Combining sculpture, painting and video work in the exhibition, Reyes McNamara
investigated key texts by Mexican American theorist Gloria E. Anzaldúa, Dominican American writer Junot Díaz, and Cuban American poet Gustavo Pérez Firmat
Not exact matches
Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources prepare students for answering Q1 and Q2 and cover the following: - introduction to paper 2 - expectations and timings - identifying
key information in 19th century and modern
texts - identifying the point of view of a writer - inferring - exploring how language creates tone - complete true or false tasks (as per the exam) for the
texts read - explore the term synthesis - synthesise information from 2
texts - work in pairs and groups - explore model answers -
investigate these of connectives to synthesise - self and peer assess - develop vocabulary and analyse vocabulary in
texts using inference - explore audience and purpose Regular assessments are included to assess students ability in true or false and synthesis tasks.
Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources prepare students for answering Q1 and Q2 and cover the following: - structure strip to help form better responses to question 2 (synthesis)- introduction to paper 2 - expectations and timings - identifying
key information in 19th century and modern
texts - identifying the point of view of a writer - inferring - exploring how language creates tone - complete true or false tasks (as per the exam) for the
texts read - explore the term synthesis - synthesise information from 2
texts - work in pairs and groups - explore model answers -
investigate these of connectives to synthesise - self and peer assess - develop vocabulary and analyse vocabulary in
texts using inference - explore audience and purpose Regular assessments are included to assess students ability in true or false and synthesis tasks.
Key works from her recent survey shows at Ikon Gallery Birmingham and Kunsthalle Nürnberg
investigate the slippage between object, image and
text and highlights the central role of Banner's publishing imprint, The Vanity Press, in her work since 1997.