Sentences with phrase «is a horror film with»

Parents should know that this is a horror film with theme of racism and exploitation, extended peril and violence including gun, choking, and bloody, graphic, and explicit medical images and sounds, characters injured and killed, suicide, references to sad loss of a parent, some strong language including racist epithets, sexual references and a non-explicit situation, and smoking.
It Follows is a horror film with a deviously simple conceit: There's a thing, and it will follow its target until it catches and kills the person.

Not exact matches

With those two films showing potential weaknesses, there is room for a surprise winner like Get Out, the horror film about racism, or the coming - of - age LGBTQ romance Call Me By Your Name, among others.
In the Best Picture race, the biggest hits were the World War II flick «Dunkirk,» which last year grossed around $ 188 million in U.S.ticket sales, good for 14th place on the box office charts, and Jordan Peele's horror film «Get Out,» which tucked in just below «Dunkirk» with $ 176 million in domestic sales.
David Goldman tries to explain the growth in the American horror - film genre while making the assumption that horror is bad in and of itself, with which I disagree.
Horror films are ideal fodder for an increasingly bottom line «focused Hollywood: The films are populated with cheap, minor - league acting talent, they are extremely inexpensive to produce and film, and they offer the consumer something that is both reliable and comforting.
Whatever the case, I've realised that connecting mainstream witchcraft with conscious worship of the devil is fuelled more by horror films than reality.
I'm not sure there is anything creepier than children in horror films, there is just something about taking that innocence and turning them into something dark and sinister that doesn't sit well with...
The grunge elements were still there, mixed with a heavy dose of Western, so that the collection looked like the remains of a Ralph Lauren collection at the end of a Western - themed horror film.
Nowadays we are so desensitized with films like Hatchet and A Serbian Film that it is difficult to scare even the most hardcore of horror fans.
Alas, while I'm in love with the look of the film, I don't find The Shining to be the masterpiece of horror cinema that it's remembered as.
Despite all the cliches, it's a pretty hilarious film filled with good humor, mixed with gloomy atmosphere, making fun and at the same time adhering to the cliches of the Universal horror classic.
It was quite typical B - movies, not conceding the early Mexican horror films with their peculiar atmosphere and, if not that original, but, nevertheless, fascinating plots.
I have hazel eyes and I like going out to movies, Horror films are my favorite, or just hanging out with friends.
Any horror movie fan can see that this film has been made with a gleeful love of the genre, flaws and all, and the final half - hour delivers one of the greatest visually spectacular finales I have seen all year (even compared to that of another Joss Whedon project, The Avengers).
A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.
As with Eli Roth's Hostel films, the context should be clear to anyone aware of the role America plays in the developing world and the festering anti-American hostilities out there... or to anyone interested in the politics of horror and / or familiar with the genre conventions in this regard.
As with most horror films, the cast is lead by two extremely good looking people, Ryan Merriman and Haylie Duff, who both give unexpected performances.
One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!
It truly is a satirical horror film, it's just too bad that it didn't work out with Valve.
I went in this movie expecting a cheap slasher horror film, but I was having high expectations, because it has been announced in development since 2009, what I got was way too more in depth than I was barging for, this movie can't be reviewed without spoiling it, what I have to say is... SEE THE CABIN IN THE WOODS, it is different dark comedy with mystery and great visuals (hint) SEE THIS MOVIE.
I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.
But, as frustrating and bewildering as Under The Skin is, it swims with moments of beauty and horror, and few films make you think so much.
Wasn't too sure what to expect with this being based on a children's fable yet filmed as a serious horror / thriller flick, to my pleasant surprise it was quite enjoyable and had a nice gothic almost German expressionist type feel to it that you might expect from directors such as Burton or Gilliwas quite enjoyable and had a nice gothic almost German expressionist type feel to it that you might expect from directors such as Burton or Gilliam.
With a typical horror film start, the original finds its way to the top as it is filled with surprises and plot twiWith a typical horror film start, the original finds its way to the top as it is filled with surprises and plot twiwith surprises and plot twists.
