Sentences with phrase «invites spectators»

Bringing together three visual and performance artists who employ sculpture as physical props and conceptual elements in their practice, the exhibition invites spectators to construct anticipated narratives through the lenses of their own pasts, presents and futures.

With her house / cage, Choi invites the spectators to experience the feeling of finding themselves in a small and suffocating space.

For seating, he invites spectators to bring their own boxes.

The artist invites spectators to explore different stereotypes of Spanish culture, but from a different perspective.

The book signing is accompanied by a multi-vocal, audience reading of excerpts from the book, which gives a brief history of the exhibition as a form that invites spectators into temporal and spatial experiencess.

Borrowed from domestic, decorative or functional contexts, these artefacts are often linked to Western culture as a means of power, their combination and arrangement in the artist's work invites spectators to question the relationships between systems of representation and our understanding of the world.

The kids loved clambering over the impressive sculptures on the promenade which invite spectators to consider the power of the sea and its relationship with the land.

It invites the spectator to re-live one of the unexpected adventures of modernity: telepathic art in the 20th century.

Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions.

The exhibition invites the spectator to inhabit and activate the work.

Borrowed from domestic, decorative or functional contexts, these artefacts are often linked to Western culture as a means of power, their combination and arrangement in the artist's work inviting spectators to question the relationships between systems of representation and our understanding of the world.

The environments created invite the spectator to further examine these notions and the technological means through which relations are formed and maintained in our zeitgeist.

Artists in this exhibition invite spectators to take a closer look at films, challenging viewers by playing with their perceptions and memories of characters and movies that have become a familiar part of their lives.

His work invites the spectator to enter an intimate, personal sphere, but also to go out in the streets, into an urban environment full of rude confrontations.

His creations, which use media such as painting, video, sculpture and the graphic arts, invite spectator participation.

«Paradoxically, painting invites the spectator into its frame to examine the world beyond,» explains Fierro.

The image acts as a catalyst, a projection surface, inviting every spectator to imagine being the protagonist.

Featuring a graphic design that recreates traditional elements of encyclopedias, drawing not only texts, but also images, illustrations, maps and charts, the catalog of the 20th Festival expands the audience's contact with the context and concepts interwoven by the selected works, inviting spectators to critically rethink the disciplines and categories that have regulated our ways of experiencing and understanding the world.

He invites the spectator into his garden, a meeting place between nature and artifice.

There is a claustrophobic, congested feeling from experiencing these works... these are rooms, environments, which invite the spectator to interact.

Not exact matches

The spectator provides perspective and insight, acting as your advocate, adviser, protector, and supporter and inviting thoughts and ideas for reflection.

After the game, Bandy invites the players and coaches from both teams, and every spectator in attendance, onto center court to circle up and pray.

Competitors and spectators alike are invited to join us in the Valley Isle Ballroom at the Westin Maui Resort & Spa on Friday, October 13 Noon to 6:00 pm and Saturday, October 14 9:00 am ‐ 5:00 pm at The Maui Marathon Health & Fitness Expo.

The ten best ideas will be selected and the entrants will be invited to have a shot at them live on the GameCity big screen in front of hordes spectators.

There will be vendors and free play arcades at the Main Event, so guests and spectators are invited to join as well.

«As a woman, and with no history of skateboarding or a tattoo in sight, it initially took great courage to enter this scene and capture intimate moments of the skaters and their spectators; but eight months on and I have found this scene to be warm and welcoming, bringing locals and bule (Indonesian word for foreigner) of all ages together; kind of like an open community and we're all invited.»

Continuing an anthropomorphic sensibility begun in her dart paintings, Feu à volonté featured two works, Homage to Bob Rauschenberg and Tir de Jasper Johns (both 1961), which Saint Phalle gifted as individual «portraits» to her friends after inviting them to execute the shootings prior to installation.25 Reviewing the show for the New York Herald Tribune, John Ashbery noted the general significance of her intervention, writing, «[She] has invented a new kind of painting that must be finished by the spectator [emphasis mine] with the aid of the rifle bullets fired at the canvas.»

It is the interested spectator who is invited to pick up the gun and execute the painting alongside the artist, in situ — to join the aesthetic process in a shared effort that unites artist and audience in a specific time and space.

A Sight to Behold provoked the viewer to meditate on the spectacle of the natural world: a large red theater curtain installed on the beach invited tourists and beach walkers to alternate between the roles of «actor» and «spectator», turning reality into spectacle.

Volker Hüller's work invites associations from the viewer that range from citing Expressionism, Modernism, to Bauhaus, to Cubist influences, especially in an age when art historical images have never been so accessible for the spectator to project on a work.

using simple materials, mundane objects, wit and written instructions, wurm invites people to interact with his art, transforming spectators into active participants, encouraging them to poke fun at the paradoxes of contemporary society.

In this exhibition, the spectators are invited to take part and get involved, physically and practically, with the art exhibited.

A playful exploration of selfie culture and an intervention into the space of the art fair, where women have traditionally been muses for male artists, «Hello Selfie Miami» invites viewers to consider their roles as spectators and as fair goers.

street: avenue, pedestrian, lane, road, trail, passerby, spectator, boulevard, stroller, highway, thoroughfare, passage, jaywalker, pavement, road... Photographers of all levels are invited to submit work reflecting the theme «street» to A Smith Gallery by May 21, 2018.

Capote always tries to draw a connection between the spectator and his art, whether by casting his sculptures from the body parts of real people or by inviting viewers to physically interact with works that take the form of furniture or functional objects.

Hélio Oiticica proposed with his work ways «of giving the individual the possibility to «experiment» to no longer be the spectator and become the participant», and it is in this spirit that IMMA invited visitors to be part of the SUMMER RISING — to taste, to listen, to look, to enjoy and most of all to take part.

Da Cunha offers «new lenses» to the spectator, by inviting the viewers to reassess their relationship with the world's materiality.

Using graphics culled from newspapers, Repressão outra vez — eis a consequência (Repression Once Again — This Is the Consequence), 1968, tantalizes spectators with censored images while simultaneously inviting us to expose

By inviting people to actively participate, artists attempt to overcome traditional divisions between art objects and spectators, and production and reception.

And yet, instead of hurling itself onto spectators like a booby - trapped box, the exhibition invites the viewers in.

that asked spectators to look, walk, view, read, and think about combinations of objects, images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition form and the museum space into something more active, open, and democratic inviting the public into new and unexpected encounters with works of art and institutions.

The narrative is bracketed by American artist Robert Smithson's seminal non-sites that asked spectators to look, walk, view, read, and think about combinations of objects, images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition form and the museum space into something more active, open, and democratic inviting the public into new and unexpected encounters with works of art and institutions.

She did not eat or speak, nor did have any privacy: the rooms were open and spectators were even invited to observe the artist through a high - powered telescope.