Sentences with phrase «into viewers like»

Bleh — to feed them the proper balance of audiovisual royal jelly so they can transform into viewers like us.

Not exact matches

Most of those viewers, like most of the players, fall into the daily fantasy sports sweet spot demographic of 21 - to 34 - year - old males.

A video midway through the tour consists only of a reading of biblical verses, set to a starry background that swooshes from the screen into the viewer's face like the opening credits of Superman.

maybe it's just me but i like flawed characters that even though as a viewer you might say you wouldnt do that sitting all warm and comfy in your house watching the show with a nice drink in your hand; you may be bottlenecked into reacting just like these characters developed.

As a viewer, this talk about Bottas» alleged complacency against the likes of Ricciardo's self - belief will hopefully translate into an aggressive battle on track between these drivers.

I mean, yeah, a dead baby would be like 1000x more offensive and emotionally difficult for viewers, but the metaphor holds better, and if you want to guilt us dirty bottle feeders into making our boobs work or forgoing our mental health meds or suffering through rape flashbacks or never - ending mastitis or simply not enjoying how we feed our babies, then a picture of a dead baby will be much more effective.

«It will give viewers an exclusive insight into the life of Africa's most notable and loved celebrities, giving them a taste of what it's like to live life in the limelight,» he said.

Fans may not like the CGI zombies, but unlike the video game creatures in I am Legend (2007), these are more filmed actor - CGI tweaked hybrids; their believability is really dependent on how much viewers will accept the virus as a fast - moving bug which immediately transforms a host into a rabid sprinter with super-strength (not unlike 28 Days Later).

Such a film as this quite obviously has a number of layers, layers that could easily have been traversed via the DVD release; a film like Into the Wild is practically screaming for commentary, so that we, as viewers, could have some idea of the intent of specific shots.

Annihilation, like Alex Garland's previous endeavor (and directorial debut), Ex Machina, falls into the category of films that embrace Big Ideas in ways that presuppose viewers are intelligent and attentive.

It transports the viewer like no other show can into another world - with engaging characters and beautiful cinematography.

But despite its dazzling candy - coloured look and non-stop array of madcap high jinks, silly business and gross - out moments (blue puke on the roller coaster, bird poop on the sandwiches), Not Bummer Summer will have adult viewers drifting and noticing disturbing things like, hey, Aunt Opal doesn't remind the kids to put on their seatbelts before tearing up the neighbourhood like a maniac and flipping some kid's bouncy castle into the middle of the street without stopping to see if he's okay.

well, I would like to make a comment, with of course no harsh bashing or one sided opinionated blather, However, I find it quite simply funny how one could watch a movie and with a couple of sentences and elegant word - ology, thing they can grasp what it takes to compose a work of art and creativity into a 250 page manuscript and then production material for viewers such as myself and yours truly.

As much as I'd like to blame the trailers for misleading viewers, this is not an easy film to market, and as such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedy.

«Tinker Tailor Soldier Spy» begins with something of an overture, a jazzy - like composition that lets viewers into the mind of main character George Smiley (Gary Oldman)-- sort of.

Viewers get to see mortician's wax fashioned into a special effect, while one of the filmmakers also gives some amusing tips to DIY - inclined colleagues, saying basically for any classroom scenes, just show up at a state university late on a Friday afternoon and act like you're supposed to be there and you know what you're doing.

If you followed the magic scene in the last decade (as yours truly did) and watched Angel's television show «Mindfreak» and / or were into the stunts performed by the like - minded David Blaine, then you may find a little more humor than the casual viewer.

WORST: The introduction clip for the show — you know, the one that sets the tone for the show and gets viewers into the mood — started with a cheesy clip of all the ingredients that go into an Oscar, like heart, passion and inspiration.

The ones who are able to speak with her do open a door into Shoko's thought process, but just like Shoya, the viewer would only truly know what's going on if Shoko was able to narrate.

Like the web itself, the story sucks viewers into a world disconnected from reality that seems real because it deals with actions (identity theft, teens abusing teens) that we oftentimes see far in the news.

But he, together with his brilliant editor Peter Hunt (like Bond stalwarts Saltzmann and composer John Barry, invaluable, we'll discuss his contribution later) shook up the language of film to a mad degree to make us, the viewer, step firmly into Harry's irreverent shoes as an outsider, bucking the system, and off - kilter in a paranoid world.

I think... y ’ know, if there are concerns with viewers — and I think there would be, given the nature of this show — that it's going to turn into this, like, «Baby?

Whether they're crawling up through the floor, hovering high above, or crawling into Edith's bed, they are downright terrifying, aided by a sound design / score that envelopes the viewer like a rolling fog, then punctuates horror with a violent strike of a violin.

