Sentences with phrase «into white field»

Blue field flowers on the white background turn into white field flowers on the blue background as one changes sides.

Bordeaux field flowers on the white background turn into white field flowers on the bordeaux background as one changes sides.

Not exact matches

(CNN)- Over the last few days I have fielded hundreds of angry e-mails from pro-Mitt Romney evangelicals about a recent Belief Blog post in which I took Billy Graham and other white evangelicals to task for turning Jesus into a water boy for the Republican Party.

The first Latter - day Saints gathered around Joseph Smith, the Mormon prophet, as the Book of Mormon came into being; the Mormon field has, even now, been «white to the harvest» for a century and a half.

At 3 p.m. when the starter dropped his flag, therefore, the rest of the field of 54 cars was left in a spray of rooster tails as the first three white Porsches snapped smartly away and into the first turn.

Each time he slapped at the ball and made contact he howled in pain and then stopped, hands on hips, and smiled as the ball curved over first, hit the foul line midway down the right - field line, kicked up white dust and then skidded into the opposing team's bullpen.

«He should come down from his ivory tower or from his sweet area of White Plains and see what it takes to make a corn field into jobs,» Mathes said.

The Meyerhoff Scholars Program at the University of Maryland, Baltimore County (UMBC), has become the gold standard for providing a path into academic research for groups — African - Americans, Hispanics, and disadvantaged white students — now underrepresented in the STEM (science, technology, engineering, and mathematics) fields.

In the day and a half of open meeting, the council heard a variety of other recommendations, including a moratorium on releasing synthetic organisms into the environment, a call for a White House — level office to oversee synthetic biology, and a plea for more funding for the field.

That change caused the minor planet to travel very close to the white dwarf, where the star's strong gravitational field ripped the minor planet apart into gas and dust.

Selenite healing helps to bring in purifying white light into the body and heal the auric field.

At the same time, given how uneven the playing field remains for filmmakers who don't fit the usual straight - white - male parameters, it's worth remembering that excellence can be found and nurtured, but it can not be willed into existence.

A Field In England Ben Wheatley's psychedelic, black - and - white Civil War - set descent into weirdness has been seen, and greatly admired, by Empire back in Blighty.

On one side, the development of computer software that can handle and automate complex activities such as legal research and IT support now mean that white - collar fields once considered the ways to reaping a middle - class living may disappear into the ether.

Cal turned to his right for a moment to gaze down at a neat white farm below, then swung forward to savor the flat fields of green spilling into forever.

I flicked on the high beams and, although I didn't see any obvious vampires, these LED headlights do an incredible job of lighting up the night, making any white roadside sign just burst into your field of vision.

The philosophy so typical of BMW M naturally continues into the design and configuration of the driver's «workplace»: Both of these all - wheel - drive high - performance sports cars come with a special M cockpit with the instrument cluster featuring a variable pre-warning field in the rev counter, specific vehicle function displays, and white display illumination.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

A couple other reasons I like the vest are: (1) it adds a little camouflage to my white Labrador and helps her to blend a little more with the surroundings when we are hunting waterfowl; (2) the chest protector shields my dog from sharp sticks or other debris she might run into in the water or the field; (3) the handle on the back of the vest ensures that I will have a way to help her into the boat after a long, tiresome retrieve.

When it comes to sight though, guards are limited to seeing things that fall into their white, triangular field of vision and nothing else, except for when they enter conversation with each other in which case, they become so entranced by the person they're talking to that they fail to see anything around them, no matter how close (respect for clearly being fantastic listeners though).

You are warned if you are blundering into an enemy's field of view and that warning icon turns from white to red if you do not react fast enough and are detected.

Lewis's Untitled (Alabama) from 1967 shows a crowd of abstracted angular figures in white packed into a bladelike shape slicing through a black field.

They even have a few recent works, in which the outline of tape and cast shadows turn fields of white into delicate colors.

The dye will saturate, run, and dry over the course of the exhibition — eventually turning the white felt from pale blue to almost black — transforming the material into a colossal color field painting, a rolling mountain landscape, or even the hump of a whale.

One can watch his jagged line, most often in white, sinking more and more into larger and more luminous fields.

«American Totem» (1960) has white masklike images compressed into a columnar form coming to a conical top at the center of a black field.

