The newest slate of contributors includes 11 notable authors who have been widely recognized in popular culture not only for their bestselling novels, but also for how their works have transcended the page
into screenplays for film and / or television.
Not exact matches
Beginning his career as an author and responsible
for the source material of Danny Boyle's The Beach in 2000, Alex Garland then directly ventured
into the
film industry by doing
screenplay's - again with Boyle on 28 Days Later and Sunshine - before he eventually took the reigns himself by making his directorial debut with the magnificent science fiction
film Ex Machina in 2014.
Though Strouse reportedly based his
screenplay on his own difficulties making a name
for himself as a playwright early in his career, the
film's look
into the life of struggling artist Jessica James (Jessica Williams) feels familiar at best.
If Tarantino fails to gain entrance
into the Original
Screenplay and Director categories (which would be understandable after all the shade his controversial interviews have thrown on his peers) and the Best Picture field isn't big enough to support this, the
film should likely still compete
for Best Cinematography and Best Original Score honors.
Release Date: After winning Un Certain Regard
for his 2009
film Dogtooth, Lanthimos premiered ALPS at Venice in 2011 (where it won Best
Screenplay), before tapping
into the Cannes main comp (taking the Jury Prize) in 2015.
Very exciting, it's been 8 years since Primer (a science - fiction favourite in these parts), and while the writer / director's
screenplay for «A Topiary» never got made
into a
film, he whipped out this surprise to many earlier this week by way of the festival announcement and a very shiny bit of key art which confirms that Carruth will star in the
film along with Amy Seimetz (A Horrible Way To Die).
As
for «Happy - Go - Lucky,» I think it may creep
into Best Actress and
screenplay (I've seen it and think it's a fine
film), but I kept the list at U.S. releases thus far.
Each year we get a master list of all the eligible
films and then need to divide the titles
into Adapted and Original
for the
screenplay...
Aided by an excellent
screenplay and assured direction from Nicole Holofcener, Lovely and Amazing is a
film that plays
for catharsis and empathy and achieves a good draught of both, content to leave expeditions
into stickier climes to more serious - minded
films.
In honor of the movie's home video release (and before this weekend's Academy Awards, where it's nominated
for Best Animated Feature), I spoke with Molina about the power of the
film's music, how physically visiting a place like Monte Alban actually translates
into a movie's
screenplay, and much more.
You've seen it all before, especially if you are familiar with William Douglas - Home's play, «The Reluctant Debutante,» which was also made
into a movie back in 1958, and the
screenplay for that
film provides the backbone
for What a Girl Wants (I assume the name change is meant to appeal to the aforementioned young girls familiar with the Christina Aguilera song of the same name.)
Brandon and I later both met with and talked with director Derek Cianfrance about the 12 years of work he put
into making this
film, his real life inspirations
for the
screenplay, and so much more.
He has just made his first venture
into film — writing the
screenplay for What's New Pussycat?
Writer - director Sara Colangelo expands her 2010 short
film Little Accidents
into her first full - length feature, which recently received an Independent Spirit Award nomination
for Best First
Screenplay.
There even seems to be a chance
for this to sneak
into Screenplay contention, as certain animated
films have before.
Think dating advice from He's Just Not That
Into You in reverse, of which both
screenplay writers of «Single,» Abby Kohn and Marc Silverstein, also have writing credit
for the
film.
If not
for the fact that the same actors are playing the same characters, one really could look at this movie as its own entity (The
screenplay may have been co-written by Creighton Rothenberger and Katrin Benedikt, who also wrote the script
for the first
film, but it often feels as if the characters have been transplanted
into the
screenplay for an unrelated story — perhaps one written by the other co-screenwriters Christian Gudegast and Chad St. John).
Francis Coppola's (he dropped the «Ford» in the»80s) Life Without Zoe (34:19) is the
film's insignificant weak link, although it is noteworthy
for being the first writing credit of Coppola's daughter Sofia, who has since blossomed
into an esteemed director herself and an original
screenplay Oscar winner.
She has written
screenplays in the past, including the 2011 «Fright Night» remake, and rather than necessarily seeing the books «Sharp Objects» and «Dietland» as one - off
films, she saw the open - ended possibilities
for making them
into series.
Elmore Leonard, the revered crime author who died Tuesday at age 87, was well known in Hollywood circles, either
for his books that got adapted
into films or
for his own
screenplays.
Nominated
for two Oscars (original
screenplay and the since - retired best adapted score), the
film celebrates the 50th anniversary of its original theatrical release this summer with admission
into The Criterion Collection, who assign it spine # 711 in a single - disc DVD and the one - Blu - ray, two - DVD Dual - Format Edition reviewed here.
Having said that, it's foolish to start counting
films out before the awards race has even kicked
into first gear, so I'll just say that Sicario is certainly worthy of consideration
for Best Picture, Director, and Original
Screenplay for Taylor Sheridan, among others.
Comprised of eight featurettes breaking down the
film's pre-production (adapted
screenplay and designs), production (including special effects), the cast, and more, this is your first stop
for insight
into the
film's making.
The
film has been compared to Taxi Driver (
for which Schrader wrote the
screenplay) in terms of following a character's descent
into madness in an insane world, but First Reformed feels like the premise has been updated and refined
for the 21st century.
Given that
film's failure, one can understand why Garland chose to take the pen
into his own hands moving forward, continuing to work with Boyle by providing
screenplays for
It also spun Spacey's career
into a whole new orbit, earning him an Oscar win
for Best Supporting Actor (the
film also won an Oscar
for Best
Screenplay).
McCarthy, whose books have been adapted
into such fantastic
films as No Country
for Old Men and The Road, sold the spec
screenplay The Counselor...
Peele, who wrote and directed the
film, could also slide
into the best director or best
screenplay category, the latter of which is usually more flexible in rewarding offbeat fare (like this year's nod
for the beautifully deranged The Lobster).
Steven Knight's
screenplay loses momentum once the couple settles
into their homey London life, and
for all Zemeckis's visual wizardry, the balance of the
film never recaptures the thrill of their early adventures.
Rian Johnson (Star Wars: The Last Jedi, Looper), Richard Kelly (Donnie Darko), and Roberto Orci (Star Trek), masters of weaving time travel
into the fabric of
film, dissect the elements that make
for a believable «operating system» when writing a comprehensible timeline
for a
screenplay.
Though Tarantino failed to gain entrance
into the Original
Screenplay and Director categories (which was somewhat understandable after all the shade his recent controversial interviews have thrown on his peers) and the
film failed to crack the Best Picture field of ten, the
film still predictably competed
for Best Cinematography and Best Original Score honors.
Hidden Figures Recently adapted to
film — with Oscar nominations
for best picture and best adapted
screenplay — Margot Lee Shetterly's nonfiction book depicts the lives of four black women who, as mathematicians and engineers, helped send the first American astronaut
into space.
An award - winning screenwriter I had recommended was hired and he did an AWESOME job on the movie adaptation, the line producer determined the budget based on the
screenplay, 100 % of the financing
for film production has been secured, the list the producer wanted me to compile of possible actors
for principle roles had been submitted; and just last week, the conceptual artist gave me a sneak peek of the preliminary visuals we might incorporate
into the movie.
Trained as an actor before making the switch to writing, Nicholls's previous novels include Starter
for Ten (originally published in the U.S. as A Question of Attraction), adapted
into a
film starring James McAvoy,
for which Nicholls also wrote the
screenplay; and The Understudy.
While writing, the artist was surprised by how easily the
screenplay for Ray came to him, and he followed it up with two more interlinking scripts and a plan
for fusing all three parts
into a feature
film.