Has shown its true
colors as less a serious religious -
themed film than a moth - eaten tapestry of foreign
intrigue and badly miscast international stars.
Since the very beginning of the movement, Op Art has been known for its use of black and white geometrical shapes that easily fool the viewer's eye, but Anuszkiewicz breaks away from this norm by making
color his central
theme throughout all of his paintings, a technique he most likely learned from Albers, whose works were equally well known for their use of
color as a means of creating optically
intriguing specimens.