On view at the gallery are three new collage - paintings, built up piece by piece with acrylic tesserae and casts in
intriguing forms and colors.
Not exact matches
An initial question
intrigued me on visiting the American modernist painter Beauford Delaney's Parisian show Resonance of
Form and Vibration of
Color: How did a black gay painter remain so full of light
and joy during the struggle against racial
and sexual bigotry taking place in the 1960s?
The primitive markings in neon
colors by Justine Hill are placed within several non-rectilinear canvases to
form one unconventional
and endlessly
intriguing jigsaw - like piece.
The exhibition's chronological installation brings to light
intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes,
and the metaphorical significance of
color and form.
The exhibition's chronological installation reveals
intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes,
and the metaphorical significance of
color and form.
The show is an engaging one made up of vibrant
colors, glowing lights
and strong geometrics creating drama
and intrigue, standing in stark contrast to natural
forms and materials of the objects in the Watermill collection.