Sentences with phrase «into types of films»

Worth seeing if you're into these types of films.

Whedon thinks the casting is a look into the type of film they plan to make, «They're the first proof that though «The Cabin in the Woods» is a classic horror film, it isn't one you've seen before.»

Not exact matches

This type of solar cell is lightweight and affordable, but requires very careful processing so the materials used mix and crystallize properly into thin films.

I wonder what type of «proper funeral» those in the towers got... OBL should have been cut into little piggy treats and fed to a pen full of piggies, film the whole process and post it on Utube.

The movies are a spinoff of the Harry Potter novels and films, and stars Eddie Redmayne as a man named Newt Scamander, who unleashes all types of magical mischief into the world, 70 years before the story of Harry Potter begins.

I typed «stay - at - home daughter» into Google, and found my way to a review of the documentary «Return of the Daughters,» a film I'd seen and that was exalted by most of the women I knew.

Knightley's character flirts with Manic Pixie Dream Girl preciousness, but imbues the character with a humanity that transcends the type; she's got a lovely monologue at a key moment in their arc (concerning her love of vinyl, of course) that moves the film into the realm of pathos with an almost invisible dexterity.

One has to question just how formulaic this epic Roman drama is, because the formula was still fresh by the time this film came along, establishing certain tropes that would be shamelessly slammed into by future epics of this type time and again, and yet, outside of what would go on to become conventions, this film does most of what you'd expect, with a predictable narrative, storytelling style, dialogue, and, for that matter, portrayal of Ancient Rome.

The film constantly plays with expectation like this; for both fans of the comic and the first film there is a lot of cleverness at play here and so many types of jokes stuffed into a single scene that repeat viewing will surely be required.

It's that conventionality that others find fault with, as Variety claims «the vitality seems to have been largely drained from this rote retelling,» while The Guardian blames Newell as well as screenwriter David Nicholls, noting, «It takes a special type of talent to turn Great Expectations into a film quite this flat.»

What's most stunning about the anecdotes recounted by Dick's interviewees is how alike they are, and if his film doesn't delve quite deeply enough into the type of culture that breeds such conduct (specifically, the way in which the army projects strength as a masculine trait, thereby subconsciously disparaging female victimhood as an undesirable weakness), its spartan use of graphics and statistics conveys arguments with little grandstanding.

Better yet, if a forum was available for these types of films, maybe discussions would be more substantial and productive, and wouldn't degenerate into heated discussions about the Americans vs. British, whether or not polar bears should guard the Fortress of Solitude, or whether some unread script is any good.

These mobsters, mistresses and their surrounding Broadway types — especially Dianne Wiest giving one of the greatest ever Oscar - winning performances — are a hoot to spend time with, as are the New York crazies that populate Deconstructing Harry, a film that sails along nicely until it turns into a curiously wooden (hah hah, right!)

For him, it seems that genre movies have the potential to show the type of extreme moments that other, tamer films can not offer, making people amazed by what they are seeing, but also question what it is they are watching and how exactly it came into being.

Lesley Coffin: Because people go into a film expecting one thing from Michael Shannon and he proves not to be like that here and the film has an undercurrent of suspense and thriller, is that type of casting against type an asset you were looking to exploit?

The opposing force in this film is not a type of personal conflict, but an embodiment of a past way of life, dealing with the calamity in one's past before they started employment at a boring job, and put themselves into a situation where sneaking in sexual intercourse becomes an event because of a baby that is in the house.

Sanada appeared in many action films in the 70s and early 80s, but as it became clear he was actually a talented and well - rounded actor, he was able to branch out into all different types of roles in every genre.

It's great to see that The Coen's never give up on something they obviously feel passionate about, and also that they won't be bullied into a corner of making the same type of film over and over again.

His reviews of all the movies he can cram into one week will be published here until the genre - oriented film festival is over and his bloody fingers can type no more.

However, it all combines into a cohesive read that offers up the author's views on any number of horror films, types, and tropes.

The film sidesteps a pitfall into which a lot of these type of ensemble movies fall in that none of the characters ever feel one - dimensional.

It's not a cinematic event like Oscar nominated films «The Help» or «Hidden Figures», nor is it the type of film that will cross cultures or boundaries making its way into homes across America and that's why I am so disappointed.

It can be a joke, but it plays into what I was saying before: these filmmakers go to festivals, and those are the types of films that are bought and that you see at the major festivals.

As one film closed with a wall of bullets and the other an uncertain stare into the future, a particular type of movie — all square jaws and sunset endings — looked redundant.

Every sub-genre of film, every specific type of story that falls into a much broader category, has to have itself shaken up every once in a while.

Among the four major dramas to center on working class Boston types at the end of 2010 and into 2011, I'd rank The Company Men alongside the Hilary Swank lawyer film Conviction, both a far cry from the appealing heights of The Fighter and Affleck's acclaimed hit The Town.

