Sentences with phrase «into sculptural practice»

And instead she discussed the fascinating processes by which she created each work that Weitman flashed on the screen: her prints as well as how she cannibalized forms from her printmaking and transformed them into her sculptural practice.»

In Saint Sebastian, 2007, Ofili further integrates the abstract notion of time into his sculptural practice, managing to capture the fleeting moments of transition and liminality of his subject.

In a large - scale piece called Cupboard V, Leigh incorporates dance, improvisation, and music into her sculptural practice.

These tools allow 2 - D media to be seamlessly integrated into sculptural practice, creating interesting new gains and problematic losses.

Not exact matches

Many of the artists share Deschenes» interest in architecture and the sculptural potential of photography — either creating an image of three - dimensional space, such as the work of Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

This informal conversation between London - based artist Francis Upritchard and German - born jeweller Karl Fritsch will explore the artist's unique sculptural language and the multiplicity of artisan and craft traditions Upritchard has incorporated into her practice, including collaborations with UK fashion house Peter Pilotto, Karl Fritsch and Italian designer Martino Gamper.

Since the late 1960s, Jonas has intermeshed various practices to investigate notions of gender, narrative and the concept of experience and space, as an act of translation and critical interaction with sculptural concepts and forms, translated into performances and installations.

Dramatic, sculptural installations that transform collected mundane materials into works examining race, poverty, consumer culture, and materiality have become synonymous with the Jamaican - born, Uptown - based Nari Ward's practice.

This understanding of sculptural language and a preoccupation with forms in space, translated into two - dimensional images, underpins her pictorial practice.

Though she works with different media and sometimes crosses into performance, Lemsalu's practice is fundamentally very sculptural, with her incredible ceramics taking centre stage.

Although she merges her photographic and sculptural practices in immersive installations, she conspicuously transfers the qualities of materials such as fabric and marble sculpture, into photography, and in the process offer a new, and specifically intermedial, way of framing the past.

Beginning in the 1980s, Beckley underwent a period of introspection and experimentation, branching into painting and reexamining his practice of sculptural constructions.

As the practice of painting moves ever further from the confines of the canvas, it continues to pour over into sculptural forms, installation, and new media.

Stepping aside from performance as a medium and the performative act of production, best characterised by Mota's studio - based compositions, her recent exhibition at the gallery, marks a major shift in the practice of the artist, materialising a new form of sculptural animism and a new agency, while shifting the instrumentalization of the performative into a series of coincidental and strictly conceptual acts.

Since the late 1960s, Adrian Piper has forged a unique artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues of race, gender and identity politics into the vocabulary of Conceptual art.

This show includes both the artist's early and recent forays into his pioneering use of industrial resin as a sculptural medium, providing an unprecedented opportunity to chart the development of the most celebrated genre of Alexander's five - decade practice...

The «Lynch Fragments» exemplify the extraordinary range of Edwards» sculptural practice, welding industrial found objects like hammers, chains and railroad spikes into new forms.

Rosa Barba's work ultimately extends into a conceptual practice where the medium of film is employed to explore any possible aspect of its material, sculptural, and narrative qualities and the ways it articulates space.

Furthermore, this exhibition sheds light on the aesthetic universe of Carron, providing foundations for his visual and conceptual vocabulary and allowing insight into a practice that combines strategies of appropriation with sculptural bravado.

Incorporating materials not traditionally associated with fine art into his works — including latex, satin, bamboo, and other found objects — Sonnier began to create sculptural works that challenged the conception of art at the time, and which went on to redefine contemporary sculptural practices.

Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.

Since the 1960s, Alabama - born Whitten has devoted his artistic practice to the potential of painting, transforming material into process, and breaking ground with the plastic and sculptural possibilities of abstraction.

Her films are attempts at weaving together portraits of morally dubious characters or events, and her sculptural practice employs a language of minimalism and abstraction to reformulate familiar objects into a state of ambiguity, navigating between negation and seduction.

b. 1972 Eureka, California / Lives and works in Los Angeles, California Before taking up his sculptural practice, Monahan perfected his ability to articulate formal and abstract drawings on paper, which he brought into three dimensions through folding.

