Sentences with phrase «invite viewer participation»

Opening: «Pia Camil: A Pot for a Latch» at the New Museum Following her successful presentation of «inhabitable paintings» in the form of wearable clothing that was given to visitors to Frieze New York last spring, Mexican artist Pia Camil returns to the city for a museum solo show with new projects that invite viewer participation.
His large - scale sculptural installations combine architectural elements and sound and often invite viewer participation.

Not exact matches

Adam Pendleton, a New York - based installation artist, takes a cue from the writer Reinaldo Arenas in an audio installation that invites written participation from the viewer.
These artists all engage with the dynamic, participatory aesthetic of the digital baroque, creating artworks sited in the fold between the physical and the cyber that invite — and sometimes even demand — viewer - participation to be fully - realized.
The allusion to audience participation hints at the signature characteristic of Lee's practice, which includes interactive installations in which the artist invites viewers to be co-creators in his often playful projects.
She employs a surfeit of images, incorporates text, and uses feverish editing to alter the normal flow of the narrative, while the presence of her own voice and the direct participation of the viewer — who is pulled into the thick of it and often invited to perform actions — eliminate the conventional distance between cinematic fiction and its audience.
CURRENT artist Rirkrit Tiravanija invites visitors to a Thai curry cooking performance, and to interact with contemporary art in a more social way, thereby enticing each viewer to participate in the completion of the total artwork through immediate participation.
Although careful to align herself as an artist rather than an activist, Galindo's actions invite viewers — through observation and, at times, participation — to consider, to remember, and to take responsibility.
The gestural movements and dynamic forms also invite the viewer's touch and active participation.
Holding and FitzGerald selected works that share a commitment to visual storytelling through paint, «sincere» works that restrict themselves to two or three compositional moves and invite viewers into participation.
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