Sarah Greenberger Rafferty (b. 1978, lives and works in Brooklyn, NY) layers her own photographs with ones drawn from television and advertising to
investigate body politics and gender roles.
Not exact matches
Continually
investigating the movement and
politics of the
body, Fabri's work incites viewers to locate themselves as «insider» or «outsider.»
Her photographs provide access to crucial forms of social history, often
investigating the
politics of gender, identity and
body.
Through this introspective yet performance - oriented approach, Linwood often depicts scenes of everyday life, deploying cross-referencing techniques to
investigate different kinds of narrative while highlighting the effects of time and
politics upon artifacts, social practices and human
bodies.
Following the program of 2017, which
investigated language materialized in objects and images, KW Institute for Contemporary Art turns its attention towards the
body and its relationships to
politics, technology, and architecture, while continuing to think through artistic practices.
The series
investigates the ways that artists, cultural producers, and institutions are redefining disability and accessibility in contemporary art by destabilizing our notions of neutral public spaces and arts organizations, and moving towards inclusive
body politics and social infrastructures.
This recent
body of work
investigates the radical
politics of our age and the coinciding precarious state of our natural environment.
With this
body of work, the artist also
investigates her own complicity in a culture of consumption — the conflict between radical, anti-authoritarian
politics — i.e., a hatred of cops — and participation in the arch-capitalism of the art market.
Zachary Fabri is an artist based in Brooklyn whose practice
investigates the movement and
politics of the
body.
Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The
Body Politic — and the thematic features that unfolded over the course of the year: Bruno Fazzolari's conversation series
investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the future.
Drawing from their shared limbo - land experience of African - American vs American - African, both women
investigate urgent questions of race, identity
politics, and the objectification of the black female
body.
The
body as a site - an intellectual space to
investigate all sorts of ideas about
politics of gender - has really been Sarah's main thrust in her work for the past 25 years.»
Based in Brooklyn and Beijing, Wiley's latest
body of work «interweaves the canon of art history with present day
politics to
investigate key subjects of migration, madness and isolation in contemporary America.»