The intriguing plot of Warhammer 40,000: Dawn of War III centers around the reappearance of The Wandering World.
Jane Austen never married and apparently had only brief encounters with love, yet she managed to craft loquacious characters that have plenty to say about the intricate schemes and
intriguing plots of romance.
The rich language and
intriguing plots of Edgar Allan Poe's short stories are up against the baseball playoffs at Bennet Middle School.
Poe, Baseball Are Focus at Bennet The rich language and
intriguing plots of Edgar Allan Poe's short stories are up against the baseball playoffs at Bennet Middle School.
Not exact matches
It was hard not to, given its
intriguing plot, impeccable acting, and nostalgic sensibility — it's like ET meets The Twilight Zone, with a healthy dose
of Goonies and Donnie Darko thrown in.
The frustrating opposition to the political church in Germany, the clandestine seminary life operated by the Confessing Church, the
intrigue and
plotting designed to rid Germany
of a demonic rule make him a fascinating person.
The draw for the round -
of - 16 has been made, and there's a bunch
of intriguing clashes as teams
plot their way to the Kiev final on May 26.
The events surrounding his rapid rise to power sound like something straight out
of Hollywood, involving secretive
plots and political
intrigue, however, the consequences
of his dramatic ascent to power could be very real for Saudi Arabia and the region as a whole.
The opening moments
of «Death and the Maiden» are so
intriguing that almost any continuation would be a disappointment - but movies have to be about something, and so slowly the purity
of the situation settles down into the business
of the
plot.
Despite being named «Defender
of the Faith» by the Pope, Henry begins to scheme to replace his queen with the more desirable Anne Boleyn, as court
intrigues involving Princess Margaret and
plots against Cardinal Wolsey intensify.
The new settings,
intriguing characters and a fresh take on familiar faces all combine to make an extremely memorable adventure, especially when you consider the amount
of plot turns and twists you go through.
Although some liberties have been taken with the characters and
plot, it is an immediately
intriguing, wonderfully textured realization
of Dick's challenging book.
This well - worn
plot spends the first hour with lots
of intrigue and a confusing array
of characters.
Unlike «Smash» and «Nashville» which go downhill as it goes on, this show never seems to run out
of ideas and
intriguing plots.
Consequently, the early episodes lag until enough
plot points have gone by that the
intrigue starts to really payoff, yet it's hard to really connect with any
of the characters (Except maybe Joan, who Ross gives a great deal
of depth to as the episodes wear on).
Much more might have been made
of the
intriguing tale
of Mary, Queen
of Scots (Samantha Morton), the cousin Elizabeth had executed for royal
plotting.
Season 2 brings more terrifying and
intriguing plot to the show, the CDC team wsa once again sent out to the wilderness to investigate another outbreak
of a deadly contagion.
But I was really looking forward to «The Haunting» for many reasons: the actors (Liam Neeson, in particular), the story (I haven't seen any
of the other Hill House movies, but my dad seems to like them and the
plot intrigued me), and I was hoping for a movie that would scare me by being subtle, psychological, and spontaneous, like the kind «ol Hitchcock made.
On one hand, it creates some
intrigue as you discover how each character got to their respective points
of desperation; but because each goes only once, it leaves out insights as to how they do or do not overcome these demons which seem important for a
plot like this.
Regardless
of my opinion
of The Walking Dead «s technical competency, I was hooked by the engaging characters and
intriguing plot within the first two minutes
of loading up the game.
The paradox falls there, as a majority
of the audience isn't going to Magic Mike XXL to see an
intriguing plot.
Anchored by a subtly superb performance by Scottish actress Tilda Swinton, the opening hour
of «The Deep End» hints at the promise
of rare
intrigue and dark allure, but its overall attempts at re-igniting the unsettling ambience
of old - fashioned film noir are let down by a potholed
plot and poor characterisation.
While Bahrani efficiently establishes that initial tension, «At Any Price» wastes a majority
of its runtime with bland, uninteresting proceedings — not because the
plot lacks sufficient developments, but rather due to the lack
of intrigue in which they're presented.
With its
intriguing concepts and well - voiced
plot, it's a shame then that the game is let down by a multitude
of factors, all
of -LSB-...]
It's certainly an
intriguing premise for a film, with a
plot that would have made a fantastic episode
of Rod Serling's classic television show, «The Twilight Zone».
Mulholland Books, 448 pages, $ 26 The seamy side
of Hollywood never fails to fascinate, and it delivers enough
intrigue and general nastiness for gripping
plots.
