Sentences with phrase «into seeing ghosts»

We know the general thought process when facing Tom Brady, and I'm sure the Jim Schwartz - led Eagles» defense will try doing it: Get pressure up the middle and force Brady into seeing ghosts (pressure from players he assumes are coming), like he does in the GIF below.

Not exact matches

Acts 7:55 - 56 (Speaking of Stephen) But he, being full of the Holy Ghost, looked up stedfastly into heaven, and saw the glory of God, and Jesus standing on the right hand of God, And said, Behold, I see the heavens opened, and the Son of man standing on the right hand of God.

55 But he, being full of the Holy Ghost, looked up stedfastly into heaven, and saw the glory of God, and Jesus standing on the right hand of God, 56 And said, Behold, I see the heavens opened, and the Son of man standing on the right hand of God.

Just imagine the scene: It's 4AM, the wind is blowing, waves are pounding into the boat, the fishermen are scared out of their minds, and suddently they see a ghost walking toward them on the water.

«It's as if you see some ghost emerging in front of you, popping out of nowhere into existence.»

Ghosting put simply is when you're seeing someone (be it your first date or your seventh) and the person you were dating suddenly disappears into thin air (like a ghost!).

Online dating doesn't come easily to everyone, and it can be a little saddening to be out of luck for a while, to see your inbox degrade into a ghost town.

Beckham is seen only sparingly, in the sidelines as a paternal ghost who suggests a nicer version of Ellen's unseen father, who can't be bothered to attend her family therapy session, which devolves into a litany of accusations.

Fifteen years later the boy has grown into a man known as Ghost (Karl Urban, of The Lord of the Rings trilogy fame), a buff warrior type who has embraced his native American upbringing but is also haunted by his past — a fact that sees the tribe as a whole reluctant to fully accept him.

A teen girl receives several mind - body scans that involve simulations that are hallucinations provided by computer programming supplied through cables attached to the girl's back; we see screens in the air that show images of her brain and nervous system as the girl sees the ghost of her dead mother screaming among flames in a building with flaming windows as the building uproots itself and slowly flies through the air; the girl grabs cables, falls, runs across buildings as the flying building crashes into a skyscraper and chunks of concrete fall and fill the screen until she speaks with the ghost and the simulation ends.

Related Reviews: Iron Man • Thor • Captain America: The First Avenger • The Amazing Spider - Man • Spider - Man • X-Men: First Class Summer 2013 Movies: World War Z • Star Trek Into Darkness • Now You See Me • The Great Gatsby Fantastic Four • Fantastic Four: Rise of the Silver Surfer • Ghost Rider • Ghost Rider: Spirit of Vengeance • Spider - Man 2 The Avengers: Earth's Mightiest Heroes!

A supernatural depiction of love and loss that delves deep into the science fiction realm of a grander understanding, A Ghost Story was unlike any film seen this year or any other.

Josh (Patrick Wilson) has returned from the Further feeling not quite himself, and when Renai (Rose Byrne) begins seeing familiar signs of the paranormal the Lambert family is thrust once more into a world of psychics, demons and ghosts.

A new trailer has arrived online for the psychological thriller Backtrack starring Adrien Brody and Sam Neill; take a look below after the official synopsis... Psychologist Peter Bower's life is thrown into turmoil when he discovers that the patients he has been seeing are ghosts.

The Sessions Promised Land Broken City Side Effects Amour Take This Waltz Beasts of the Southern Wild Tinker Tailor Soldier Spy Oz, The Great and Powerful Side By Side A Separation Wreck - It Ralph Compliance Admission The Silence The Prodigal Son Evil Dead Flashdance Days of Heaven Jurassic Park 3D Double Indemnity Room 237 To the Wonder The Place Beyond the Pines ParaNorman Iron Man 3 The Paperboy The Great Gatsby Bernie Star Trek Into Darkness Oblivion Now You Seen Me All Good Things End of Watch Lars and the Real Girl The Way Way Back Tucker and Dale Vs. Evil Behind the Candelabra Man of Steel Beautiful Creatures Stoker Not Fade Away Identity Thief Mama This is the End V / H / S The Heat White House Down The Exorcism of Emily Rose World War Z The Blue Umbrella Monsters University Despicable Me Modern Times The Conjuring Red Pacific Rim The Wolverine We're the Millers Fruitvale Station Lee Daniels» The Butler Seven Psychopaths Bachelorette Blue Jasmine Chronicle Like Crazy The Spectacular Now Austenland Hot Fuzz The World's End Best Worst Movie The Possession Isidious: Chapter 2 Prisoners Anna Karenina Don Jon Enough Said V / H / S / 2 The Ward Gravity Captain Phillips Nebraska Honeymoon Suite We Are What We Are Winter in the Blood Truth or Blood The Search for Simon Ghost Light They Will Outlive Us All Hot «n Bothered Casual Encounters A Better Life Mud 12 Years a Slave Much Ado About Nothing (2013) About Time Thor: The Dark World Only God Forgives Frances Ha Salinger Dallas Buyers Club JFK The Hunger Games: Catching Fire Frozen Philomena Parkland Delivery Man Prince Avalanche The Hobbit: The Desolation of Smaug Upstream Color Jackass Presents: Bad Grandpa What Maisie Knew The Great Beauty (La Grande Bellezza) Lovelace Saving Mr. Banks The Secret Life of Walter Mitty August: Osage County The Wolf of Wall Street American Hustle

The only person who leaves anything resembling an impression is Alec Baldwin in another second - banana role (see also: The Cooler, Outside Providence, and Glengarry Glen Ross) that steals the show right out from under Stiller phoning it in, Philip Seymour Hoffman transmogrifying into the ghost of Chris Farley, and Jennifer Aniston (as the titular Polly) doing the best she's capable, poor dear.