Conversely, the Dolby Digital 5.1 audio is irreproachable; equalized for home - theatre playback, the track immerses the viewer from the opening frames — and is sometimes a bit too much like a high - end relaxation tape for its own good, soothing the viewer past a trancelike state into light snoozing.

As the passion disappears into thin air, the viewer can't help but seriously contemplate what it must be like for an actor and actress to have to turn their feelings on and off to perform an intimate love scene.

Some viewers may not like having to leave and return when simply combining the content into a single 16 - minute one would have done, but the presentation makes the detours a little easier to appreciate as surprise bonuses.

««Climax» shares much in common with the levitating camerawork of his divisive «Enter the Void,» but unlike that sprawling endeavor, this 96 - minute odyssey feels like just the right length to encapsulate his talent for disorienting viewers while inviting them into his madcap intentions of overtaking their senses,» Kohn wrote in his A - review out of Cannes.

Like any good look behind the scenes, it allows viewers to see exactly what's gone into the world they've come to adore so much.

Even if viewers don't know the source material — Barry Crump's 1986 novel Wild Pork and Watercress — they'll know the bonding is inevitable, especially once circumstances force Ricky and Hec into the wild with a Javert - like child - services worker (Rachel House) in pursuit.

His back story often includes a childhood trauma (atomic wedgies and the like) that turned him into the homicidal maniac he is today, thus creating a level of sympathy in the viewer.

Still, give the movie credit for being prescient: Given the disgusting rise and success of reality TV, it's not difficult at all to imagine fans of garbage like Survivor or Jersey Shore easily turning into the audience for a deathsport show like The Running Man, where viewers win fabulous prizes while cheering the slaughter of other humans.

So when Morton's moving into a location, even though the viewer is meeting new characters simultaneous to Morton, it's flipped because the humans are trying to figure him out just like the viewer.

Initially, during the film's pre-title preface the viewer is deftly launched into what feels like a keyed up Sirkian melodrama ---- imagine, if you will, Douglas Sirk did some... Read more»

Viewers are granted rare and unique access to the development of the «I Wan «na Be Like You» sequence in which King Louie attempts to coerce Mowgli into giving up Man's deadly «red flower» (fire).

But his words feel like a warning for the viewer, too, as the quiet drama of Andrew Haigh's new film promises to build into something more grueling.

There are three central characters at the centre of the story, and each has a colour code that works like a leitmotif and clues viewers into their psychic states.

Hokey period details, like Wilson's Elvis - like flip haircut and sideburns, or Farmiga's Liberace - style collar ruffles, are meant to lull viewers into complacency.

«The music is really bringing Vincent into the viewer's emotional realm, if you like,» Mansell said.

For Coogler, the miraculous material was enough for viewers to get stuck into: «It felt like we should stick with our one MacGuffin for the country and explore that, let that be the important thing because, frankly we didn't need to have another piece like that,» adds Coogler.

At all times, it's very clear that the children characters are nothing like real kids; adults have put sarcastic words and funny mannerisms into their mouths, probably to the occasional confusion of the young cast members and young viewers.

You can pitch yourself as an expert as frequently as you'd like, as long as the focus is on what you can offer viewers, listeners, and readers, and how you fit into breaking news and current events.

Then, the PDF is converted into a Flash viewer that lets you «turn pages» and do other book - like things.

I have never witnessed a movie other than once in Charleston, when I dropped a nickel into the slot of a kinetoscope viewer and wound the crank until the bell rang and put the sound tubes like a stethoscope to my ears and then bent to the eyepieces.

Just like a movie preview is there to help viewers decide if they want to shell out $ 20 to see a film, your front cover is what your reader is going to use to judge whether they want to invest their time and money into reading your story.

Levine's desire to keep the player in control echoes the sentiments of studios like Valve who believe that turning the player into a viewer is a tremendous blow to immersion.

Some streamers I've watched play Into the Breach, like LethalFrag, have used the coordinates as a way for viewers to suggest moves.

«I am glad that people are getting more into alternate versions of their favorite games, as it allows these really classic games like Super Mario World and Super Metroid to live on, while still showing new things to viewers.

Like him, she now sticks to geometry and flat areas of color to emphasize its relation to a picture plane, all the while thrusting viewers into insane spaces.

«The distortions in the works» mirror - like surfaces call into question the viewers» relationship to both the work itself and the surrounding environment.»

While Rothko's colossal canvasses express basic human emotions and like altar pieces, compel their viewers to step past the boundaries of materiality and into what Robert Rosenblum calls «a quasi-religious state of awe», Pintelon invests heavily in the power of language which contrasts, or reinforces the inner - worldly and the imagination.