Unfortunately, the script is fairly weak and does not sustain the energy to keep that aspect
of the
plot intriguing.
A lifeless cast
of lead characters did very little to alleviate the turgid, convoluted
plot which only became relevant (and
intriguing) in the opening and closing scenes
of the game.
It's mixture
of intriguing plot and stunning visuals has rendered all other movie news obsolete.
It's important to note that this
plot synopsis also says that S.H.I.E.L.D. is in charge
of the Superhuman Registration Act, which is
intriguing given the fall
of S.H.I.E.L.D. in Captain America: The Winter Soldier.
The
plot is a thinly - veiled ripoff
of «The Silence
of the Lambs» minus the people eater — and the
intrigue, suspense, surprise, complexity, character development, mordant wit, originality, and shell shocking horror.
However, the best
of them are the ones that
intrigue an initial idea and elaborate upon it with the kind
of well - developed characters, ingenious
plots and emotional resonance that is rarely seen in films aimed at family audiences.
This
intriguing plot gives MacFarlane plenty
of room to fill the movie with the crude, profane comedy that he's known for.
How the film's compelling star Jennifer Lawrence may feel about this sentiment is another matter, but this is a tale that, like any number
of fanciful genre outings, both pulls you in with its
intriguing central dramatic situation and pushes you out with some mightily far - fetched
plot contrivances.
Both films have smart dialogue and
intriguing moral dilemmas that play out in somber fashion, but they are continuously undone by heavy - handed
plotting and an ever - increasing escalation
of pitch into the realm
of the absurd.
It's kinda funny — for a film based on actual events,
plot twists and turns unfold as if part
of a complex fictional story
of political
intrigue.
While As Above, So Below begins with an at least mildly
intriguing set - up
of plot, once this team heads into the catacombs it quickly becomes yet another rote display
of forced jump scares, awkward character interaction and painfully flat acting that forces us to try to believe this is heading in any direction other than where we all know it's going to go.
This is a film full
of twists, turns, incredulity, and
intrigue, evolving into a master class in misleads, narrative leaps, flashbacks, panache, and put - ons in an airtight
plot that overflows with deceit.
It has a fairly thin
plot, but the various situations that deliver a new peril come frequent enough to keep the momentum going, constantly changing with each new roll, and it does maintain a substantial amount
of intrigue as to how the game might eventually end.
Because there is such a complicated, polluted, labyrinthine past, both America's and this American's, and because none
of it can be faced and corrected, this film does what is denied a whole nation: it pares down all troublesome memories, focuses the camera on Jack and occasionally on Clara and Jack, or Father Benedetto and Jack, or Mathide (Thekla Reuten) and Jack, and finds an untormented, easily digestible Hollywood «international underworld /
intrigue»
plot to house the whole.
Despite the
intriguing premise, the predictable
plot and abundance
of corn entirely grates away the film's few redeeming qualities.
While there's still a lot more to see on the gameplay side
of things, I'm definitely
intrigued to see how the
plot plays out.
Following up the one - two punch
of «Gone Baby Gone» and «The Town» won't be an easy feat, but Affleck's proven himself to be an assured craftsman behind the camera with both outings, so a period - set mission movie with political stakes and filmmaking itself as part
of the
plot seems like a sound enough,
intriguing enough next step for his directorial career.
Without a high level
of mystical
intrigue and unnerving eeriness fuelling the story, the
plot fails to ignite on a level that would allow for audience investment and identification.
It does at least feature an
intriguing cast
of characters and a well - structured
plot for genre fans looking for 20 hours to kill, though with so many better options floating around in the digital ether I'm not entirely sure it's worth booting your Wii U back up for.
The result is a mix
of heavily derivative
plot devices and
intriguing themes concerning whether humans are worthy for the next world.
It is refreshing, in this regard, that he isn't after something as boring as world (or universe) domination, and the destruction
of half
of all living things is an
intriguing escalation
of the typical superhero - movie
plot in which the heroes must save the world from certain annhiliation.
The picture has an
intriguing plot that's best played on its own, with little touches
of foreshadowing placed into the corners
of the frame.
Some might view it as a liability, but in some respects, it is a strength, as those who can swallow that premise will most likely swallow practically every other contrived
plot element for the sake
of some good action, laughs, and
intrigue.
The deadly
intrigue that results from this
plot leads Jim to wonder whether he's on the right side
of the conflict and to further crave the trust
of the cattle owner's daughter (Barbara Bel Geddes).