Altmejd's diverse and varied oeuvre includes his familiar platform - like structures punctuated by mirrored reliquaries
of crystals, flowers, birds, and werewolf
bodies and
body parts, an inventive assortment
of singular werewolf heads, clear Plexiglas boxes filled with an
intricate tracery
of gold chains, his spectacular aviary filling the Canadian Pavilion at the 2007 Venice Biennale, uncanny
part - bird
part -
human sculptures, a sculptural clock representing the temporal process
of its making, and most recently colossal giants.