Sentences with phrase «introduction to the exhibition for»

This guide provides an excellent introduction to the exhibition for teachers and students.

Delve into the world of Jackson Pollock and Willem de Kooning through the Exhibition in Focus guide, our in - depth introduction to the exhibition for secondary and further education students and teachers.

Not exact matches

Three videos below, produced by Ben Tudhope for the show, provide an excellent introduction to the exhibition as well as more in depth features on Paul Resika and Stanley Lewis.

Patrick Heron wrote an introduction to a Wynter exhibition catalogue for the New Art Centre, March — April 1982 and devoted most of his text to a consideration of the sort of shapes and marks most identified with the artist.

Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»

The exhibition, curated by the University of Arkansas's Alissa Walls, Ph.D, Assistant Professor of Art History, also features a library section, which serves as an introduction for those not as familiar with the artist's work, as well as an opportunity for those desiring a deeper level of investigation to study further.

Thurs, May 25, 7PM Swiss Institute / CONTEMPORARY ART, New York 102 Franklin Street, Front 1, New York NY 10013 Please join us for an evening to celebrate the launch of The Exhibitionist: Journal on Exhibition Making / / The First Six Years with an introduction by founding editor Jens Hoffmann, a discussion of the history of the history of exhibitions with Amara Antilla, and a roundtable conversation on exhibiting exhibitions with Ruba Katrib, Mia Locks and Lauren Cornell, moderated by Piper Marshall.

While Goodman Gallery Projects closed at Arts on Main in 2012, the [Working Title] exhibition series exists as a resolution to the Goodman Gallery's continued interest in independent and collaborative projects and allows for the continuation of previous projects and relationships, as well as the introduction of new artists, theorists and creatives into the Goodman Gallery.

Curator Bernice Rose remarks in an introduction to this exhibition: «The capacities for the transformation of reality were later reinforced and enlarged by television, video and the computer, and its concomitant new space, the Internet.

This exhibition highlights Maine's artistic legacies in the making, featuring established artists with strong Maine ties as well as the first major institutional appearance for several young, emerging artists — showcasing the next wave of Maine artists and affording them the opportunity to make initial introductions to national art audiences.

In the introduction, Jennifer Blessing, Curator of Photography at the Guggenheim Museum, sketches a theoretical framework for the exhibition, linking the recent focus on Northern locales to the qualities of the photographic medium itself.

Hit the jump for the full - length version of the video, an introduction to the exhibition in German language, the Jeff Koons lecture at Fondation Beyeler, Jeff Koons speaking at the media conference, and an introduction to the work Split - Rocker.

A color catalogue expanding on Barrada's recent film - and - performance Tree Identification for Beginners (2017), with an introduction by Adrienne Edwards, will be published to coincide with the opening of the exhibition.

Mark Roberts, who has followed Barnett's writing since the mid 1980's, provided the following introduction to his work for the exhibition.

In the introduction to his catalogue for Information, often considered the first exhibition of Conceptual Art at a major museum, curator Kynaston McShine places Reinhardt among those who marked the intellectual climate that produced Conceptualism, along with Marcel Duchamp, Buckminster Fuller, Marshall McLuhan, the I - Ching, the Beatles, Claude Levi - Strauss, John Cage, Yves Klein, Herbert Marcuse, Ludwig Wittgenstein, and others.

The pair is presenting a selection of «influential artists who began working with video early in its development and traces a line up through 1990, bracketing an important period for this medium and a fertile time for artistic activity on Long Island,» according to the introduction to the exhibition.

Thanks to Nashville Arts Magazine for featuring Cumberland Gallery's new exhibition INTRODUCTIONS in their January edition.

Recent group exhibitions include «A Union of Voices»: HORATIO JUNIOR, London «Sex Shop»: Folkestone Fringe, Folkestone, «In and out of windows»: Vane, Newcastle upon tyne, «Eulogy»: Vane, Newcastle upon Tyne, Between fact and fiction: Vane, Newcastle upon Tyne (2014), «Winter Show», September, Berlin, Germany, «Gifted»: Chart, London, «Luminous Language»: Launch F18 (2013), New York, USA «The Dorian Project», SecondGuest, New York, touring to Ana Cristea Gallery, New York, «Anschlüssel: London / Berlin», C4RD Centre for Recent Drawing, London (2012), «THE FUTURE CAN WAIT presents: Polemically Small», Torrance Art Museum, Torrance, California, touring to CHARLIE SMITH london, London, «Mail Please», Blyth Gallery, London, (2011), «MurmurART: an introduction», MurmurART, London (2010), «One Spirit Showcase», Hines Urban Gallery, London, «40 Artists 80 Drawings», The Drawing Gallery, London (2009), «00 Nature Part 1», Contemporary Art Projects, London, «Baltic Square», Arena Gallery, Liverpool Biennial (2008), and «Jerwood Contemporary Painters», Jerwood Space, London (2007).

«It's rare to find a true muse», writes Cwynar in the introduction to her exhibition, titled after and dedicated to her friend Tracy, whose photographs Cwynar has been taking for ten years.

