Sentences with phrase «into visual»

And as the viewer becomes engaged with seeing the painting, the painting takes on something of a train of thought, or time, compressed into a visual object.

The crossover into visual art is exciting new territory for this renowned performer / dancer.

As a partner (with Anthony Smyrski) in the creative platform Megawords, Murphy has parlayed a sustained engagement with graffiti into a visual anthropology of city life where interest lies not in the conspicuous consumption and market driven ethos of the 21st century metropolis, but in self - actualization and the reclamation of narratives in opposition to the dominance of private enterprise.

Through the process of transcription, for example, Riedel transfers voice recordings into the visual realm, defamiliarizing and expanding them with the help of technological means in order to ultimately reproduce them in a new variation or replay them.

For Tevet, the architectural planes of an exhibition space are not only a useful conveyance for the artwork, but also act as compositional elements seamlessly integrated into the visual logic of the sculptures themselves.

Cao's art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.

Although a disarmingly simple work, To Lift is a compendium of 1960s art concerns: it streamlines the role and definition of the artist; it elevates the idea and artistic act onto equal footing with the end result, and the work's potential for collapse introduces gravity and instability into the visual and conceptual core of the work.

He was particularly interested in the experience of music and its translation into visual form, much like Wassily Kandinsky whom he had an intimate familiarity with, growing up in Dresden, Germany at the turn of the twentieth century.

With a solid scientific background (a PhD in Chemistry), Fornies is concerned with evincing the eloquent potential of various materials and their combinations, trying to match the textures and layers into a visual, emotional, and spiritual orchestra.

Central to a career spanning nearly six decades is Jaramillo's drive to express materially our sensory perceptions of space and time in what she describes as «an aesthetic investigation which seeks to translate into visual terms the mental structural patterns we all superimpose on our world.»

The texts include literary passages as well as transcriptions from political prisoners in besieged cities such as Aleppo, turning testimonials into visual forms and producing a sense of simultaneously urgent appeal and timeless, collective memory.

The breadth of work shown gives insight into the visual sound that Hull is in tune with.

The formidable painting Blue (2015), for example, transports us into visual bliss through a wrangle of thorny branches.

In a different approach but also rooted in the questioning of systems of signification and sensory exchanges, Suzanne McClelland transcribe spoken words into visual riddles.

The concept of biodegradable is one that makes its way into his visual art.

Known for her elegant filmic investigations into visual gestalts, voyeurism, and perceptual memory, as well as her creative engagement with cinematic history, Rosalind Nashashibi presents several of her experimental 16 - mm productions from the past four years, including Bachelor Machines Part 2 (2007), which borrows footage and dialogue from Alexander Kluge's 1968 film Artists Under the Big Top: Perplexed; and The Prisoner (2008), a nod to Chantal Akerman's 2000 film La Captive.

The art world crossover was French philosopher Roland Barthes's 1967 essay «Death of the Author,» which put forward ideas that quickly pushed into the visual world.

STATEMENT My paintings translate words into visual language.

A fundamental element of this exhibition is the process of collecting, selecting and ultimately translating childhood memories into visual shapes, which somehow depict a portrait of the person originally holding them.

Whatever the answer, one thing is clear: Charles, who states that «the impetus for this work is my optimism,» draws his audience into visual riddles that leave us cheering and confused.

When presenting a landscape of numbers or letters or of a language that is not real, she is inspired to push and suspend meaning, allowing it to slip into visual abstraction.

For this exhibition, curated in collaboration with envoy enterprises in New York, participating artists were asked to respond to and translate into visual form the wealth of ideas contained in the book.

After putting together a task force, it was recommended that the City develop the power plant into a visual arts center, believing that an art space would best serve the community and offer the most creative and adaptive use of the site.

Abstracted and categorized notions of time and emotion are translated into visual matrixes, through which Jane meditates on the metaphysical.

She studied journalism and photojournalism at ISIC Institut Supérieur de l'Information et de la Communication in Rabat, Morocco, before focusing on photography as a means of best materialising her combined interests of literature and poetry into visual form.

The impulse to subsume sound into the visual is so ingrained as to blight music criticism and the discourse of sound art, whose focus is invariably on the score or the arrangement, on the orchestra or the performer, the sound source, the installation view or the documentation of the sonic event, in short the visual manifestation rather than the sounds heard.

He translates music into a visual experience with his unique system of pairing musical notes with specific hues in the color wheel.

Using magic and comedy as models of discourse in her practice, Sara Greenberger Rafferty tries to bring mystifying and humorous imagery into the visual arts.

Vicuña's quipu transform this ancient practice into a visual metaphor for the collisions of two competing cultures and worldviews: the Andean universe of oral communication spatialized through an embodied, nonlinear encounter with time, and the Western mapping of time through the linear, teleological unfolding of the printed word.

The combination of real and synthetic woods and original artefacts creates an unsettling tension between the authentic and the artificial, continuing Darbyshire's investigation into the visual language of commodity culture.

Art historian and Economist Olav Velthius provides a good starting point in understanding how artists engage with the subjects of economies and translate them into visual formats and for physical experiences.

These days, Jafa has increasingly moved into visual art, with the odd foray into video - directing for members of the Knowles - Carter clan.

with sumptuous abstract splashes that seem to transmute the sounds into visual effects.

Language serves to create an almost operatic score of rantings, mumblings and chants into the visual structure of the paintings.

Some of the artists that inspired him are Joseph Beuys and Yoko Ono, and his journey into the visual and audio art was conceptual and philosophical since the very beginning.

Today, data is commonly used as raw material for artists, and the artists in this exhibition do more than merely turn data into visual work — they reshape it, both in form and function — to create compelling conceptual artworks that materialize the Internet.

Wyatt Kahn is primarily known for his investigations into the visual and spatial relationship between painting and sculpture.

Gardocki comments, «I have always been primarily interested in the exploration the artist undertakes, and these works are glimpses into the visual steps that carry each of them along their individual journeys.»

She is interested in the various ways in which we interpret and understand the passing of time and how this translates into visual language.

This brand new body of work is part of an ongoing exploration into the visual nature of fame and celebrity, as Young attempts to define the essence of what truly makes a «superstar».

Exploring the medium of light, Uecker researched optical phenomena and structures that included the viewer into the visual process by kinetic or manual intervention [2].

In this latest series, a subtle luminosity returns to Zinn's work, which weaves prior series with the present by referencing light and incorporating geometric compositions with visual syncopation into her visual explorations.

Visitors can use portable scanners provided by the gallery attendant to map the exhibition space, transforming and collaging what they discover into a visual statement of their own.

Large in concept and scale, each painting offers lavish twists and turns of narrative that draw us into the visual space of the painting, much as a movie pulls us into the imagined world of the filmmaker.

In between individual experiences and collective narratives, the exhibition «TV 70: Francesco Vezzoli guarda la Rai», translates Francesco Vezzoli's gaze into a visual experience that explores «70s TV production.

In his new book, Miller delves into the visual vocabulary of science to portray natural and man - made subjects through x-ray technology, according to the publisher's website.

His journey into visual self - expression started in 2010 by coloring a friend's enlarged drawings.

The exhibition proceeds into the visual art revolutions in which the artist figured heavily, including landmark pieces of the Cubist era and onward.

Work in this exhibition is greatly informed by her experiences hunting, which required separating her surroundings into the visual, the auditory, and the physical.

«Op» artists, such as Bridget Riley (Nineteen Greys, Large Fragment), soon recognised the suitability of screenprint's unmodulated surface for work that required clarity of outline and striking colour - blocks for its enquiry into visual perception.