Sentences with phrase «into smaller galleries»

At the Rose, the show will be installed in the large Foster Gallery, which will be configured into smaller galleries for a similar effect.

In Part 2, which I'll post soon, we'll look into the smaller galleries.

Tucked into a small gallery, next to flashy 20th century design and big name artists, New Pictures 9 features Rinko Kawauchi's works from Illuminance.

Not exact matches

The second floor of the building was converted into two smaller apartments, and the ground floor serves as a gallery space for art and music.

The battle - hardened veterans filed neatly into the gallery of the Erie County Legislature's chambers in Old County Hall on Monday afternoon, many of them carrying small placards identifying their individual regiments:

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Like Christopher Guest's «Best in Show,» this is a story about middle - class Americans passionately seeking to outdo each other, with a gallery of brilliant improv actors making small fights into a cutthroat competition.

Copses of shrubs and small trees provided relief on the landscape as the gallery of onlookers moved down the path and handlers moved into position with their eager dogs.

Working in small groups of no more than 10, students receive specialized training, produce portfolio - quality work, gain insight into future careers in creative fields, and participate in a group exhibition in a professional gallery.

The cultural scene is alive and well with crafts and artists galleries, community theater groups, and visitors love our local weekly newspaper which gives a glimpse into the bucolic life in the small town of Cambria.

Artisans of Leisure tours in Australia are designed for the most discerning of travelers, featuring uniquely Australian experiences such as remote Outback and wildlife safaris, private visits to Aboriginal art galleries and small wineries, tours of urban food and craft markets, dining at Australia's most acclaimed restaurants, chartered sailing excursions in the Whitsunday Islands, and swimming through billabongs (water holes) into caves filled with ancient Aboriginal rock art.

In 1988, a thief walked into the gallery, took the small portrait off a wall that hadn't been linked to an alarm system, and walked out.

Even if you're not a big time artist, talking about small successes like getting into a major gallery or launching a Web site can be a big boost.

Some people have taken the abandoned buildings and turned them into bars, art galleries and yes, even a small hotel.

«We didn't want that hierarchy between a smaller project room and the main gallery,» Kordansky says of the space, which is divided into two rooms of equal size.

The effect is close to the level of walking into the small rotunda in Washington's National Gallery, where Barnett Newman's Stations of the Cross hang en suite, or the similarly metaphysical immersion in Louise Nevelson's all - white Chapel of the Good Shepherd, tucked into a corner of the Citicorp building in Manhattan's midtown.

Incredibly, and without the overt drama of the narrative of Ugetsu, that is somewhat the sensation I had when I walked from Kiki Smith's exhibition at Pace Gallery in Chelsea, through a narrow passage way into a new smaller wing that Pace has built under the High Line and found myself, without preparation or expectation, in an exquisite, thrilling, soul - soothing, museum quality exhibition of craft objects and artworks, arranged in an inventive, harmonious, and instructive manner for contemplation.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

While they may be smaller in scale and slightly off balance in terms of their colouring, Bleu rouge (1951), Forme bleue sur fond rouge (1950) and the few other examples shown in the secondary gallery slip seamlessly into place as if the 15 years or so that separates them from the pack means nothing.

The 40 works on display in the solo exhibition at the Jamesport, NY venue fill the walls, stacked and nestled into the corners of the small gallery.

This may include hanging headphones or installing small speakers that play out into the gallery, but attempt not to interfere with other works.

Consigned by the New York gallery Luhring Augustine, the material for sale includes vintage photographs from the 1960s of teenagers shooting up and hooking up and the so - called «Heroin» series from 2014 — abstract oil paintings into which small plastic bags used for drug storage are embedded.

In a major shift away from tradition, the largest gallery is devoted to the sort of small pieces that are normally crammed into an out - of - the - way corner.

From major international players such as Gagosian, to more independent, small operations like Kult Gallery and Above Second, all spots featured on the following list are well worth poking your head into.

In 2011, he wandered out of a show at Los Angeles» David Kordansky gallery and into a smaller one across the parking lot at Mihai Nicodim, a group show that included Mr. Murillo.

The entire space is split into three components, the larger Upper Gallery, smaller Lower Gallery, and the Synergy Gallery which is primarily used for student exhibits and research.

Presented in the small gallery, this intimate presentation of The Paper offers an entry into Laing's world of the combination of landscape, history and culture.

