Sentences with phrase «irrational feelings in»

Of course, irrational feelings in the open can do the same thing.

Not exact matches

But it takes religion to make people have irrational fears and hate for other groups of people when they probably wouldn't have those feelings in the first place.

Disturbances in our feelings, perceptions, and action arise, to a considerable degree, from irrational and invalid thoughts and beliefs such as these: (21)

What I was trying to say is that believers and their beliefs, primarily Christians in the US, have an impact on lives of everyone in this country and that is why many non-believer feel not just a right but often a duty to challange what they see a irrational thinking.

This difficulty is particularly strong in connection with those unusual events where men feel the presence of the demonic and the irrational, events that arouse terror, threaten security, and disturb faith.

The mentally healthy person is the productive and unalienated person; the person who relates himself to the world lovingly, and who uses his reason to grasp reality objectively; who experiences himself as a unique individual entity, and at the same time feels one with his fellowman; who is not subject to irrational authority, and who accepts willingly the rational authority of conscience and reason; who is in the process of being born as long as he is alive, and considers the gift of life the most precious chance he has.

And yet in amongst this he throws in a C.S. Lewis quote with a very different feel: «we are not reading rationality into an irrational universe, but responding to a rationality with which the universe has always been saturated.»

When news reports showed store shelves in Tokyo were emptying, I felt the irrational urge to mail necessities like rice, toilet paper and batteries to relatives and friends there.

When Rudolf Otto describes the sense of the «numinous» or holy as an irrational experience both fascinating and awe inspiring, in which the content can only be felt and not spoken about, he is making a similar point.

It's clear that «someone» (Kalessin) feels the need to get in the last post on everything he / she / it replies to further showing how irrational and obsessing he / she / it is.

Our uneasiness about living in a secular society seems to be influencing our feelings about education, often in irrational ways — stimulated, in part, by television evangelists.

It encourages people to feel that irrational events and the suffering of life have meaning and obey a superior logic in which Good will always win.

It was the fear that there was no other life for me beyond the one that I had grown up in, the irrational belief that what being poor makes you feel is actually what you are.

Quite literally the irrational feelings of affection despite being taken on the biggest ride of your life in which you have absolutely no say in where the team is going (being held captive) is the literal definition of the illness.

>> Manage emotions that can lead to irrational behavior which may make us feel «justified» in not staying committed.

Thinking errors, simply put, are patterns of thinking that are inaccurate or irrational; they influence our feelings and behavior, often in negative ways.

Often communication can help re-direct your little one's irrational feelings by shedding some light on why he is feeling them in the first place.

Taking 3 to 4g of EFAs (Omega 3, 6, 9) has been clinically proven to treat depression as, like deep breathing, it restores normative function to your brain, particularly in the areas where irrational thoughts / feelings can overwhelm you.

For example, I've never felt the urge to keep every item on my desk in perfect symmetry, and I have no irrational fears that myself or a loved one are in imminent danger of some horrific accident.

Consider talking to your partner about these feelings of mistrust — if they're worthy of you, they won't be bothered by a few irrational fears, especially if they know those feelings are simply a nasty by - product of being hurt in the past.

However (objectionable content issues aside) if you can't feel empathy for this irrational protagonist, his obsessive father or the morally loose Tiffany, you may have a hard time finding the silver lining that so many others are basking in.

The concern is especially deeply felt among those of us whose jobs require helping children to process the irrational actions of adults in a world that seems to inch closer to the edge every day.

Because of Mr. Garay's irrational reaction, Ms. Farner and the coordinator felt certain that it was in Arnold's best interest to be transferred to the other, more permanent foster home.

These games need to encapsulate the feeling of being a true man in all of its facial hair, steroid infused, irrational glory.

Surrealism, magic realism, the scientific principles of light and an inchoate sense of longing informed the dreamlike photographs, especially the large - scale camera obscura works, which invited the rational and the irrational to exist in the same room — juxtaposed images that felt like artifacts from the land of dreams and memory.

In your Observatory project, you state that «Knowing and feeling are not separate» and also that your work «draws upon a tension that exists between irrational and physical worlds.»

He acknowledges emotion in the process of storytelling, and exposes ways in which irrational feelings or inaccurate memories might even affect larger political and social interactions.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arIn this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin art.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

In the exhibition essay, she is quoted as saying «it may well be a kind of irrational joy I feel when compared to historically significant art» after being compared to Masaccio, Giacometti, and Michael Heizer.

For years, at various points in the studio I've fantasized about vandalizing my own paintings with language, but it felt like an irrational, potentially self - destructive thing to do.

Even if I am fully aware of the conflicts inherent in the irrational arguments for things like God, Country, or finding a «soul mate,» I feel like any good faith investigation into these beliefs must acknowledge that the vast majority of humanity really does believe, or at least wants to believe, in romance and myths.

Feel free to improve my guesses but your final citation may illustrate how profoundly irrational mankind has become in a few decades.

Most teens who give in to irrational or violent behavior say they felt like the world was just caving in on them, like there was no way out.

It also reduces the tendency of children in care to idealize the absent parents or develop irrational fears and feelings towards their parents; even sporadic contact provides children with an opportunity to maintain a realistic picture of their parents» strengths and limitations (Littner, 1975; Palmer, 1995) Involving family members in the treatment process provides to the child «concrete evidence that staff and family are openly working together, decreasing the risks of manipulation and secrets» (Noble and Gibson, 1994, p. 317).

In spite of being an irrational feeling, feeling jealous of an ex-spouse happens all the time, especially when he or she begins dating, gets engaged, introduces his or her new love to the children, or gets married and starts a new family.

In this book, you will not be told that your self - perceptions are wrong, that your thoughts are irrational, or that your feelings are misguided.

• Cognitive behavioral therapy (CBT) emphasizes the role of thinking in how we feel and what we do and stresses the fact that that irrational thinking or faulty perceptions cause our negative feelings.

I feel this is wrong in my thinking as obviously, people don't all have my standards, but man, it makes me not want to own that deal for the short 6 or so months because my probable irrational mind keeps saying, «You wouldn't buy a house in this neighborhood!

But (as usual) I felt more calm about everything the next morning - and (as usual) I knew in my heart that I needed to push myself, because I also know in my heart that most of my fears are completely irrational.