The animation is not done there: the film is chock full of gorgeous Asian landscapes, and the art style frequently shifts
into traditional animation to deliver flashbacks.
Not exact matches
Its rotoscoping of actors combines uneasily with
traditional modes of
animation: they mix
into an abstract soup of contradictory images that destroys our suspension of disbelief.
The
animation department had a breath of fresh air blown
into it with newcomer artists, which led to projects like The Great Mouse Detective and Oliver & Company that harked back to the style of the
traditional Disney musical.
The «one - size - fits - none», «fire - and - forget» approach of almost all of today's corporate eLearning — be it
traditional, video - based, microlearning or some combination — needs to be relegated to some forgotten decade where outcomes don't matter, and the quality of education is measured by how many people are registered in the LMS and how much
animation you can pack
into your course.
John: I was building
traditional 2D
animations for years before I ever got
into game programming and design.
Kate Burnet's and Dan Woerner's recent videos weave images from pop culture, the 1961 British film The Day the Earth Caught Fire, and their own
animations of burning cars, among other collected material,
into a complex system of images that do not rely on a
traditional linear narrative format.
Modeling her CG
animations on the allegorical paintings of Casper David Fredrich, Fu continues her aspirations in the sublime from her painting background
into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese
Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred
into a voluminous landscape.
Traditional techniques are matched by new approaches, often pushing the boundaries of drawing
into collage, towards painting, sculpture, architecture, illustration,
animation, performance and beyond.
Her 2013 exhibition at Morgan Lehman featured a few
traditional paintings, a projected
animation, sculpture made of altered chairs, and an installation fabricated from thin aluminum strips, seemingly teased
into a giant knot suspended midway down two walls and connecting in midair.
Inspired by the her research
into the earliest forms of
animation (like magical zoetropes and phenakistoscopes), Beveridge's aim was to, «see if it was possible to make the audience highly aware of the process behind
animation as most
traditional animation focuses solely on narrative.»