Sentences with phrase «invisible labor of»

The monumental piece established Lou as a sculptor and solidified her commitment to highlighting the often - invisible labor of women.

Situated within the working relations between artists, institutions, and curators, More than mere jelly is a group exhibition that marks the points of contact and moments of exchange which, like the invisible labor of care, precede and exceed documentation and remuneration.

My grandfather was one of the many workers who do the invisible labor of our state, and I go to work every day to honor him and fight for workers just like him.

Not exact matches

Smith wrote that an individual laboring in his own interest is «led by an invisible hand to promote an end which was no part of his intention.

In management occupations it's 2 %, and within that category, unemployment in «business and financial occupations» as measured by the Bureau of Labor Statistics, is a near - invisible 1.7 %, equaling the lowest unemployment rate among all job classifications economywide.

Long before stalled labor talks brought NHL commissioner Gary Bettman to the brink of canceling the 2004 — 05 season, NHL Players» Association senior director Ted Saskin had penciled in an epitaph for the Invisible League.

Housework has been invisible labor carried out by women behind closed doors and often in the wee hours of the morning.

«Admission,» Stephen Trask, composer «Ain't Them Bodies Saints,» Daniel Hart, composer «All Is Lost,» Alex Ebert, composer «Alone Yet Not Alone,» William Ross, composer «The Armstrong Lie,» David Kahne, composer «Arthur Newman,» Nick Urata, composer «At Any Price,» Dickon Hinchliffe, composer «Austenland,» Ilan Eshkeri, composer «Before Midnight,» Graham Reynolds, composer «The Best Man Holiday,» Stanley Clarke, composer «The Book Thief,» John Williams, composer «The Butterfly's Dream,» Rahman Altin, composer «The Call,» John Debney, composer «Captain Phillips,» Henry Jackman, composer «Closed Circuit,» Joby Talbot, composer «The Company You Keep,» Cliff Martinez, composer «The Conjuring,» Joseph Bishara, composer «Copperhead,» Laurent Eyquem, composer «The Counselor,» Daniel Pemberton, composer «The Croods,» Alan Silvestri, composer «Despicable Me 2,» Heitor Pereira, composer «Elysium,» Ryan Amon, composer «Ender's Game,» Steve Jablonsky, composer «Enough Said,» Marcelo Zarvos, composer «Epic,» Danny Elfman, composer «Ernest & Celestine,» Vincent Courtois, composer «Escape from Planet Earth,» Aaron Zigman, composer «Escape from Tomorrow,» Abel Korzeniowski, composer «Evil Dead,» Roque Baños, composer «47 Ronin,» Ilan Eshkeri, composer «42,» Mark Isham, composer «Free Birds,» Dominic Lewis, composer «Free China: The Courage to Believe,» Tony Chen, composer «Fruitvale Station,» Ludwig Goransson, composer «G.I. Joe: Retaliation,» Henry Jackman, composer «Gangster Squad,» Steve Jablonsky, composer «Gravity,» Steven Price, composer «The Great Gatsby,» Craig Armstrong, composer «The Hangover Part III,» Christophe Beck, composer «Hansel & Gretel Witch Hunters,» Atli Örvarsson, composer «Haute Cuisine,» Gabriel Yared, composer «Her,» William Butler and Owen Pallett, composers «The Hobbit: The Desolation of Smaug,» Howard Shore, composer «Hollywood Seagull,» Evgeny Shchukin, composer «Hours,» Benjamin Wallfisch, composer «How Sweet It Is,» Matt Dahan, composer «The Hunger Games: Catching Fire,» James Newton Howard, composer «Identity Thief,» Christopher Lennertz, composer «The Incredible Burt Wonderstone,» Lyle Workman, composer «Insidious: Chapter 2,» Joseph Bishara, composer «Instructions Not Included,» Carlo Siliotto, composer «The Internship,» Christophe Beck, composer «The Invisible Woman,» Ilan Eshkeri, composer «Iron Man 3,» Brian Tyler, composer «Jack the Giant Slayer,» John Ottman, composer «Jobs,» John Debney, composer «Kamasutra 3D,» Sreejith Edavana and Saachin Raj Chelory, composers «Labor Day,» Rolfe Kent, composer «Lee Daniels» The Butler,» Rodrigo Leão, composer «Live at the Foxes Den,» Jack Holmes, composer «Love Is All You Need,» Johan Söderqvist, composer «Mama,» Fernando Velázquez, composer «Man of Steel,» Hans Zimmer, composer «Mandela: Long Walk to Freedom,» Alex Heffes, composer «The Missing Picture,» Marc Marder, composer «Monsters University,» Randy Newman, composer «The Mortal Instruments: City of Bones,» Atli Örvarsson, composer «Mud,» David Wingo, composer «Murph: The Protector,» Chris Irwin and Jeff Widenhofer, composers «Now You See Me,» Brian Tyler, composer «Oblivion,» Anthony Gonzalez and Joseph Trapanese, composers «Oldboy,» Roque Baños, composer «Olympus Has Fallen,» Trevor Morris, composer «Oz The Great and Powerful,» Danny Elfman, composer «Pacific Rim,» Ramin Djawadi, composer «Pain & Gain,» Steve Jablonsky, composer «Percy Jackson: Sea of Monsters,» Andrew Lockington, composer «Philomena,» Alexandre Desplat, composer «The Place beyond the Pines,» Mike Patton, composer «Planes,» Mark Mancina, composer «Prisoners,» Jóhann Jóhannsson, composer «R.I.P.D.,» Christophe Beck, composer «Reaching for the Moon,» Marcelo Zarvos, composer «Romeo & Juliet,» Abel Korzeniowski, composer «Runner Runner,» Christophe Beck, composer «Rush,» Hans Zimmer, composer «Safe Haven,» Deborah Lurie, composer «Salinger,» Lorne Balfe, composer «Saving Mr. Banks,» Thomas Newman, composer «The Secret Life of Walter Mitty,» Theodore Shapiro, composer «Short Term 12,» Joel P. West, composer «Side Effects,» Thomas Newman, composer «The Smurfs 2,» Heitor Pereira, composer «The Spectacular Now,» Rob Simonsen, composer «Star Trek Into Darkness,» Michael Giacchino, composer «Stoker,» Clint Mansell, composer «Thor: The Dark World,» Brian Tyler, composer «Tim's Vermeer,» Conrad Pope, composer «Trance,» Rick Smith, composer «Turbo,» Henry Jackman, composer «12 Years a Slave,» Hans Zimmer, composer «2 Guns,» Clinton Shorter, composer «The Ultimate Life,» Mark McKenzie, composer «Unfinished Song,» Laura Rossi, composer «Wadjda,» Max Richter, composer «Walking with Dinosaurs,» Paul Leonard - Morgan, composer «Warm Bodies,» Marco Beltrami and Buck Sanders, composers «We Steal Secrets: The Story of WikiLeaks,» Will Bates, composer «We're the Millers,» Theodore Shapiro and Ludwig Goransson, composers «What Maisie Knew,» Nick Urata, composer «Why We Ride,» Steven Gutheinz, composer «The Wind Rises,» Joe Hisaishi, composer «Winnie Mandela,» Laurent Eyquem, composer «The Wolverine,» Marco Beltrami, composer

