What / Why: «This exhibition presents the work of contemporary artists who
invent mythological beings, fantastic creatures, allegorical figures, fictional characters, and personal avatars to both humble and heroic proportions in order to critically engage and challenge concepts of otherness.
First, its premisses concerning society and modern man
are pseudoscientific: for example, the affirmation that man has become adult, that he no longer needs a Father, that the Father - God
was invented when the human race
was in its infancy, etc.; the affirmation that man has become rational and thinks scientifically, and that therefore he must get rid of the religious and
mythological notions that
were appropriate when his thought processes
were primitive; the affirmation that the modern world has
been secularized, laicized, and can no longer countenance religious people, but if they still want to preach the kerygma they must do it in laicized terms; the affirmation that the Bible
is of value only as a cultural document, not as the channel of Revelation, etc. (I say «affirmation» because these
are indeed simply affirmations, unrelated either to fact or to any scientific knowledge about modern man or present - day society.)
Created and sited specifically for the space, the works
are inspired by
invented cosmologies that take into account the many
mythological, astrological and calendar symbols found in textiles at the centre's own Watermill Collection — an accumulation of artefacts amassed by Robert Wilson himself...
Created and sited specifically for the space, the works
are inspired by
invented cosmologies that take into account the many
mythological, astrological and calendar symbols found in textiles at the centre's own Watermill Collection — an accumulation of artefacts amassed by Wilson himself.