Even as automakers
invent new body styles by the dozen, nothing expresses personal indulgence better than a big two - door car.
If our ability to
invent new bodies and worlds could become a form of expression as deep as language or music, then it ought to be possible for morphing people to convey ideas and feelings just as deeply as great writers or musicians do (or, for that matter, as great lovers or great parents do).
Not exact matches
The difference is that these early populations of our species had developed the ability to
invent new tools, like sewing needles that were useful in producing warm,
body - hugging clothing.
A Stanford electrical engineer has
invented a way to wirelessly transfer power deep inside the
body and then use this power to run tiny electronic medical gadgets such as pacemakers, nerve stimulators or
new sensors and devices yet to be developed.
Studies of the motor cortex, which underlies
body movement, have shown that the brain
invents entirely
new coding schemes for novel situations.
Whether it's tapping into the rush of live performance with friends and family in Rock Band, inspiring people to move their
bodies with Dance Central, or experiencing the magic of musical creation with DropMix, we'll continue to push creative boundaries and
invent new ways to play.
«
Inventing Downtown,» an art - packed historical deep - dive at the Grey Art Gallery at
New York University, tells the story of that lost chapter, the upstart gallery scene that flourished for more than a decade in the East Village, bequeathing a
body of work that considerably scrambles not only the map but also the lock - step narrative of 20th - century art movements.
Exploring the complex interplay of
invented and real - world inspirations that led to this
body of figure / ground paintings, this volume presents a selection of 21 major paintings and 36 related drawings, collages, and photographs from that time period, as well as a
new painting from 2002 that reexamines related concerns.
Its original meaning — «coming together through the binding of two ropes» — shifted as the public began
inventing new definitions and merchandising the word, resulting in a massive
body of work, not made by the artist, but instigated by Weist through her choice and placement of a word.
He shows his range in these later works gleefully
inventing and exploiting
new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking
bodies marching or a megaphone's amplified language emerges in glossier red on the painting's surface.
Robert Jessup, until now a figurative painter of allegorical scenes, presents a
new body of gestural abstractions that he describes as an attempt «to become aggressively visionary... to reconfigure my
invented world, to subvert the known and destroy the comfortable.»
Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery,
New York Unmonumental: The Object in the 21st Century,
New Museum,
New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery,
New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006:
New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to
invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London
Body:
New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery,
New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.
Deleuze and Guattari challenge the reader to
invent a
Body without Organs made of desire and intensity, a social body in which intentionality and self - awareness seamlessly produce new forms of being, disentangled from the imposed order of old histories and old hierarch
Body without Organs made of desire and intensity, a social
body in which intentionality and self - awareness seamlessly produce new forms of being, disentangled from the imposed order of old histories and old hierarch
body in which intentionality and self - awareness seamlessly produce
new forms of being, disentangled from the imposed order of old histories and old hierarchies.
«Yet some lower courts have continually sought to
invent new ways around this
body of precedent intended to keep plaintiffs» lawyers from dragging corporate defendants across the country and forcing them to defend themselves in what ATRA calls «Judicial Hellholes.
About Blog Jeanne is the founder of
New Age Creations, the first
body - care company in the United States to use aromatherapy (since 1967) based on the formulas she invented and then used in The Herbal Body Book; she is the Director / Educator of both the Herbal Studies Course and the Aromatherapy Studies Course by home - study and Distance - Learning and the author of 25 bo
body - care company in the United States to use aromatherapy (since 1967) based on the formulas she
invented and then used in The Herbal
Body Book; she is the Director / Educator of both the Herbal Studies Course and the Aromatherapy Studies Course by home - study and Distance - Learning and the author of 25 bo
Body Book; she is the Director / Educator of both the Herbal Studies Course and the Aromatherapy Studies Course by home - study and Distance - Learning and the author of 25 books.