Sentences with phrase «introduction to an exhibition not»

Not exact matches

In the introduction to her much - needed and admirable exhibition Black Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state» (2).

They provide a comprehensive but not overwhelming introduction to the exhibition's theme of abstract expressionism as an amalgam of east and west; here, each work carries weight and can be attended to.

«I believe that one reason I began writing essays — a form without a form, until you make it — was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story,» Als writes in the introduction to his forthcoming book, which is titled after the exhibition.

In the catalogue introduction to the exhibition Fry argued that the post-impressionist creates, not a pale response to actual appearance, but a new reality.18 He argued that the logical extreme of such a method would be the complete renunciation of natural form and the creation of a purely abstract language, a visual music.

The exhibition, curated by the University of Arkansas's Alissa Walls, Ph.D, Assistant Professor of Art History, also features a library section, which serves as an introduction for those not as familiar with the artist's work, as well as an opportunity for those desiring a deeper level of investigation to study further.

Not only will this exhibition serve as an introduction to this artist's legendary work for younger viewers, it positions Schnabel as one of the great auteurs of the postwar period.

A casa é o corpo serves as the perfect introduction to an exhibition of Brazilian installation art not only because it was an

In his introduction to the exhibition's invaluably informative catalog, Mr. Nadel doesn't refer to Farber's zoological terminology, but he posits a similar set of oppositions.

At the occasion of the opening we met with the artistic director of BodhiBerlin, Shaheen Merali who not only provided us with an introduction to the inaugural exhibition «Frontlines: Notations from the contemporary Indian Urban», which he has curated, but also gave us an outlook to the program of BodhiBerlin.

Because Bearden's work is not in our collection, the exhibition offers an introduction of this important American artist to our visitors.»

This was her first introduction to Stieglitz and his gallery, although they did not meet when she came to the exhibition, and it would be nearly ten years later before their real relationship began.