Sentences with phrase «into visual traditions»

Her work is primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies.

Not exact matches

Delve into many Christmas traditions with this extensive Widgit pack contains stories, writing activities and games, each with clear visual accompaniments.

A side - scrolling multiplayer RPG, Dragon's Crown continues Vanillaware's tradition of emulating magnificent oil - painted visuals that suck the viewer into a world of fantasy.

These cultures all developed uniquely mannered still - life traditions that so codified the cultural gestalt of each that the works carry associations far beyond visual culture into political, economic and religious history.

The need to respond to our contemporary crisis shapes the visual structure of the film and whose origins spring from research into diverse historical narrative traditions within the Indian subcontinent.

And if Guston's fascination with the poetry of D. H. Lawrence, W. B. Yeats, and some other Italian and American writers links him to modernism, the political engagement of his figurative paintings — so utterly relevant right now — marks his entry into a later, very different visual tradition.

Developed outside of the structure of schools, galleries, and museums, these rich yet largely unknown African American visual art traditions present a distinct post — Civil Rights phenomenon that offers powerful insight and fresh perspectives into the most compelling political and social issues of our time.

It could be suggested that Picasso's late portraits, with their emphasis on the «thoughtless» (unpremeditated) creativity of children, carried this tradition into the visual most conspicuously with their goofy, outlandish physiognomies.

In other words, Sikander's visual vocabulary seeks to put the traditions of the East into conversation with a Western - dominated contemporary art world.

Murphy's understanding of this tradition (he studied illustration at the School of Visual Arts in the 1970s) echoes the sort of picture - making that was prominent in the 19th century and continued somewhat into early 20th, notably in the work of Edward Hopper.

Jenny Holzer continues tradition of feminist artists from 1970s, dealing with the complex visual narratives and inscription of the women into language.

She draws inspiration from a variety of cultural and historical traditions and incorporates them into her glass beads using unique surface treatments to create depth and visual interest.

Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the «happenings» of the early 1960s, throughout the 1980s, and into the contemporary practices of a new generation of artists.

One of great joys of «The Freedom Principle» is that it takes us back to the apex of postwar modernism, when avant - garde music was venturing into uncharted territory and the black - radical tradition in the us was figuring itself through sonic experimentation and its visual analogues.

As such, it is a fertile arena for examining artistic florescence along geographic and cultural borders, in which foreign and native traditions mingle, fuse, and transcend their origins as they coalesce into a new hybrid visual culture.

Her work is characterized by research into archaic visual traditions, pleasure wrested from suppressive taboos and the body of the artist in dynamic relationship with the social body.

The Chapmans» oeuvre represents a prolonged philosophical investigation into the turmoil and violence of contemporary existence, placing them in a tradition of protest and pessimism in the visual arts alongside artists such as Goya, Bruegel and Otto Dix (both Bruegel and Dix painted works titled The Triumph of Death).

This simple gesture not only reintroduces «the hand» into the formula, but it as well, returns the idea of abstraction to the cultural sources that it was once taken from: Non-Western visual traditions of Native America, Africa, India, Mexico and South America.»

Melded with his appreciation for (and acute knowledge of) the traditions of American realism, Hagege's paintings capture the magic and mystery of his subject matter while pushing the traditions of American realism into a contemporary visual space.

This simple gesture not only reintroduces «the hand» into the formula, but it as well, returns the idea of abstraction to the cultural sources that it was once taken from: Non-Western visual traditions of Native America, Africa, India, Mexico and South America,» explains MacConnel.

Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the «happenings» of the early 1960s, throughout the 1980s, and into the present practices of contemporary artists.

Over decades, he has refined a complex system of symbols and motifs into a distinctive visual lexicon, fusing Persian traditions with pop sensibility.

A pioneer of feminist performance who has transformed the very definition of art, her work is characterized by research into archaic visual traditions, pleasure wrested from suppressive taboos, and the body of the artist in relation to the social body.

Cao's art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.

Appropriation and the Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical processes such as screenprinting.