Not exact matches
In his powerful book The Non-Violent Cross James Douglass makes a great deal
of the resurrection, but for him the resurrection is only a
symbol of oppressed people's awakening to the
power of nonviolence: «Man becomes God when Love and Truth enter into man, not by man's power but by raising him to Power, so that revolution in love is revealed finally as the Power of resurrection» (pp. 23 -
power of nonviolence: «Man becomes God when Love and Truth enter
into man, not by man's
power but by raising him to Power, so that revolution in love is revealed finally as the Power of resurrection» (pp. 23 -
power but by raising him to
Power, so that revolution in love is revealed finally as the Power of resurrection» (pp. 23 -
Power, so that revolution in love is revealed finally as the
Power of resurrection» (pp. 23 -
Power of resurrection» (pp. 23 - 24).
The culture
of consumerism and the chase for material
symbols of wealth and security have sometimes come to be dominant; the pursuit
of spiritual fulfillment in many has slowly begun to degenerate
into empty and sterile ritualism; the legitimate thirst for education has often become perverted
into an obsessive drive to acquire with the greatest speed the formal diplomas necessary to gain entry to jobs offering the easiest opportunities to make the quickest rupees; political statesmanship in some areas has begun to depreciate
into an opportunities race for
power and position; the spirit
of SEVA (Service) to the nation has intermittently begun to be suffocated in many, by the abuse
of discretions, sometimes mediated by a bloated bureaucracy itself enmeshed in a vast network
of multiplying paper and self - proliferating regulations; menacingly many good and decent people even in public life, have come to be corroded by a culture
of demanding corruption; and some potentially creative lawyers, have begun to take perverted pride in mere «cleverness», rendering themselves vulnerable to the prejudice that they are a parasitic obstruction in the pursuit
of substantive justice.
In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic
power when integrated with the basic prehensions
of science, and be reverted
into impotent and empty
symbols, jarring, ugly, and without force in final satisfactions: hope that the
power of Jesus as lure will reassert itself in an aesthetic context devoid
of supernaturalism, a context such that (the language now picks up echoes
of van Buren) the vision
of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly, human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling human satisfaction.
«Now shall you deal with me, O prince, and all the
powers of hell,» she proclaims, as she rises in a mushroom cloud (the great
symbol of unleashed evil in that Cold War era) to transform herself
into an enormous horned and bat - winged dragon with Fantasia's Satan's gleaming, slitlike eyes.
As this proud
symbol of British Maritime
power is consigned to history I worry that we might have botched the Strategic Defence and Security Review, which could have consequences long
into the future.
Worn for centuries, the signet ring has been a
symbol of power and influence, usually with a family crest or initials on it that could be pressed
into wax to used as a seal.
A characteristic surge
of images is the sequence that begins with the departure
of Bill (Richard Gere) with the circus performers and ends with the time - lapse image
of sprouting seed; there is no dialogue, save for the offscreen narration, no narrative content, and no continuity, but only the overwhelming
power of the images which have not degenerated
into «signs» or «
symbols».
The installation re-presents and reinvents the soldadera's role in the Revolution and in the present day, re-inserting her
into history and
into our contemporary consciousness as a
symbol of strength and
power.
I think that speaks to the
power of popular culture and it's ability to translate
symbols that can be politically charged
into something that seems or feels benign.
These influences provide an insight
into Power's artistic interests, which are mainly (but not exclusively) the expression
of emotion through the use
of symbols as well as colour and figures.
The works presented in Repossession exemplify Attia's aptitude in creating hybrid cultural objects and collages that transform Western artifacts from icons
of power and domination
into symbols of freedom and resistance.
Is it not also a bitter irony that this
power should be struck to the heart
of its security and self - confidence by an action that was utterly improbable according to every logic
of risk, when suicide terrorists succeeded in turning commercial passenger aircraft
into rockets, which destroyed
symbols of American world
power?
The rest
of the top face was rounded out by a thin rubber pad to secure our tablet, control keys for volume,
power, «Direct Dialog Surround» (which we'll get
into below), and a small
symbol at the left side which marks the spot for Near Field Communication (NFC) pairing.
She explores how softening the conscious position and entering
into the play space makes the client and therapist more receptive to the
powers of the
symbol to move the psyche.