This is the type of film that teens are just dying to rent for a late night party, but parents should slither into the video shop to check it out first.

Gyllenhaal is simultaneously hilarious and frightening as Bloom, propelling Gilroy's ingeniously dark farce into a cult marvel that promises to live on as the type of film one discovers and adores.

Chris has done this incredible thing where the sequel, the way he described it to me, elevates the movie from being a horror movie — and I wouldn't even say it's just a horror movie because it's a horror, comedy, rom - com drama — into a Back to the Future type of genre film where the sequel joins us right from where we left off, it explains a lot of things in the first one that didn't get explained, and it elevates everything.

The type of movies that got me into «film» and start thinking critically of movies.

Edward's novel provides the film with its dark soul, the story of Tony Hastings (also played by Jake Gyllenhaal) and his wife Laura (Isla Fisher) & daughter India (Elle Bamber), who run into trouble when traveling through some back country Texas roads late at night, you know the type they make movies about how not to ever drive down.

Director Shintaro Shimosawa's first film is undoubtedly terrible, as it morphs into an exercise of throwing as many different types of tricks into a bag, while Josh Duhamel attempts to carry the film that never earns his effort, or anyone else's for that matter.

Shot by the gifted Janusz Kaminski with a propulsive score by John Williams, this unapologetically old - school film gets the details right — including the hot type, the printing presses, the bundling of newspapers that get thrown from trucks and into the hands of an eager, pre-digital public.

With Valentine's Day right around the corner and the release of The Vow this weekend, couples around the world are going to be forced into watching all types of romance films.

The film has a good, or good - ish, idea: how a certain type of Casanova might be able to harness the strange helium atmosphere of a wedding and bodysurf someone into bed on a wave of high spirits.

I'm into all types of movies — I'm trying to make a horror film (next), and there's some indie movies that'd cost about $ 5 to make that I'd like to do — but this was a chance for someone to write a check for a big - budget comedy, and to be able to do something as balls - out as this one... y ’ know, I'm gonna take advantage of that!»

Director Espinosa isn't reinventing anything here — the character types are familiar, the sequence of events is largely predictable, the design of the alien creature lacks an H.R. Giger or Rob Bottin to make it pop — but he still finds opportunities for flourishes that keep his film from lapsing into a rote genre exercise.

Same time, even if director Tom Hooper's film doesn't blossom into the type of drama it arguably should have been, it's depth, maturity, intelligence and sensitivity as it pertains to looking at the Transgender coming out experience deserves to be applauded.

This is when the film turns into a Straw Dogs type of movie about a big city outsider not being liked by the small town crowd.

Project X Directed by: Nima Nourizadeh Starring: Thomas Mann, Oliver Cooper, Jonathan Daniel Brown, Miles Teller Rating: R Release Date: March 2, 2012 TRAILER SCORE: 1/10 Thoughts by TSR: This film is probably a dream come true to anyone who has ever wanted to be at the type of wild party where cars get driven into pools, shirtless guys ride -LSB-...]

It's a type of story that's been told before, but Saulnier makes the crucial decision not to turn Blue Ruin into an out - and - out farce about criminal incompetence; instead, the film's hero is occasionally resourceful, occasionally inept, and at all times out of his depth.

Alongside Owen playing to type, they provide the film with its dramatic impetus, turning a standard game of IRA - infused cat and mouse into a solid slow - burn thriller.

Co-writers and co-directors Abby Kohn and Marc Silverstein (first time directors, co-writers of HE»S JUST NOT THAT INTO YOU) work hard to deliver the type of humor that Amy Schumer fans expect, while also paying respect to the all - important female body image message the film strives to deliver.

If this pattern continues, my prediction for future films would be a game of spin the bottle that turns into a Russian roulette - type murder machine.

As is too often the case with sequels, Kronk's New Groove slips into an old rut, succumbing to reusing the same types of gags seen in the first film.

The view from TIFF: Allen's evident lack of investment in his characters turns Tall Dark Stranger into a no - stakes Husbands And Wives, recycling old types and situations from past Allen films into a comedy that presents the complications of infidelity, but misses the fallout.

Even with «Inside Llewyn Davis» earning no shortage of acclaim, that has not translated into very much love from awards types, with the film getting completely shut out of the Producers Guild Award nominations yesterday.

For what it's worth, James Spader does nice work playing against type as an intellectual nebbish, and Russell incorporates what could've been an albatross — the death of his character's young son — into his every delayed gesture without seeming merely thrown by the film's premise, whose machinations are so befuddling as to deter one from inspecting Stargate for political and allegorical angles.

At the time of its release, there was a great deal of buzz going into the film, probably because people were still hungry for more Batman - type action (another film whose hype generated fervor beyond its means to entertain).

But type «Carl Sagan» into YouTube's search engine and get a film that details the four billion years of life's evolution on Earth.