Sentences with phrase «into visual language»

STATEMENT My paintings translate words into visual language.

The combination of real and synthetic woods and original artefacts creates an unsettling tension between the authentic and the artificial, continuing Darbyshire's investigation into the visual language of commodity culture.

She is interested in the various ways in which we interpret and understand the passing of time and how this translates into visual language.

His expansive practice incorporates drawing, video, ceramics, performance, installation and other media into a visual language that ranges from subtle and sentimental to bombastic and outrageous, often probing the awkward gap between what we believe to be good and what we know to be true.

It made for all of these weird edges and boundaries where marks were always jumping into another visual language.

The floating spheres, incorporated into his visual language in a similar manner to the butterfly, can arguably be considered self - portraits, or as representations of his career.

Kidner's translation of the dialogue between order and indeterminacy into a visual language has meant that his work - though founded in a rigorous intellectual approach to colour and form - also resonates emotionally: «Unless you read a painting as a feeling,» he has said, «then you don't get anything at all».

Ads Imitate Life features work from three celebrated series by Thomas, titled: Branded, Unbranded: Reflections in Black Corporate America and Unbranded White Woman, allowing for an in - depth investigation into the visual language strategies of advertising and the cultural stereotypes in which they are rooted.

Szyszlo's paintings distill vast areas of culture, European and American, modern and ancient, into a visual language that is his own.

Brand names are more often seen in writing than any other form, so having a name translated into visual language, such as a logo, is an important next step.

Not exact matches

To determine if people tune into visual rhythms in the same way they tune into the auditory rhythms of language, they showed videos of stories told in American Sign Language to fluent signers and measured brain activity as they watched.

«Human brain tunes into visual rhythms in sign language.»

Tags 2015 oscars 87th academy awards american sniper benedict cumberbatch bennett miller best actor best actress best adapted screenplay best animated feature best art direction best cinematography best costume design best director best documentary feature best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actress best visual effect birdman birdman or (the unexpected virtue of ignorance) boyhood bradley cooper citizenfour eddie redmayne edward norton emma stone ethan hawke felicity jones finding vivian maier foxcatcher Ida into the woods j.k. simmons julianne moore last days of vietnam laura dern maleficent marion cotillard mark ruffalo meryl streep michael keaton morten tyldum mr. turner nightcrawler One Night oscar noms oscars reese witherspoon robert duvall rosamund pike selma steve carell still alice the grand budapest hotel the imitation game the salt of the earth the theory of everything Two Days Unbroken virunga whiplash wild

Garland's screenplay is equally impressive, weaving references to mythology, history, physics, and visual art into casual conversations, in ways that demonstrate that Garland understands what he's talking about while simultaneously going to the trouble to explain more abstract concepts in plain language, to entice rather than alienate casual filmgoers.

As directed by Zak Hilditch (whose 2013 debut «These Final Hours» was an expressionistic apocalyptic tale), «1922» has the merits of a solid «Tales From the Crypt» or «Masters of Horror» episode, with a straightforward story that folds the delicate visual language of a rural Terrence Malick drama into the mold of existential horror.

Deftly adapting Michael Ondaatje's novel of passion, grief and regret at either end of World War II, Minghella translated the novel's lyrical prose into extra-sensory visual language.

Visual aid to show students how to «blow» up the language in a quote into smaller pieces.

«They have casual conversations — discussing art as it fits into life, using everyday language and insight,» says Mary Jo Rosania, Hunterdon's visual arts teacher.

They said that the common visual language for thinking enabled their students to transfer patterns of thinking from Spanish into English, to focus on learning, and to build vocabulary.

Participants engaged with materials and activities in whole group and small groups that demonstrate that science lessons can be richer, deeper learning experiences when we, 1) slow down the process and provide repeated experience over time with key concepts (e.g., observing and exploring ingredients one day; making play dough another day), 2) incorporate language and literacy into science explorations intentionally (e.g., using informational texts; using visual aids and key words in DLL children's home language), and 3) connect science to other content areas and provide extension activities that continue conceptual learning across time and across the classroom (e.g., measurement with ingredients; discussing other types of mixtures during snack time).

Cutting a sentence the child has written into language units, phrases, words, and structural segments within words (e.g., prefixes, suffixes, syllables, letter clusters, single letters, and onset and rime) based on assessment of what the child knows; asking the child to reconstruct the sentence using letter - sound and visual information as well as language and word knowledge

This summer, more than 200 K - through - 12 LAUSD teachers from all subject areas attended arts integration development sessions, which guided arts and non-arts teachers on how to integrate dance, music, theater and visual arts into basic subjects like math, science and language arts.

