Sentences with phrase «inviting outside curators»

Ever since 2014, when London's Helly Nahmad gallery brought a show - stopping recreation of a fictional collector's apartment to Frieze Masters» third outing, an increasing number of exhibitors have got creative, often inviting outside curators and designers to shape the theme of a booth that only stands for a few days.

It has used its own staff members and invited outside curators, including Europeans, to present the show.

For each year of funding, MOCA GA invites an outside curator to select three visual artists to receive the award.

Not exact matches

Experimenting with a new model of inviting three separate curators who will each be responsible for a floor of the exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at large.

This time, museum director Adam D. Weinberg and Donna De Salvo, chief curator and deputy director of programs, invited three outside curators to organize the exhibition, which opened in New York on March 7, and runs through May 25.

For the past three years Contemporary Art Month, a monthlong celebration of art in San Antonio, has invited a curator from outside the city to organize its Perennial Exhibition.

The gathering sees Interstate invite three curators or curatorial project spaces to organise individual shows in the «Upper», «Lower», and «Outside» of their space.

This time around, the Whitney invited three curators from outside the museum to organize the exhibition.

Three curators form outside the Museum — Stuart Comer, Anthony Elms, and Michelle Grabner — were invited to bring their unique perspectives to the Whitney's signature survey of American art.

Three curators from outside the Museum — Stuart Comer, Anthony Elms, and Michelle Grabner — were invited to bring their unique perspectives to the Whitney's signature survey of American art.

Founded in 2015, the goal of the program is to provide short - term studio space where artists based outside the NYC area can invite curators, other artists, and gallerists to view and discuss their work.

(It's the first time in three biennial outings that a curator from outside L.A. has been invited to participate.)

In a recent post, we took you inside the jury process: how we invite professionals from outside the Torpedo Factory — curators, gallery owners, artists, and scholars — to choose the new artists who join our community.

Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.

For the Biennial's finale in the Marcel Breuer building, the Whitney invited three outside curators to organize the show: Stuart Comer, chief curator of media and performance at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art in Philadelphia; and Michelle Grabner, an artist and a professor in the painting and drawing department at the School of the Art Institute of Chicago.