David Redmon and Ashley Sabin produce, direct, edit and photograph documentaries including: Mardi Gras: Made in China, Kamp Katrina, Intimidad, Invisible Girlfriend, Girl Model, Downeast, Kingdom of Animal, Night Labor, Choreography, Herd, Sentient 1 & 2, Neige, and Sanctuary.

This labor - intensive technique results in ethereal paintings that give expression to aspects of nature hidden from or invisible to the unaided eye.

The accumulation of stroke after stroke of paint stick becomes a metaphor for artistic and manual labor and visually mediates between what is visible and invisible.

With a surrealist approach (The Surrealist Manifesto was published just one year following the launch of TIME magazine), Moran ultimately documents the efforts of an invisible class by creating a series of potentially confusing images that visualize TIME's absurd language describing the women's labor.

Her solo exhibitions include «Collective Identity» (Campagne Premiere, Berlin); «Solo Show» (Braverman Gallery, Tel Aviv); «The Efficient Frontier» (Campagne premiere, Berlin); «Labor Invisible» (Die Moltkerei Werkstatt, Cologne); «I See Darkness» (Yaffo 23 Art Site, Jerusalem); «Body of Work» (Braverman Gallery, Tel Aviv).

Since an immense amount of labor would be rendered invisible, the artist decided to document the contents and curated a miniature exhibition in a scale model museum.

The exhibition focuses on the figure of the lighting designer as a means to discuss the invisible labor and precariousness that exists behind the theatrical production format, forming a scale model of the artistic cultural apparatus.

Her practice addresses geopolitical concerns of exploitation, as it relates to natural resource control and the invisible labor that supplies global trade.

Soiled, fibrous seats scavenged from the Chicago Transit Authority's elevated train cars, and scraps of unused fabric procured from an industrial upholstery manufacturer, point to invisible bodies — bodies whose daily commutes, labor, and socialization are largely dictated by civic and commercial institutions.

Whatever the case, the title moves these yet unrealized paintings to the foreground of the show where they serve to highlight the invisible labor and other unseen conditions that contribute to the artwork: time spent in the artist's studio both past and present, the work of countless studio assistants, years of schooling and looking at art and ideas scrapped or not yet conceived.