherface is all over the place with references to what comes later shoehorned in — like the blink - and - you'll - miss - it appearance of Grandpa in the opening scenes and the character of Hartman (the unscrupulous Mayor in Texas Chainsaw 3D was called Hartman, in case you'd forgotten)-- and details that just don't make sense, such as Drayton being portrayed as a psychopathic killer but yet in Tobe Hooper's original movie he «takes no pleasure in killing», and three people climbing into a cow's carcass to hide from the police which looks as dumb as it sounds.

BEST SCENE: It essentially turns this movie into a video game, but the third act shootout provides the bang bang spectacle one wants from a movie exactly like Gangster Squad.

THE DVD by Bill Chambers Columbia TriStar (evidently back from a brief sojourn as Sony Pictures Home Entertainment) presents The Forgotten on DVD in a configuration similar to their release of Identity, with seamless branching reintegrating the supplemental deleted scenes and alternate ending into the movie.

The kids were living with their parents in a Lower East Side apartment where they would meticulously recreate scenes from favorite movies and had rarely ventured outside into the real world before Moselle's camera entered their home and changed their lives forever.

This undated publicity film image released by Paramount Pictures shows Chris Pine as Kirk, Zoe Saldana as Uhura and Zachary Quinto as Spock in a scene from the movie, «Star Trek Into Darkness,» from Paramount Pictures and Skydance Productions.

Deleted scenes are generally cut from movies with good reason, and this one is honestly no different, but I still wish the idea behind it could have found a way into Star Wars: The Last Jedi.

Lady Bird's methods are far removed both from the «mumblecore» scene where Gerwig started, and from the prevailing trends in mainstream movie comedy, both of which have tended over the past decade to favor improvisation, carved into a rough shape in the editing room.

From Here to Eternity Year: 1953 Directed by: Fred Zinnemann Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed, Ernest Borgnine Why it's essential: This movie has nestled into the American imagination as one of the great screen romances — that famous scene of Lancaster and Kerr kissing in the sand and surf on a Hawaiian beach is part of the great indelible Hollywood tableau — but most don't realize that this is a movie about soldiers stationed in Hawaii in the months leading up to Pearl Harbor.

The movie does get one thing right: In homage to the original, director Ericson Core retained the most gloriously overwrought scene from the early 1990s - when Utah unloads his gun into the air while screaming, refusing to shoot his mentor / nemesis.

Every scene is an exercise in drawn - out affectation, with the characters» silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges — all set to meaningful piano twinkles and drum beats — so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie.

However, if you're worried about ruining anything for yourself, this scene is from halfway through the movie, so don't watch if you'd rather go into the movie blind.

Here is a behind - the - scenes view of the shooting of 5 scenes from the movie, broken into: «Town Attack» (4:46), «Tortuga» (3:09), «Blacksmith Shop» (3:58), «The Cave» (3:41), and «Jack's Hanging» (4:07).

You'll come across many scenes that seem like they're ripped straight from an action movie such as boats crashing into ramps and a fleet of warships firing their artillery into the air.

On a strip of cheap motels, gun stores, tourist traps, and various other establishments, this motel houses all kinds, from the tourists looking for something cheap (or, in one of the movie's funniest scenes, booking the wrong hotel) to the working class who have basically turned it into permanent lodging.

Without going into detail, the first scene is horrible and the movie somehow proceeds to get worse from there.