Formalist technics can be
worked seamlessly
into modern films, like the comic book qualities of Edgar Wright's Scott Pilgrim Vs. The World, or they can be
sloppy, like every time a current Top 40 hit makes its way
into the soundtrack of a period piece.
Even with the advent of Creative Commons, a «nonprofit that offers a flexible copyright for creative
work,» basically creating an open - source environment for art of all kinds, it's amazing how many people are
sloppy or even scurrilous about tucking someone else's
work anonymously
into their own.