«This was probably drawn through a kaleidoscope,» says Claire Iltis, associate director at the gallery, pointing to a small, frayed page on which a prismatic image splinters into triangles, «and the symbols, which appear in many of the books, are invented symbols.

With the incorporation of open space into the design of the building that permits an unusual degree of flexibility, it consist of a courtyard that features artworks by Qiu Zhijie, Song Dong, Yin Xiuzhen, and Zheng Guogu, two large galleries to the east and west and a smaller gallery to the rear for video, installations etc..

Transforming the AGO's Signy Eaton Gallery into a series of snaking walkways and small rooms reminiscent of Beijing's traditional communal living spaces, the exhibition Song Dong's Communal Courtyard invites visitors to lose themselves inside a unique installation of 100 vintage Chinese wardrobe doors.

Taking advantage of an ancient optical principle that a ray of light entering through a small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit gallery.

A smaller gallery show of her California years takes her from big, bold geometric shapes, bursting into a fictive third dimension, to the patterns, with giant steps along the way.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

The space is divided into two conjoined galleries, one of which hosts the third solo exhibition of Ryan Travis Christian — whose drawings and paintings are clearly influenced by early Disney animation, George Condo, and the Chicago Imagists — while the smaller gallery hosts text - heavy prints by Steve Reinke.

In Total Dismay, Gillette will transformed Gregorio Escalante Gallery into a literal «art landfill,» where patrons will have to traipse through piles of Gillette's signed and numbered prints in order to view never - before - seen, large - scale paintings and smaller works.

The selected proposals include turning the gallery into a hotel for small animals, installing artworks on a snowflake or a roller coaster, and launching Richard Serra's sculpture Fulcrum into orbit around Earth among others.

In many ways small and mid-sized galleries are where artistic practice is practiced before it stagnates into art work — that is the repetition and reapplication of a method, like Andy Warhol's celebrity prints, Yayoi Kusama's spots or Damien Hirst's spot paintings.

The show opens with a small selection of early paintings and works on paper by each of the artists, and then flows into a large gallery teeming with art created during the Gutai period.

The centerpiece of the room is The Long Poem of Walking, a large - scale work comprised of shattered glass that Martinez has extracted from the street and arranged into a series of rectangles laid out according to volume, greatest to smallest, in a grid on the gallery floor.

JJ Peet's small scale assemblage sculptures and frenetic drawings take over On Stellar Rays» Lower East Side gallery space and turn it into a world of nonlinear connections and discord.

From its title, you could be misled into dismissing this show as narrow and self - referential: a small exhibition in a small gallery curated by a Belgian artist concerned only with his own countrymen.

Wesselmann's inquiries into the material qualities of painting evolved, and in 1972 he exhibited a Standing Still Life for the first time at the Sidney Janis Gallery in New York, along with a selection of smaller works from his Bedroom Paintings series.

The Pace Foundation is in the process of converting the small staff office building on its Camp Street campus off South Flores Street into a 2,000 - square - foot gallery space.

That same year, the first dedicated gallery space for the University was created — a small chapel outside the balcony of the historic Pearce Auditorium was converted into the Presidents Ggallery space for the University was created — a small chapel outside the balcony of the historic Pearce Auditorium was converted into the Presidents GalleryGallery.

This new, small but perfectly formed exhibition of Bridget Riley's work in the National Gallery's Sunley Rooms follows the pattern that the gallery has developed over the years, with a single artist entering into a conversation with the great art of thGallery's Sunley Rooms follows the pattern that the gallery has developed over the years, with a single artist entering into a conversation with the great art of thgallery has developed over the years, with a single artist entering into a conversation with the great art of the past.

In The Curio Shop, Ankrom will transform the gallery into a gift - shop retail environment littered with sculptures large and small from his Fetish Figurine series.

In the smaller gallery stands Elegantka II, a cast resin sculpture that glows ominously with interior lights which transform the appearance of its tough exterior into a curiously soft silhouette.

The result is an increasingly rich experience on the Museum's ground floor, where visitors can peek into the racks of painting storage to see a growing number of framed works of art, large and small, to complement the works on view in the galleries upstairs.

When it comes to large - scale artistic interventions into the natural world, the movement that usually leaps to mind is Land Art — huge, muscular sculptures carved or pulled from the earth by heavy machinery at the command of men like Robert Smithson and Walter De Maria, self - styled «gruff individualists» who claimed the studio and gallery were simply too small to contain their big ideas.