Sentences with phrase «introductory talk by»

Later that evening, from 6 pm — 7 pm there will be a free introductory talk by curators Rachael Thomas and Sam Thorne with a panel of artists involved in the exhibition.

Various events are planned throughout the project period: an introductory talk by artist Nathaniel Stern (October 28); a day during which Kaganovich and her assistants will occupy our art studio to demonstrate the processes and techniques used in making grow (November 17); and a hands - on workshop where you will learn to manipulate plastic bags as a raw material and make something to take home (January 20).

Running from 06 April to 27 May 2018, the exhibition at IMMA will be launched with an introductory talk by EVA Curator Inti Guerrero.

From the draft of an introductory talk by Gego at the Tamarind Lithography Workshop in Los Angeles, 1966

The focus meeting was kicked off with a great introductory talk by Dr. Jennifer Lotz (Principal Investigator of the Hubble Frontier Fields program).

Not exact matches

For men to get started, you can take a page out of her playbook by downloading the Free Cheatsheet: Instant Confidence «Talk to Her» Technique, an introductory guide on what to say to a date.

It is formatted similar to that of a television talk show with the host, sometimes a student, sometimes the editor - in - chief of our town's local newspaper, and sometimes me, opening the «Meet and Greet» by asking a number of introductory questions before giving the students a chance to ask questions of their own.

It is formatted similar to that of a television talk show with the host, sometimes a student, sometimes the editor - in - chief of our town's local newspaper, and sometimes a teacher, opening the «Meet and Greet» by asking a number of introductory questions before giving the students a chance to ask questions of their own.

Introductory talk and conversation with EVA Curator Inti Guerrero, followed by an informal conversation between EVA Director Matt Packer and artist Locky Morris

Over the seven - week programme, Konstanet will host three different events: an introductory talk on November 27, the opening of Michele Gabriele «s new exhibition followed by an artist talk on December 12, and the opening of Maximilian Schmoetzer «s new show, also followed by an artist talk, taking place on January 8.

The workshop begins with a brief introductory talk on De Jesus's own artistic practice, followed by a workshop in which participants are encouraged to tap into their inner child and using the materials provided, imagine and build new and unique visornary worlds.

Summary Title: «At the still point of the turning world...» Date: Saturday 21st February, 2015 Time: 15:30 - 21:00 (Doors open at 15:00) Venue: SHIBAURA HOUSE （ Level 5, 3 -15-4 Shibaura, Minato - ku, Tokyo ） [Access] Admission: Free (refreshments will be available for purchase) Capacity: 50 people No reservations needed Organisers: Arts Initiative Tokyo [AIT], Camden Arts Centre Supported by: Agency for Cultural Affairs Government of Japan in the fiscal 2014, British Council, SHIBAURA HOUSE Curator: Gina Buenfeld (Camden Arts Centre) Time table 15:00 Doors open 15:30 - 17:00 Introductory presentations and discussion - Intermission - 17:30 - 18:30 Act 01 Theme: Noh (screening)- Intermission - 18:45 - 20:00 Act 02 Theme: Butoh (screening, live performance) 20:00 - 21:00 Open Discussion Participating artists Live Performance: Mildred Rambaud Talk: Caroline Achaintre Jesse Wine Screening: 1: Theme / Noh (45 min) Hiraki Sawa Jeremy Millar Jefford Horrigan Ursula Mayer Manon de Boer Joachim Koester 2: Theme / Butoh (45 min) Mildred Rambaud Simon Martin Trisha Brown Babette Mangolte Fernanda Muñoz Newsome and Ina Dokmo Sriwhana Spong [Artist Profile]

In conjunction with the exhibition Alibis: Sigmar Polke 1963 — 2010 Doors open at 7:00 p.m. Introductory remarks begin promptly at 7:15 p.m., followed by interactive talks and performances in the galleries throughout the evening.

The workshop begins with a brief introductory talk on De Jesus's own artistic practice, followed by a workshop in which participants are encouraged to tap into their inner child and using the materials provided image and build new and different imaginative worlds.

But there's online video (use sliding control to skim through until you see relevant faces flash by) of my talk as well as introductory roast - like comments by my boss, Bill Keller, and by James E. Hansen, the NASA climatologist I've been writing about for more than 20 years.

The best talks were often the «invited» talks, frequently these talks were given by established researchers and had more of an introductory or review aspect than the more focussed lectures.