Early on in Open Windows, Spanish filmmaker Nacho Vigalondo
invites easy comparisons to Alfred Hitchcock's Rear Window, but then, pardon the expression, he throws them out the window.
For example, if an investor is adamant about holding a fund or stock that is similar to the adviser's recommendation, the adviser is told never to hold equal amounts of each, because that would
invite an easy comparison.
Gregory and the Hawk's new album does not
invite easy comparison, yet there is something eerily familiar about it.