Danae Ringelmann said it's is not just about raising money but about raising a community of supporters who crave
involvement in the film from start to finish
Not exact matches
Cue the eye - rolling among
film buffs and beer lovers alike, but this is just the latest example of how brand
involvement in entertainment,
from product placement to original properties, has become the new frontier for marketers.
As the
film engagingly lifts the veil on Native Americans» role
in several generations of pop music, it traces their
involvement from the Delta blues and jazz eras up to present - day hip hop.
The
film never greatly resonates
in its discussions of political
involvement and participation, but it holds one's attention as it tackles such ideas
from varying viewpoints.
«The Revenge of Jennifer Hills: Remaking a Cult Icon» (16:22) gathers comments
from cast and crew regarding the original
film and what their
involvement in this remake meant to them.
An extensive selection of work
from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST,
in which director Miranda Pennell delves deeper into her past and her late parents»
involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a
filmed presentation of her live theatrical happening
in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted
from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set
in an American bowling alley over the course of a day.
The
film, directed by Steven Spielberg
from a script by Liz Hannah and Josh Singer, tells the tale of how the Washington Post
in 1971 faced off with the Nixon administration to publish the Pentagon Papers, a top - secret review that captured the depth of the lies and depravity behind our nation's tragic
involvement in Vietnam.
Post 9/11 the
film world hasn't dealt with war
in a very successful way, and apart from some notable exceptions (The Hurt Locker and In the Valley of Elah) films tackling the Middle East and America's military involvement have been both critical and commercial disappointment
in a very successful way, and apart
from some notable exceptions (The Hurt Locker and
In the Valley of Elah) films tackling the Middle East and America's military involvement have been both critical and commercial disappointment
In the Valley of Elah)
films tackling the Middle East and America's military
involvement have been both critical and commercial disappointments.
The
film, through a screenplay
from Liz Hannah and Josh Singer, pitches the battle through the eyes of the Post's publisher, Kay Graham (Streep) and editor Ben Bradlee (Hanks) as they decide whether to move forward publishing excerpts
from the leaked report about the US
involvement in Vietnam prior to the beginning of the war.
Known for some of the most creative and tight screenplays
in contemporary
film history, it's absolutely baffling to see the Coens deliver something with next to nothing at stake and zero
involvement from a character perspective.
Despite being uncredited and seen only
in profile or
from the back, Henning seems pretty upbeat about her
involvement in the
film.
Spielberg is at a stage
in his career where even his fantastical adventure
films tend to be self - reflective
in their storytelling approach (see also: The Adventures of Tintin and The BFG) and Ready Player One stands to benefit
from his
involvement,
in that respect.
Last year, Baumbach directed a movie about a similar subject («While We're Young») without Gerwig's
involvement, and the reason that
film was such a success is because it skewered the faux - intellectual hipster crowd
from the outside looking
in.
The handlebar mustachioed Chuck plays up the seemingly obvious connection (which
in reality, Stallone has disputed, but not to the point of stopping this
from using «The Untold Story of The Inspiration for Rocky Balboa» as a tagline) and embellishes his
involvement on the
film, which was actually non-existent.
Stuck
in the middle of the
film is a flight to a tropical island (typical of the Flynn pics, if not the pivotal denouement
in MGM's Mutiny on the Bounty) and the hero's
involvement with a local girl (a leftover
from Polynesian epics such as Hurricane, Bird of Paradise, and prior Dorothy Lamour romances like Aloma of the South Seas)-- surgical additions that may have been present
in the original novel, but feel tacked on
in a
film that runs at a fast globe - trotting pace
in its 98 min.
Designed to recognise, showcase and celebrate young people's
involvement in film and education, the star - studded, red - carpet event will bring together
film industry professionals and young people to shine a spotlight on the filmmaking achievements of 5 - 19 year olds
from across the UK, as well as recognising teachers» use of
film in the classroom, young
film reviewers, and exceptional
film clubs
in primary and secondary schools.
Film has a huge
involvement in the festival — beginning with the UK premiere of Doug Aitken's Station to Station feature
film: consisting of 62 one - minute
films documenting the 2013 journey
from the Atlantic to the Pacific.
«The Vietnam War: 1945 — 1975» Through 4/22 at the New - York Historical Society This exhibit brings together documents like the Pentagon Papers, art by protesters and veterans,
film clips, and artifacts
from the war to paint a 360 - degree view of American
involvement in Vietnam.