Unlike many films dealing with the pending Apocalypse, which are often told in the horror genre with the visual horrors of the end of days, «Seeking a Friend for the End of the World» rightfully took a different perspective by focusing on people's natural reactions.
Played ominous from the outset there are some scares here, although with a nearly equal amount of «the dumb characters doing dumb things» schtick that plagues horror films like the Ebola virus gone rabid.
A film with a generic horror movie name is everything but.
One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something
What #Horror never quite figures out is if it's trying to be an allegory for the dangers of social media, an actual horror film, or a lesson on why pre teen girls are **** Those themes never mix with each other in a cohesive way and instead battle each other throughout the whole movie.
Hollow Man though is a good film for what it is as it blends Sci Fi elements with horror and thrills into one film.
Nothing on Lionsgate's 2014 schedule of YA novel adaptations, horror, and other genre films suggests that the studio is going to start churning out critically praised films, but with another Hunger Games installment due this year, the studio should remain in the green financially, if not score-wise.
The way they appear and vanish is almost supernatural, and it deliberately mimics the way horror movies toy with their audiences; there's a bit in the first film where Speedman is desperately rifling through his car and a finger menacingly makes its way into the frame to tap him on the shoulder, barely a half step away from having someone actually jump out and yell, «Boo!»
The performances of the cast make this film something truly special, and though it's not a perfect film, Fallen is still a top - notch psychological horror film with plenty to offer.
X Files: Fight The Future is a terrific Sci Fi Horror film with a fairly good story and decent enough acting to keep one entertained.
Annihilation follows the familiar form of science fiction horror found in films from Alien to The Cloverfield Paradox, with a cast of characters in isolation, slowly being picked off by a force they don't understand.
As a huge horror fan, I thought I was in for a real treat with this film considering some of the fantastic reviews it's received.
The Fallen is a great mix of crime film, and supernatural horror with a psychological twist.
In some - respects, this film also resembles Welles» «Mr. Arkadian», with a detective searching a man's past as the central - narrative — this was also copied by Alan Parker and his writers on «Angel Heart» (1986), another classic of horror.
Even though it relies on a gripping feel of intense paranoia, this is an overlong sci - fi / horror movie that suffers from certain problems in logic and kills its tension with long passages that make the pacing irregular, not even being smart enough as an allegory like the original film.
The movie is about a group of friends, apparently brothers and sisters as well, who are filming a horror movie about a zombie with jaundice or something like that.
Coming off the success of the horror film It Follows, writer - director David Robert Mitchell shifts into noir with his latest feature, but the results appear to be much less favorable.
With an eclectic mix of ground - breaking and genre - defining content including horror films, documentaries, Director's Nights and supernatural series, you'll be entertained, informed and terrified.
Combining newsreel footage with re-enactment's, the film captures the horror of the hostages — Americans Terry Anderson, Thomas Sutherland, Frank Reed; British citizens John McCarthy, Terry Waite; and Irish teacher Brian Keenan — as they are held by the Muslim fundamentalist group, the Hezbollah.
Though it does have its moments and a nice, creepy atmosphere, it seems more like a movie made for TV, with cheap production values, a lot of annoying clichés and a derivative plot that brings to mind a thousand better horror films that you could be watching instead.
This is what makes the film better than other low budget horror's because of Johnson's brilliant makeup wizardry and freaky imagination with his monsters.
Juiced up with clever kills, a throwback soundtrack, and a unique new setting, Roberts» film also makes the case that horror franchises aren't dead yet, they just need some new blood.
In - jokes for horror - film fans abound (the dog is named Jason, the monster in the Friday the 13th series; a cafe is the Craven Inn - Wes Craven directed the first Nightmare on Elm Street), and it's possible that those fans will be satisfied with the expensive, surreal special effects unleashed by director Renny Harlin.
Director Johannes Roberts begins the film with a synth - infused version of Kim Wilde's «Kids in America» and retro title styling, letting the audience know what decade of horror we're in for, even if the characters are blissfully unaware of what's coming.
The film doesn't shy away from the horrors of slavery, yet the grim material is balanced with a deliciously dark sense of humour - just check out the scene with a band of white - sheeted vigilantes, acting as a precursor to the KKK, which is one of the funniest scenes Tarantino has ever written.
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