Many of the artists share Deschenes» interest in architecture and the sculptural potentials of photography — either creating an image of three - dimensional space, such as Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

In these artists» hands, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond traditional linear representation in photographic, painterly, and sculptural work.»

«Hybridize or Disappear» analyses artistic practices where the visual is handled as matter and brought into a dialogue with sculptural forms.

June 14 through August 11, 2013 During the Smoky Hill River Festival, New York City - based visual artist Sharon Louden transformed the Oakdale Park practice court into a living room furnished with sculptural objects created from found pieces of furniture, repurposed scraps of discarded material, and paint.

Working in a variety of media, including photography, performance, video, and painting, Wurm always considers his practice from a sculptural perspective, and the artist transforms these influences into a presentation of surprising and introspective objects for his second show at Lehmann Maupin.

Working in a classical sculptural lexicon, Dexter Dymoke's practice explores the correlations and tensions between objects, materials and their engagement in space — he describes his work as an engagement with a discrete but rigorous conceptual enquiry into the symbolic and metaphoric role of materials.

His practice is similar in intent to that of many of the Land art and Light artists coming out of the 1960s and 1970s (Nancy Holt, Robert Irwin, Long, Robert Smithson, James Turrell), who took public space and appropriated it, transforming the environment into something novel and often sculptural This engagement with natural conditions and phenomena necessitated the dematerialisation of the art object and the extension of the «gallery» site for art.

Referencing a quote by Beat Generation poet William S. Burroughs, When You Cut into the Present the Future Leaks Out echoes approaches attributed to cut - up poetry, early hip hop, spoken word, and the sculptural practice of artist Gordon Matta - Clark, who sliced into urban spaces as social commentary.

That's Not Me / Artists» Conversation with Rodney Graham & Gerard Byrne Saturday 25 November 2017, 2 — 3 pm, IMMA Artists Rodney Graham and Gerard Byrne discuss the sculptural, cinematic, performative and humorist nature of Graham's practice, drawing attention to the multiple references layered within his work, that enable Graham to seamlessly shift into different roles, characters and contexts.

«My projects take into account the role of the artist in the expanded field of interdisciplinary practice to include socially oriented sculptural installation, abstract painting derived from social semiotics, and photography that treads the line between quotidian encounter and generic abstraction»

Marking the second three - dimensional work Bavington has ever created, «Louie Louie» is made entirely of water jet cut cast acrylic; transforming his traditionally two - dimensional painting practice into translucent sculptural form.

Peter Bunnell's 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practice, through its presentation of images arranged in a sculptural manner.

Incorporating her signature large format photographs, handmade wall paper, sculptural dioramas, live topiaries and mechanical vignettes, Soulier's first solo exhibition gives the viewer more than a little peak into the artist's studio practice.

Das Neue Alphabet (1991 — 1994) expands the two - dimensional practice of typography into three - dimensional sculptural forms.

A whisper of a show, spare to the point of near - disappearance, Ann Veronica Janssens's recent exhibition at Bortolami — the Belgium - based artist's solo debut at the gallery, timed to coincide with the first American museum survey of her work, at the Nasher Sculpture Center in Dallas — provided a modest glimpse into her range of sculptural, spatial, and atmospheric concerns, and a sense of both the strengths and limitations of her practice.

Its walls are plastered with an array of works, mostly on paper (although some extend into sculptural forms or moving image) that demonstrate the variety and idiosyncrasy of drawing practice amongst these artists, as well as the links and themes that arise when these works are collected together.

Andre began his sculptural practice by carving into wood timbers, but then he became more interested in using the timber planks themselves as structural pieces.

In these artists» hands and through their bodies, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond conventional linear representation in photographic, painterly, and sculptural work.

Tenser's practice is deeply rooted in sculptural inquiry into dimension and form.

The artist's practice revolves around the appropriation of Victorian cabinet cards, which Butler paints into with delicate gouache in extreme detail, creating strange creatures through the addition of abstract forms, and sculptural drawing with -LSB-...]

Known for transforming household objects into dynamic sculptural installations through the addition of ceramics, paint, and found materials, Hutchins» practice examines the artistic potential of the everyday.