By
investigating cultural objects from around the world that have been «transplanted» or «immigrated» to another continent, a similarity, almost a metaphor, arises between these objects and peoples.
Not exact matches
Michael Assiff makes paintings,
objects and installations that
investigate cultural heritage, environmentalism and branding within the anthropocene.
Like his influential predecessors Mike Kelley, Paul McCarthy, and Jim Shaw, Da Corte
investigates the
cultural and psychological narratives invested in the
objects he manipulates.
She explores the possibilities of performance art as a way to continue her research on the relationship between people and
objects, and to further
investigate the commoditization of culture, assimilation, and how
cultural meaning is transformed in the multicultural urban environment and is absorbed into new social contexts.
The immersive exhibition Carved, Cast, Crumpled
investigates the essential qualities of three - dimensional art across historical and
cultural contexts, questioning what it means to be in the presence of an
object.
This immersive exhibition
investigates the essential qualities of three - dimensional art across historical and
cultural contexts, questioning what it means to be in the presence of an
object.
This is the second panel in a three - part series
investigating how the map can be understood as a metaphor, both as material artifact and
cultural object as well as an artistic tool.
By
investigating the
cultural significance in
objects and images, and their history within our culture, Cruzvillegas creates new dialogues for what would normally be discarded or useless.
Nicole Killian's work uses graphic design, publishing, video,
objects and installation to
investigate how the structures of the internet, mobile messaging, and shared online platforms affect contemporary interaction and shape
cultural identity from a queer perspective.
One of the starting points of her research is the study of «Support Structures»: through her practice, writings and theoretical reflections, Céline Condorelli
investigates the complex apparatus made of
objects,
cultural and economic elements, social and professional relationships that constitute the net of relations we use to engage with the world.
His interests are directed toward the effects of shifting
cultural objects across different social and historical contexts,
investigating the role that artists and other art specialists have in these processes of value - making.
Like his predecessors Mike Kelley, Paul McCarthy, and Jim Shaw, Da Corte
investigates the
cultural and psychological narratives invested in the
objects he manipulates.
Urban
investigates the space between art and design by creating
objects and installations that directly engage the viewer and how they imbue products with meaning, both
cultural and personal, concrete and abstract.
Her practice
investigates commodity, branding, the unique
object, the mass produced and
cultural identity.