Altmejd's diverse and varied oeuvre includes his familiar platform - like structures punctuated by mirrored reliquaries of crystals, flowers, birds, and werewolf bodies and body parts, an inventive assortment of singular werewolf heads, clear Plexiglas boxes filled with
an intricate tracery of gold chains, his spectacular aviary filling the Canadian Pavilion at the 2007 Venice Biennale, uncanny part - bird part - human sculptures, a sculptural clock representing the temporal process of its making, and most recently colossal giants.