Garza Usabiaga's «Muralism's Afterlife: Mural Practice and the Avant - Garde Legacy in Contemporary
Art of Mexico» examines the mural as a form of public art, investing the form with a critical, social, and political posture that resonates with artists tod
Art of Mexico» examines the mural
as a
form of public
art, investing the form with a critical, social, and political posture that resonates with artists tod
art,
investing the
form with a critical, social, and political posture that resonates with artists today.