Economia, is a sculptural form suspended between the first and second levels of the gallery, a visual manifestation of
the invisible air currents that flow through the space.
Wilson's watercolours are often large but these small images, delicately painted onto squares of tissue paper, flutter in
invisible air currents created by the viewer suggesting the movement of clouds in the sky.
Not exact matches
This, as the Lacanian writer and analyst Jacques - Alain Miller suggests, is a peculiar by - product of language, which produces a «nothingness» that is different from
invisible natural forces such as
air currents.31