Evan experimented with several other visual options, including heavy use of grayscale, and translating the UI into a constructed language.

Create — Sculpt new lands with powerful terrain brushes, breathe life into your world with new creatures, characters, sounds, and animated props, and create your own gameplay, interactions, and fun with the simple and easy to use visual programming language.

Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.

This attention to compositional structure is what separated him from his AbEx colleagues... Opper somehow transcended the mythology of the AbEx period and almost clandestinely slipped into the more formalist designs of color field painting, while holding to a visual language that was both his own and an echo of Bonnard.»

In Century of the Self, organized by independent curator Sarah C. Bancroft at Lora Reynolds Gallery, artist Alexandra Grant dives into feverishly detailed compositions that embrace language as both quotable texts and visual tools.

Assembling in Marfa will be a faction of contemporary artists who are peeling the page one frame - at - a-time in an inquiry into the visual dimension of language, ranging from David Gatten's reflection on the role of documents and Michael Tracy's secret, worldly recitations to Julia Meltzer and David Thorne's digital archives where images become a fault - line between world views and hidden narratives.

He seemed to casually translate the solemn gravity of these historical models into his very own intensive and laconic visual language while always nonchalantly ignoring the thematic charging of his sources, be they of a utopian - social, moral or mystical - religious nature.

Embarking from traumatic childhood experiences both men succeeded in turning their suppressed past into thought - provoking works of art, however following different practices and adapting a diverse visual language.

The work is a result of research conducted into the private security industry; engaging with firms, undergoing training regimes, and appropriating the real - life visual language and marketing messages for their own creation, Mosquito Lightning.

Through a strong sense of integrity and an explorative approach she has developed an enduring language and a visual expression of her own that takes us into the realm of the unexpected.

Clip Cut Gel reveals amplified masculine characteristics; drawn from male stereotypes that we see in the visual language and plays with the way the male is looked at and builds this into a spectacle itself.

The tactic Proust deploys is a succession of extraordinarily close readings of the paintings, in language so luminous that the text easily embodies the series» title, ekphrasis, or the translation of visual art into poetry, often through objective description.

Julian Schnabel provides a major entry into work created by the painter celebrated for a visual language that brings together unexpected materials and radically unconventional techniques.

The closely held visual language of quiet French domestic scenes — think Édouard Vuillard or Pierre Bonnard — is relocated into the modern, usually urban American public sphere, where it blows up into a showy pageantry of anonymous pomp and circumstance.

And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with content.

Landscape imagery is the visual language she uses to explore her interest in what paint does when it is observantly and succinctly organized into a picture.

A compilation of visual poetry from a self - declared poet who willfully takes risks and carries through with beautiful prose into the urban language.

The works» own features — line, form, texture, color, volume — are weaved into fresh and poetic, alternative visual language that is outside of existing preconceptions or representation systems, and play out as spatial development with rich sensory engagement.

Impure, imperfect and incomplete, the version of abstraction that emerges from this global journey — from Hong Kong and Islamic regions to Canada, Australia, Europe and the United States — shows how the formal ingenuity of abstract art has been cross-fertilised, from abstract expressionism onwards, by creative discrepancies that arise when disparate visual languages are brought into dialogue.

Mapping and architecture (another of Zarina's interests) play a large part in her iconography; she again uses her technical fluency in printmaking to elevate this often dry visual language into a highly expressive personal statement.

Just as a long camera exposure fuses motion into a single image, his work reveals the average sonority, visual language, and vocabulary in music, film, text, or cultural information.

Schnabel demonstrates his continued intellectual curiosity and exploration into the artist's role in society, utilizing the depth of his visual language and found materials to convey expansive themes such as time, obsession, suffering, redemption, and death.

A pioneer in incorporating language into visual art, Bochner has taken an unusual turn toward painterly expressiveness during the past two decades.

After Some Twisted Lines grapples with the Lacanian condition, which asserts that entrance into language and visual representation tragically severs humans from the unadulterated real at birth.

Her poetical - political constructions, visual punning, and spatiotemporal arrangements of abstraction turn uncertainty and distress into the possibility of art, and interference into the emergence of a new contingent language.

Worded in a representational visual language translated into the physical presence of objects, the artists» works are brilliant diversions of absurdity and anonymity.

Through varying practices and visual languages, the artists aim to elevate familiar aspects of daily life while translating them into artworks that are catalysts of energy and time.

His hybrid works place poems and words into visual contexts that play with the transitions between image / object and the nuances of language.