9 am - 1 pm Disobedient films with Jamie Perera, Climate Symphony Jalal Toufic, An Outstanding — and Still Crazy — Task: Transforming Ourselves into Gods Julieta Aranda, Data: Synthetic Recollections of Things that Never Happened Julia Tcharfas and Holly White, Interspecies Communication Sophia Al - Maria and Maurice Louca Time Is Away, Time Is Away: Neither Created Nor Destroyed Judy Chicago in conversation with Hans Ulrich Obrist Candice Lin, To Recognise Oneself as Parasite Koki Tanaka, Sound of Democracy (Field Recording / September 14, 2015 / Tokyo)

9 am - 1 pm Disobedient Films with Jamie Perera, Climate Symphony Jalal Toufic, An Outstanding — and Still Crazy — Task: Transforming Ourselves into Gods Julieta Aranda, Data: Synthetic Recollections of Things that Never Happened Julia Tcharfas and Holly White, Interspecies Communication Time Is Away, Neither Created Nor Destroyed Judy Chicago in conversation with Hans Ulrich Obrist Candice Lin, To Recognise Oneself as Parasite Koki Tanaka, Sound of Democracy (Field Recording / September 14, 2015 / Tokyo) THROUGHOUT Tim Etchells, Time Piece / Interstitials Samson Kambalu, Why I Am so Clever Lorenzo Senni, Jingles

The subdued tones of black and white and the closed field of vision give an intimate feel to the series, an almost voyeuristic sensation that grips the viewers, drawing them into the intriguing atmosphere of secret interiors and exteriors.

«By the time I'd moved into position, the lamb had raised its head to look out over the field, completing the scene and giving a lovely contrast between the small, white, fuzzy lamb and the huge, dark, smooth sculpture.»

Beginning with the milestone installation Infinity Mirror Room — Phalli's Field filled with hundreds of red - spotted phallic tubers, the exhibition will also include Infinity Mirror Room — Love Forever, a hexagonal box with a peephole and reflecting flashing lights, Dots Obsession — Love Transformed into Dots, the room filled with balloon sculptures of vinyl, the Obliteration Room, an all - white replica of a domestic setting that will be covered with colorful dots, and more recent Aftermath of Obliteration of Eternity and Souls of Millions of Light Years Away, spectacular LED environments filled with lanterns or crystalline balls.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Using a limited range of colors and basic geometric shapes to heighten the interplay between figure and ground, she simultaneously imbeds the forms into and places them against a white field.

His pop art style paintings use white backgrounds to accentuate unusual drip patterns, overlapping color fields, and hidden objects painted into the three - dimensional frames.

In the black paintings as well as in the white ones, however, the geometric weave is interrupted by trims or by the transversal advance of the monochromatic background over the figure, and we are launched once again into the field of the representation delimited by the canvas.

A row of a thousand Polaroid prints snake around the pristine white field of gallery walls, each a little window into the artist's past bodies of work and visual fixations.

His white - on - white paintings encompass complex intuitive geometries and richly luminous, albeit subtle, fields of colour; they draw the viewer into a deep exploration of perception and painterly process.

Titanium White and its shades were painted into series of small fields and quilted together to form round targets or rectangles occupying an entire canvas.

One of the large vertical paintings in the Boesky exhibition builds white forms and an undulating black line into a box, the glossy black border of the raised edge defining fields of white and grey.

After cutting the jugs into rectangles and arranging the pieces into a kind of patchwork quilt threaded with wire, the artist draws on Ghanaian folk aesthetics for his compositions — floating simple white, red, and blue shapes in a mostly yellow field.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

She returned to New York and adapted the sprawling vortex of dark lines and shapes characteristic of her earlier canvases into a denser structure that floats equivocally across a field of white.

The square pictorial field is divided into fourteen horizontal bands of equal width, alternating in colour between white and peach, with pale blue used for the top one and bottom two bands.

In Untitled (Alabama), bold gestural brushstrokes of stark white paint coalesce into a procession of figures marching across a black color field.

The square pictorial field is divided into eleven horizontal bands of white, blue and peach acrylic paint.

Note also that when you do a PCA decomposition of the total sea level field (as done, e.g., in Church and White), the ENSO effect goes mostly into the next - in - line PCA (their number 1) and its EOF, which indeed looks like an ENSO type pattern (their figure 2 top right).

- Go off into fervent belief in pseudoscience - Are sure they know more than top - notch scientists who spend their lives doing this, although they themselves do not - Pontificate in OpEds, letters to editors, white papers, websites, E&E... but not peer - reviewed science journals - but have reasonable technical backgrounds - and so should be able to study and learn the science - and ought to know better - and isn't one of those scientists at end of career going off the rails into a field outside their own - and in this case, a reference to Stanford EE degree

One of the advantages, I have found in defending and prosecuting white collar crime (and indeed this relates to most aspects of being a lawyer) is that the field, of necessity, includes the requirement to delve into areas of expertise to which one would not normally regard.

On June 1st 2017 amendments to the Criminal Code of Serbia came into force, which regulate the field of fraud / white collar crime significantly better than the previous law.

To fit it into their budget, Sarah and Ren interspersed it randomly — placing one here and one there as they went — within a field of economical white subway tile in their shower stall.