There's a moment in Sinister when Ethan Hawke peers into an attic and sees a gaggle of ghost children watching a Super 8 movie of Bughuul, a Babylonian pagan god.

«Haunted Hospital: On Location» — Cast and crew discuss what it's like to film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effects

For me, when I walk into a store and see a book I wrote, either under this name or one I wrote for a major bestseller as a ghost novel, I know it's my book.

So I thought of a psychic power that passes from family member to family member — the ability to see and communicate with ghosts — and Clare Cermak came into being.

With an art style similar to InuYasha, the story follows Sakura, a girl who can see ghosts after she was pulled into the other side as a child.

It's hard to savor Graham Greene, for example, without seeing Maugham's ghost in the mix of worldliness and romanticism, the persistent investigations into faith, the condition of the lonely man in a scruffy room abroad (the two of them even both wrote works called «The Tenth Man» and both ended up living on the French Riviera).

- Batman, Wyldstyle, Gandalf, and the Batmobile all come in the Starter Pack for $ 99.99 - complete the entire critical path with just this content - extra characters, vehicles, or weapons are sold separately - you may see ghosts flying around a level and need the Ghostbusters to take them out - use Scooby - Doo to dig and open up a new area - gameplay has you collecting studs, building and rebuilding within the world, and switching between characters - use Batman's grapple hook to tear down big obstacles - you can also drive the Batmobile to run over poppies (flowers that put characters to sleep if they're near them)- fight the Wicked Witch of the West - use the Lego Gateway outside of the game to avoid obstacles - when the Wicked Witch cast a magic spell, it can lock you into a position - when this happens, the Lego Gateway will flash red, save for one white safe area - move the actual figurine to the white area to be safe - every vehicle has three different forms - you must build and rebuild them throughout the adventure to get by - on mission makes you repower a gateway, but the generator is encased in blue Lego brick - build the Batblaster to use the brick - blaster and electricity shield to get by - in - game instructions tell you how to take apart the Batmobile and physically morph it into the Batblaste - use the sonar brick - blaster to destroy blue bricks

I definitely recommend sticking to the long - range or stealth options, as looking through the scope of the sniper rifle, lining up the perfect shot, watching the bullet enter into a «bullet time» effect, and seeing the enemy fall from so far away was by far the most satisfying thing in Sniper: Ghost Warrior 3.

The Ghosts are still occupying the top spot as we head into E3 week, with Max Payne 3 sitting pretty in second place again, though both saw a reduction in sales, falling 35 % and 39 % respectively.

Moments like taking a Warthog off a huge jump or riding a Ghost into a Scarab, are nowhere to be seen in 343's games.

Joe Danger 2 introduced ghost replays that allow you to see previous runs of that level, and they have been incorporated into the gameplay for Joe Danger on Vita.

Restoring the Villa is as simple as pumping money into it, and over the course of the game it's quite rewarding to see it shift from a run - down ghost town to a thriving little city.

At about 0:29 into the movie, you can see a glimpse of Werehog being startled by the ghosts, even though Sonic hasn't transformed yet!

Everything that was put into Cuphead hits for me on an uncanny level that I can't help but overlook its flaws, and if I was making an objective top five I probably wouldn't have it on here but the moment I saw that flower's palm up knife hands like the ghost from Swing you Sinners my mind was made up.

Venture into multiple dungeons, secret rooms and set things on fire, smash everything you see or sneak up on ghosts to find hidden gold.

Sniper Ghost Warrior 3 sees you take control of an American sniper named Jonathan North, who is dropped into enemy territory in northern Georgia, nearby Russian borders.

As you can see, it looks like a pretty tough ghost house to finish, set in a vertical tower or something and with stairs that drop off into nothing.

I know nothing about how these ghosts fit into the Mother 3 world, but I find myself hoping we see a lot of them.

The SNIPER GHOST WARRIOR series has been an interesting blip on the gaming radar over the past several years and when the game arrived in my review queue, I was eager to dive into see how it would all turn as the beta was way better than I was expecting because let's face it, hasn't the whole sniper shooter genre been a bit played out?

Why it was chosen: Even after all these years there are still fewer things that make you feel worse in gaming than accidentally leading your squad of Pikmin into a dangerous area and seeing a flood of Pikmin ghosts float away into the sky.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

For some interesting insights into glacial - interglacial transitions, see Science of Doom's «Ghosts of Climates Past» series.

If you didn't see it: Christina Ricci and Bill Pullman move into the house that Casper (the ghost) shares with his insufferable (yet hilarious!)

The big upside there being not that you can send SMS messages, but that it would allow Google to integrate Allo into the core Android user experience and quickly build up an enormous user base which would actually give Allo some legs to stand on, because right now it's a pretty ghost town that sees little attention paid to it.

As you can see, my dog Ghost really gets into this picture taking stuff.