The font for this part of the introduction, now in its eighth page, almost shakes when you try to squint at it to make it 3D and this somehow matches the conversation on ghosts, animation, seance and presence that the exhibition is staging in a digital pre-text.

The massive exhibition feature overs 80 local and international artists and serves as introduction to the burgeoning New Contemporary art movement for art lovers in the Midwest, handpicked by one of the scene's most prolific galleries.

«The 10th Gwangju Biennale reflects on this spiral of violent or symbolic events of destruction or self - destruction — setting fire to the home one occupies — followed by the promise of the new and the hope for change,» wrote Morgan in the introduction to the exhibition.

Lecture by Merlin James Monday, May 6, 5:30 pm Logan Center for the Arts Exhibition co-curator Merlin James gives an introduction to the unique achievements of Serge Charchoune.

Playing on a monitor at the entrance to the retrospective exhibition «General Idea: Broken Time» at the Museo Jumex, Pilot (1977), which the group made for Ontario public television, is a thirty - minute deadpan documentary on the pageant that provides an introduction to the collective's interests and sensibilities.

(«For an exhibition seeking to emphasize nonverbal, visual plasticity, ambiguity and multivalence, a catalogue with only analytical essays would seem inappropriate,» Kertess wrote in his introduction.)

My first introduction to Matt Noonan's paintings was an eclectic arrangement of oils with dense imagery and rich colors on wood or canvas in the group exhibition Arcadia: Thoughts on the Contemporary Pastoral, curated by Steve Locke and recently on view at the Boston Center for the Arts.

Not only will this exhibition serve as an introduction to this artist's legendary work for younger viewers, it positions Schnabel as one of the great auteurs of the postwar period.

The publication documents Pier 24 Photography's unique installations, and includes titles and dates for the works on view, quotes by many of the exhibited artists, and a brief introduction to the exhibition.

INTRODUCTION TO THE EXHIBITION: ENGLISH SPANISH EXHIBITION BROCHURE THE NEW YORK TIMES REVIEW EXHIBITION GUIDE FOR TEACHERS

The exhibition is the perfect introduction to Weiwei's work for the Greek public.

For some, the exhibition was a thoughtful introduction to the rich history of photography before the advent of selfies and Instagram.

For those new to this important British artist, the exhibition represents an affecting introduction.

This publication, the product of extensive research from his studio's archive, traces the development of Martínez Celaya's thought through previously unpublished photographs; illustrations of hundreds of artworks; archival notes and writings; sketches and drawings for his public projects and exhibitions; excerpts from the critical reception of his work; and an insightful introduction to the artist's work by art historian and long - time collaborator Daniel A. Siedell.

2001 Beyond Turners Road publication to accompany solo exhibition at Agnew's, London, with story commissioned from Iain Sinclair Jock McFadyen, A Book About a Painter, monograph by David Cohen with contributions from other authors, published by Lund Humphries 1999 From Orkney and Other Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobsto accompany solo exhibition at Agnew's, London, with story commissioned from Iain Sinclair Jock McFadyen, A Book About a Painter, monograph by David Cohen with contributions from other authors, published by Lund Humphries 1999 From Orkney and Other Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobsto accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard JacobsTo Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobson

The exhibition opens with a wide - ranging introduction to the culture of relief, looking at the many places in which it could appear, highlighting some of the physical and conceptual reasons for its presence.

In his introduction to the exhibition catalog, Mr. Biesenbach praises her for «creating innovative forms that cross all channels of our media - driven society.»

In 1934 André Breton wrote an introduction to the catalogue for Brauner's first Parisian solo exhibition at the Pierre Gallery.

Sculpture and printmaking have always had an affinity, and as Nancy Campbell writes in her introduction to the exhibition, «it's bewitching when a sculptor brings their sensibility for space to the constraints of a single plane, and unafraid of technical experiment, explore different means of making marks.»

Join the exhibition's curator, Paul Luckraft, for an informal introduction to themes explored in the group show, You Are Looking at Something That Never Occurred.

Ramírez hopes that «in keeping with the mission of the MFAH's Latin American Art department and the International Center for the Arts of the Americas, this exhibition will provide an eye - opening introduction of Torres - García's painting production to museum visitors.»

The five winners of the 2018 edition of the Chinese Prize will then give short introductions to their work, before we cross the road to the Liverpool School of Art and Design for a tour of an exhibition of the work they have created in Liverpool, and an opportunity to explore the Bloomberg New Contemporaries and Biennial exhibitions in the building.

Some of us will continue on a tour through Dean's Portrait exhibition at the NPG, led by Millie Print, Coordinator and Curatorial Associate for the Young Masters Art Prize (Cynthia Corbett Gallery) who will provide an introduction to the work.

Frequently, Still seems to work backward and forward in time, returning to earlier concepts and themes, and developing them into the future; as Hopkins notes in his introduction to exhibition catalogue, a strong component of Still's stylistic evolution «consist of looking back to earlier works for sustenance, especially when he feels he is reaching into an area beyond his knowledge of himself.»