She fits cut paper
into small abstractions, with the emphasis on fragments.
Not exact matches
In 2011, Peter Opheim abandoned
abstraction and began sculpting
small maquettes out of colored clay, which he's continued to transform
into monumental oil paintings that...
The 98,
small autonomous works, created in reverse on glass and arranged
into 49 diptych pairs, explore the effects of chance and
abstraction.
But the standouts here are 14 radiant
abstractions from her last 30 years that parlay these inclinations
into a distinctive yet flexible style of saturated monochromes interrupted by
small episodes of two or three astutely contrasted colors.
The environment of unstretched, uninhibited
abstractions by Vivian Suter is flanked by the
small billboard - based geometries of Jessica Mein and the little - know excursions
into gender and Xerox by the Brazilian pioneer Hudinilson JR (1957 - 2013).
What has not been mentioned is that the «Saul -
into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to
abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out
small brushes of figures, trains, horses, landscapes, buildings, using only black paint.
During the 1960s, this highly formalist trend of Colour Field painting (which Greenberg nicknamed Post-Painterly
Abstraction) fragmented
into smaller groups such as Washington Colour School, Hard - edge painting, Lyrical
Abstraction, and Minimal Painting.
The extreme contours of the original
small figurine, transposed
into a twisted balloon and enlarged to a colossal scale, become a complex of reflective magenta curves approaching total
abstraction.
[12] Her painting style changed in 1947, turning from
small landscapes and portraits
into a bold, subjective
abstraction when she began to make constructions from bits of wood and other materials that washed up on the beach near her home; [18] most often her constructions reflected the area around her North Fork home, but sometimes the pieces reflected her travels to the Caribbean and abroad.
Working within the vein of assemblage, Wadden's large - scale works are conceived by piecing together his handwoven weavings, thereby transforming,
smaller process - based pieces
into larger, hard - edged, geometric
abstractions.
Often blurring the lines between figurative and geometric
abstraction, the canvases from this period are characterized by painterly brush strokes and expansive compositions, often broken
into smaller geometric regions of color and pattern.
Paired with this work is a
small painting in which the centralized form has been pushed
into complete
abstraction with thick impasto.
As in his Legends paintings,
small - scale works that employ legible symbols and graphic relationships as linguistic antecedent, Bosmans translates the mythic signification of these cultural relics
into plastic materiality through facsimile and
abstraction.